Courtney Collins Fine Art

06/11/2026

Tuscany becomes more than a backdrop in David Yarrow’s newest works. It becomes the stage.

Across The Prancing Horse, Cypress Point, and The Good Life, Yarrow brings together the unmistakable romance of Ferrari, the geometric beauty of the Italian countryside, and the legends that reside there.

This is Italy as myth, memory, and motion.
Available through Courtney Collins Fine Art.

05/31/2026

COWBOYMANIA | June 10th | 5PM-7PM

Courtney Collins Fine Art is proud to announce an upcoming exhibition by Miles Glynn that explores the enduring tale of the American cowboy through mixed media painting, representing the mythical pull of the West and the pioneers that lived it.

Join us as we welcome Glynn’s work into the gallery where history, landscape, and legend meet in a bold contemporary voice.

The exhibition takes place at the gallery in big sky Montana June 10th, from 5PM to 7PM

AmericanCowboy FineArtGallery MontanaArt ArtExhibition BigSkyArt

05/19/2026

Lane Timothy, Standing Strong, 68 x 48

Standing Strong is a massive 68X48 inch painting highlighting the strength and resilience of the American Bison.

Timothy Lane, a self-taught artist from Missoula, Montana, is known for his nostalgic oil paintings that explore Western history, wildlife, and the spirit of the frontier. His art has attracted collectors from around the world, with a style that feels timeless and closely connected to Montana.

We invite you to Lane Timothy’s upcoming exhibition, ANGELS AND OUTLAWS, at Courtney Collins Fine Art in Big Sky, Montana. The event takes place on Wednesday, July 15, 2026, from 5 to 7 PM.

WesternArt ContemporaryWesternArt BisonArt FineArt AmericanWest

05/08/2026

Robert Mars | A Line Of Shots | 40X60”
Mixed medium and collage on wood panel with UV Epoxy Resin.

A new name has arrived at Courtney Collins Fine Art, and it is a big one.

Robert Mars’ A Line of Shots brings together nostalgia, American pop culture, and the glossy language of desire. Drawing from a time before he was born, Mars transforms vintage magazines, advertising copy, celebrity imagery, and brand iconography into layered works that feel both familiar and distant.

Often referenced alongside Pop Art figures like Andy Warhol and Robert Rauschenberg, Mars uses Xerox transfers, bold color, distressed textures, minimalist patterns, and resin to create pieces that feel like memories pulled from another era. His work celebrates the icons, objects, and visual language of mid-century America while asking why those images still hold such power today.

We are thrilled to welcome Robert Mars to the gallery.

05/02/2026

From the Hills of Aspen David Yarrow captures the spring and new beginnings in this nostalgic road trip through one of skiing’s most iconic locations.

04/14/2026

Kevin Red Star

Early Crow Indian Dancers 48 x 48 Acrylic on Canvas

Kevin Red Star’s Early Crow Indian Dancers reflects his lifelong commitment to preserving and sharing Crow culture through painting. A member of the Crow Nation, Red Star draws from personal history, oral tradition, and lived experience to depict ceremonial life with clarity and respect. Through his paintings, Red Star documents cultural identity while honoring the continuity of Crow traditions in a contemporary context. On view at Courtney Collins Fine Art in Big Sky, Montana.

04/10/2026

Carrie Fell Perfect Instincts | 60 x 84 | Oil and Acrylic on Canvas

Carrie Fell’s Perfect Instincts highlights her signature approach to contemporary Western art, where bold color and fluid line take precedence over realism.

Known for her expressive, abstracted figures, Fell captures the energy and spirit of the West through movement and intuition rather than detail. Her work often blends oil and acrylic to build layered compositions that feel both spontaneous and deliberate, reflecting her belief in painting from instinct.

Based in the American West, Fell continues to push traditional Western imagery into a more modern, emotional space. On view at Courtney Collins Fine Art in Big Sky, Montana.

Courtney Collins Fine Art features and sells contemporary and western artwork in the heart of Big Sky, MT. Explore our premier fine art gallery today.

