02/05/2022
Paige Greeley received a degree in Fine Arts from Endicott College and is currently working towards an MFA in Painting + Drawing at Ohio University.
In her current work, she examines the role of misogyny in the depiction of women in America, particularly the social construct of beauty-as-currency. Drawing on her own personal experience and research, she explore the ways that feminine beauty is culturally defined and the dangers arising from this obsessive and limiting view. Despite five decades of social activism, popular culture continues to depict women as beautiful, hopeless victims. As women make progress toward greater equality, the patriarchy has countered with strategies designed to maintain control. One tactic, discussed in the literature, is to set impossibly high standards for beauty, forcing women to devote enormous amounts of time and money in a struggle to meet society’s expectations. The objective of her paintings and embroidery is to raise awareness of the persistent debasement of women in Western culture, including erotized female victimization and violence. She examines the biological argument for the evolution of this behavior, the overwhelming social pressure to conform, the subjugation of women by the patriarchy, and women’s complicity. Working from experience on a r**e crisis hotline and her own exploitation, Greeley creates visceral, figurative oil paintings that incorporate labor-intensive, tight-stitch embroidery to highlight the twisted representation of women in media, the damage it inflicts, and the perennial costs of beauty-as-currency.
Greeley remains committed to addressing the abuse of women in American society and has worked with Nasty Women Exhibitions throughout the U.S. She has exhibited her paintings at Last Rites and Booth Gallery in New York City, The Dark Arts Emporium in Long Beach, California, The Photographic Resource Center in Boston, a solo show at Local 188 in Portland, and at Ganzo Gallery in Italy.