RAREPEACE

RAREPEACE RAREPEACE is an upcoming magazine and filter free platform about music, people, culture and free minded spirits. Live music venue

A place to share and to represent our millennial age, carelessly.

Just like their songs, TOOL’s album covers are a whole trip, you don’t just look at them, you enter them.Optical illusio...
02/26/2026

Just like their songs, TOOL’s album covers are a whole trip, you don’t just look at them, you enter them.
Optical illusions, anatomy diagrams, and occult geometry that make you stare longer than you planned... then press play and disappear.

1. Undertow (1993)
2. Anima (1996)
3. Lateralus (2001)
4. 10,000 Days (2006)
5. Fear Inoculum (2019)

02/04/2026

Happy Black History Month to all the Black alternative folks around the world, whose very existence in spaces created by us — yet not always made for us — is an act of rebellion.

Here are some of my favorite Black-fronted punk, rock, and alternative artists from the past, present, and future. No logical order. Just artists who made space where there wasn’t one, who bent sound, style, and attitude to exist on their own terms.

They taught me that being loud, soft, weird, political, emotional, angry, and tender all at once was possible.
Blackness has never been one sound, one look, or one lane.
This is gratitude and lineage. This is Black alternative history still unfolding.

H09909 - Upside Down
Nova Twins - Monsters
Lenny Kravitz - Are you gonna go my way?
The Selecter - On My Radio
Bloc Party - Helicopter
COMMITMENT - DOG POUND
Bad Brains - Banned in D.C (Live)
Sister Rosetta Tharpe - Didn’t it Rain?
Bleed The Pigs - For This Defect, And For No Other Guilt, We Here Are Lost
Skunk Anansie - Charlie Big Potato
Bam Bam - Heinz 57
Upchuck - Forgotten Token
X-Ray Spex - Oh Bo***ge Up Yours!
Pure Hell - Wild One
Playytime - Deadman


02/04/2026

Happy Black History Month to all the Black alternative folks around the world, whose very existence in spaces created by us — yet not always made for us — is an act of rebellion.

Here are some of my favorite Black-fronted punk, rock, and alternative artists from the past, present, and future. No logical order. Just artists who made space where there wasn’t one, who bent sound, style, and attitude to exist on their own terms.

They taught me that being loud, soft, weird, political, emotional, angry, and tender all at once was possible.
Blackness has never been one sound, one look, or one lane.
This is gratitude and lineage. This is Black alternative history still unfolding.


Starting the year exactly how it should sound with the first guest mix of 2026 by the one and only from Baltimore, who ...
01/29/2026

Starting the year exactly how it should sound with the first guest mix of 2026 by the one and only from Baltimore, who delivered an exhilarating, joy-packed mixtape that hits hard and stays playful.

Breakbeats, jersey club, ghetto tech, unreal remixes — and that unmistakable squeaky bed-springs bounce that defines Jersey Club energy. Fast, bouncy, infectious from start to finish.

Click the link in bio to listen to the mix via .milano 🎧

Going live today at 11am ET on .milano with the first guest mixtape of 2026 🎧Baltimore-based rising DJ takes over with...
01/17/2026

Going live today at 11am ET on .milano with the first guest mixtape of 2026 🎧
Baltimore-based rising DJ takes over with a high-energy mixtape built to keep you moving from start to finish.
We’re thrilled to have her as our guest!
Archived + available for streaming early next week.

Stay tuned • Link in bio!

01/09/2026

Did you know? The backbone of the track Bliss by Yung Lean and FKA twigs is sampled from Alyans’ 1987 song Na Zare, a cult Soviet synthpop anthem that feels permanently suspended between hope and collapse. The original track was written at the tail end of the USSR, and you can hear that historical tension in it. Shimmering synth lines that sound optimistic on the surface, but feel emotionally heavy underneath. The sample is not flipped into something bigger. It is left exposed.

What makes Bliss special is how FKA twigs’ chorus floats above that foundation. Her voice does not overpower the song, it softens it. She brings warmth, sensuality, and emotional clarity to something that could otherwise feel cold or detached. The contrast works because it feels intentional. Lean’s emotional distance next to Twigs’ vulnerability.

Funny how a song born in late Cold War uncertainty becomes the backbone of a modern track about desire, disconnection, and softness in a chaotic world.

#русскийандеграунд

01/07/2026

There’s something quietly magical about realizing that Soulstice’s “Fall Into You” lives on inside ScHoolboy Q’s iconic track “Blessed”.
It’s not a loud sample, it’s subtle, almost hidden like a memory resurfacing years later in a completely different life. The original track floats in that late 90s trip-hop space: soft, melancholic, emotionally suspended.
When ScHoolboy Q flips it, the mood deepens. The hazy calm of Fall Into You becomes the emotional ground for Blessed, a song about survival, gratitude, and the weight of making it out. The sample isn’t there to impress; it’s there to hold the song.
What I love most about this connection is how seamless it feels. It reminds you that trip-hop and hip-hop have always shared the same emotional language: texture over excess, mood over spectacle, feeling over formula. This sample isn’t nostalgia—it’s continuity. A 90s track quietly reborn as a modern meditation.

01/04/2026

Seeing Miss World Chile 2025 Ignacia Fernández step onto the Miss World stage and openly claim her identity as a metalhead when performing a death metal track filled with growls and screams from her band Decessus — hit deeper than I expected. Not because metalhead women need validation, but because we so rarely receive it.

As girls, we’re often taught how to listen, how to look, how to soften our edges. And when you grow up loving extreme music — growls, blast beats, distortion — you quickly learn that it doesn’t fit the version of femininity people are comfortable with.

Even in so-called open-minded spaces and communities, I’ve witnessed the looks, the jokes, the disbelief. The subtle judgment disguised as curiosity. At some point, you start choosing when to stay quiet about what you love — not because you’re unsure, but because you’re tired of being perceived as quirky, weird, or “too much.”

That’s why seeing someone embrace metal on a global stage — and be celebrated for who she really is, even through surprise and shock — feels like a win. A reminder. A crack in the narrative.
These women I want to introduce you to, the ones who paved the way and the ones rising now — didn’t ask for permission to scream, growl, or take up space. They just did.

Everyone is open-minded until they’re not. People will judge you anyway so be who you are cause life is too short. This one’s for all the metalhead, punk and goth alternative girls who never fit the mold — and never should. 🖤🤘🏽

1. Decessus - The Eve Of Severed Tongues
2. Scowl - Shot Down
3. Spiritbox - Rule Of Nines (Courtney Laplante live onetake performance)
4. Crypta - The Other Side Of Anger
5. The Distillers - Drain The Blood
6. Kittie - Charlotte
7. Arch Enemy - Nemesis
8. Jinjer - Pisces
9. The Anchor - Masterpiece
10. Otep - Warhead

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