06/04/2024
A great review of Paul Oscher's "Live At The Tombs House Of Detention".
"Edgy, Sweaty and Testosterone Driven R&B From the Golden Age
Sadly I hadn’t realised that Paul Oscher died a couple of years ago from the Covid; but now his family and associates have got his house in order, this live album is going to be the first release celebrating his amazing life.
This particular recording, from the Manhattan House of Detention, aka ‘The Tombs’ simply tingles and sparks with excitement right from the opening instrumental track Off The Wall, featuring a rock solid beat and Oscher’s harmonica playing literally coming up from his soul.
The band literally ‘take no prisoners’ all night and follow Off The Wall with the haunting and soulful Blue Midnight which sounds like a knife fight between the harmonica and piano; then the walls shake during a raunchy version of Flip, Flop and Fly which bleeds into the heartstring tugger You’re Still My Baby.
Paul Oscher was a key member of Muddy Waters’ band between 1967 and ’71, so it’s no surprise that what we hear is his version of edgy urban Blues championed by Waters.
My guess is that the set list is pretty much what the band would play most nights; but for the inmates it must have been like listening to every Saturday night before their incarceration – minus the alcohol judging by the way each song is wildly received.
This sounds like the type of gig you dream of stumbling across when wandering around the dark side of any major city in the 1980’s; so you can only imagine how the crowd feel hearing Oscher and crew giving it all on standards like the bouncing Stagolee, then sliding straight into Stormy Monday and H***y Tonk Train when sparks sound like they are coming from David Mawell’s piano!
Like 99% of live albums, and especially Blues/R&B recordings, it’s less about the quality (although the recording here is A+) but the atmosphere on offer that will appeal to buyers; and trust me you can virtually taste the sweat and testosterone as the band wilfully break the inmates’ hearts during Kansas City and Steal Away featuring the smouldering voice of Rose Melody, which follows like a shadow.
While it’s not clear from the paperwork, I guess this was a late December recording as the band sing a beautiful a Capella version of Silent night where Rose Melody’s voice revibrates around the hall.
The set closes with a sizzling version of Freddie King’s Slideaway (from Hideaway) featuring some sublime and sizzling guitar from Oscher … and the night came to a noisy close.
While I presume that the recording has been cleaned up for modern hi-fi’s but there’s still enough background noise etc. to aid the atmosphere created by the band and The Tombs’ audience to live long in the memory.
Released April 17th 2024"
Paul OscherLive From The Tombs (aka The Manhattan House of Detention)Blues Fidelity Edgy, Sweaty and Testosterone Driven R&B From the Golden Age Sadly I hadn’t realised that Paul Oscher d…