04/05/2026

ROAD RAGE

WORDS BY DAVID YARROW

Yellowstone is the only place in the
United States where bison have
lived continuously since prehistoric
times. By 1902, poachers had reduced
Yellowstone’s herd to about two dozen
animals but the recent estimates suggest
this has grown to around 5,000-5,400. It
is America’s largest and oldest wild, free-
roaming herd.

We only film bison in Yellowstone in the
depths of winter. There are two reasons
for this: one of course is that the traffic
is bearable in the winter and we are very
often on our own and out of the park by
10 am; the second more important factor
is that the presence of snow plays to
the animal’s fortitude. I would not film
the Amalfi coast in the winter, as it is a
summer holiday destination, and in the
same way I have no interest in filming in
Yellowstone in July.

I tend to focus on the male bison which
can weigh up to 2,000 pounds and stand
6 feet tall. From the right angle, their
enormous heads and curved horns elicit
imagery of mythological beasts; they
are part cow and part fantasy. The bison
are a revered part of the tapestry of
Americana.

This immersive photograph was shot on
a remote camera with a wide-angle lens
on the road between West Yellowstone
and Madison Junction. It’s an iterative
process and I often fail simply because
I am not in charge of the bison’s

movement. But a pattern can develop and
then we must be patient.

Yellowstone is very accessible these days
and there are many photographers up
there every day. I think the important
thing is to be true to oneself and do what
you do.

04/04/2026

ROAD RAGE | WORDS BY DAVID YARROW

Yellowstone is the only place in the
United States where bison have
lived continuously since prehistoric
times. By 1902, poachers had reduced
Yellowstone’s herd to about two dozen
animals but the recent estimates suggest
this has grown to around 5,000-5,400. It
is America’s largest and oldest wild, free-
roaming herd.

We only film bison in Yellowstone in the
depths of winter. There are two reasons
for this: one of course is that the traffic
is bearable in the winter and we are very
often on our own and out of the park by
10 am; the second more important factor
is that the presence of snow plays to
the animal’s fortitude. I would not film
the Amalfi coast in the winter, as it is a
summer holiday destination, and in the
same way I have no interest in filming in
Yellowstone in July.

I tend to focus on the male bison which
can weigh up to 2,000 pounds and stand
6 feet tall. From the right angle, their
enormous heads and curved horns elicit
imagery of mythological beasts; they
are part cow and part fantasy. The bison
are a revered part of the tapestry of
Americana.

This immersive photograph was shot on
a remote camera with a wide-angle lens
on the road between West Yellowstone
and Madison Junction. It’s an iterative
process and I often fail simply because
I am not in charge of the bison’s
movement. But a pattern can develop and
then we must be patient.

Yellowstone is very accessible these days
and there are many photographers up
there every day. I think the important
thing is to be true to oneself and do what
you do.

04/04/2026

From the eye of world renowned photographer David Yarrow “ROAD RAGE”

From David Yarrow | #

Yellowstone is the only place in the
United States where bison have
lived continuously since prehistoric
times. By 1902, poachers had reduced
Yellowstone’s herd to about two dozen
animals but the recent estimates suggest
this has grown to around 5,000-5,400. It
is America’s largest and oldest wild, free-
roaming herd.

We only film bison in Yellowstone in the
depths of winter. There are two reasons
for this: one of course is that the traffic
is bearable in the winter and we are very
often on our own and out of the park by
10 am; the second more important factor
is that the presence of snow plays to
the animal’s fortitude.

I would not film the Amalfi coast in the winter, as it is a
summer holiday destination, and in the
same way I have no interest in filming in
Yellowstone in July.

I tend to focus on the male bison which
can weigh up to 2,000 pounds and stand
6 feet tall. From the right angle, their
enormous heads and curved horns elicit
imagery of mythological beasts; they
are part cow and part fantasy. The bison
are a revered part of the tapestry of
Americana.

This immersive photograph was shot on
a remote camera with a wide-angle lens
on the road between West Yellowstone
and Madison Junction. It’s an iterative
process and I often fail simply because
I am not in charge of the bison’s
movement. But a pattern can develop and
then we must be patient.

Yellowstone is very accessible these days
and there are many photographers up
there every day. I think the important
thing is to be true to oneself and do what
you do.