Distortion Society

Distortion Society Bespoke tattoo studio and contemporary art gallery in the heart of Beacon, NY.

We love how Josuรฉ Morales Urbina has transformed our small gallery with his solo show ๐™‡๐™–๐™ง๐™ง๐™ช๐™ฅ๐™ž๐™ฃ โœจ The gallery is free and...
05/23/2026

We love how Josuรฉ Morales Urbina has transformed our small gallery with his solo show ๐™‡๐™–๐™ง๐™ง๐™ช๐™ฅ๐™ž๐™ฃ โœจ The gallery is free and open to the public during our business hours Wednesdays - Sundays. Press + art inquiries: email [email protected] or DM us!

Born in Guatemala and now based in New York, his practice centers on the experience of not fully belonging to either placeโ€”what he calls transcultural displacement orย dรฉpaysement, a longing for home within a foreign environment. Inย ๐™‡๐™–๐™ง๐™ง๐™ช๐™ฅ๐™ž๐™ฃ, Morales Urbina works with materials ranging from the utilitarian to the organic to explore ideas of home, ephemerality, and connection through language, taste, and sensory experience. Curated by Gallery Director Michelle Silver the exhibition will be on view through July 2 so add it to your list for - weโ€™re an official participant!

Josuรฉ Morales Urbina has participated in residencies and programs with:











A few recent gestural, illustrative beauties from our resident artist
05/17/2026

A few recent gestural, illustrative beauties from our resident artist

Itโ€™s the last few days to see  ๐™Ž๐™ฅ๐™–๐™˜๐™š๐™จ ๐˜ฝ๐™š๐™ฉ๐™ฌ๐™š๐™š๐™ฃ ๐˜พ๐™ค๐™ก๐™ค๐™ง, on view through this Sunday, May 3. For more insight into the work,...
04/29/2026

Itโ€™s the last few days to see ๐™Ž๐™ฅ๐™–๐™˜๐™š๐™จ ๐˜ฝ๐™š๐™ฉ๐™ฌ๐™š๐™š๐™ฃ ๐˜พ๐™ค๐™ก๐™ค๐™ง, on view through this Sunday, May 3. For more insight into the work, please check out our feature in Art Business News that includes an interview between Gallery Director and Curator - full article at link in bio!

The exhibition features work by

Art inquiries DM or email [email protected]

๐Ÿ’ฅ๐—”๐—ฅ๐—ง๐—œ๐—ฆ๐—ง ๐—ฆ๐—ฃ๐—ข๐—ง๐—Ÿ๐—œ๐—š๐—›๐—ง๐Ÿ’ฅ We want to introduce you to our next artist for our upcoming solo exhibitionย ๐™‡๐™–๐™ง๐™ง๐™ช๐™ฅ๐™ž๐™ฃ, Josuรฉ Morales ...
04/26/2026

๐Ÿ’ฅ๐—”๐—ฅ๐—ง๐—œ๐—ฆ๐—ง ๐—ฆ๐—ฃ๐—ข๐—ง๐—Ÿ๐—œ๐—š๐—›๐—ง๐Ÿ’ฅ We want to introduce you to our next artist for our upcoming solo exhibitionย ๐™‡๐™–๐™ง๐™ง๐™ช๐™ฅ๐™ž๐™ฃ, Josuรฉ Morales Urbina. Please join us for the opening reception on May 9 from 7-9pm to see how Josuรฉ Morales Urbina transforms our small gallery!

From the artist: I was born in Guatemala and have lived throughout the United States since my twenties, yet I have never fully belonged in either place. In the United States, I am asked to account for my origins. Within Latin American communities, I remain a minority within a minority. When I return to Guatemala, my accent, my clothing, and my lived experience mark me as different. I have become a hidden immigrant, someone who seems to belong but does not. Art becomes the place where I build a sense of home.

Foreignness and the impermanence of memory shape the installations I create, which emerge from fragments of lived experience and materials that evoke the familiar, the perishable, and the intimate. Informed by Homi K. Bhabhaโ€™s notion of the Third Space, my practice explores the in-between condition where identity is negotiated, and hybridity becomes both tension and creation. Process-oriented and meditative, my Third Culture Kid work discovers yet another Third Space through repetition, where hand and mind converge and the act of making becomes a site of belonging.

I give everyday materials a sense of protagonism, allowing them to shape the work through their own tensions, fragilities, and transformations. I use edible and biodegradable elements such as honey, milk, mandarin peels, baguettes, coffee, and plantain chips. These materials carry domestic associations and cultural histories, and within my installations they also seek to adjust to the newly created environment, mimicking my interest in displacement and adaptation. A memory evokes a material, and the material guides the work.

Slide 1: portrait of artist; 2-3 โ€œConnective Threadsโ€ at curated by ; 4-6 โ€œIntercisesโ€ solo show at ; 7-8 โ€œQualia Seriesโ€ and โ€œFOX03โ€ in progress for ๐™‡๐™–๐™ง๐™ง๐™ช๐™ฅ๐™ž๐™ฃ

โ€œSelves as Vesselsโ€ by Chinatsu Nagamune  โœจ Abstracted human forms documenting a shift in the artistโ€™s practice after be...
04/21/2026

โ€œSelves as Vesselsโ€ by Chinatsu Nagamune โœจ Abstracted human forms documenting a shift in the artistโ€™s practice after becoming a mother last year. Her work is a sustained conversation between hand and material, a practice of quiet exchange between stencil, dye, mark making and remnants of hand-stitched texture. We just love how Chinatsu uses the Japanese katazome technique to document her artistic and life journey - such understated confidence and power โœจ

Chinatsu Nagamue, โ€œSelves as Vesselsโ€ 2025.
Indigo on choma. 32 x 35 inches.
Inquiries: DM or email [email protected]

๐™Ž๐™ฅ๐™–๐™˜๐™š๐™จ ๐˜ฝ๐™š๐™ฉ๐™ฌ๐™š๐™š๐™ฃ ๐˜พ๐™ค๐™ก๐™ค๐™ง curated by is on view through May 3 at 155 Main St Beacon, NY. The gallery is free and open to the public during business hours. Full checklist available at link in bio โœจ

๐™Ž๐™ฅ๐™–๐™˜๐™š๐™จ ๐˜ฝ๐™š๐™ฉ๐™ฌ๐™š๐™š๐™ฃ ๐˜พ๐™ค๐™ก๐™ค๐™ง is on view for a few more weeks - through May 3 โœจ If you havenโ€™t been by yet to see it, nowโ€™s the t...
04/16/2026

๐™Ž๐™ฅ๐™–๐™˜๐™š๐™จ ๐˜ฝ๐™š๐™ฉ๐™ฌ๐™š๐™š๐™ฃ ๐˜พ๐™ค๐™ก๐™ค๐™ง is on view for a few more weeks - through May 3 โœจ If you havenโ€™t been by yet to see it, nowโ€™s the time! For available work please email [email protected]

๐™Ž๐™ฅ๐™–๐™˜๐™š๐™จ ๐˜ฝ๐™š๐™ฉ๐™ฌ๐™š๐™š๐™ฃ ๐˜พ๐™ค๐™ก๐™ค๐™ง is a group exhibition curated by artist Erina Pearl that focuses on the process of katazome. Four artistsโ€”Erina Pearl , Chinatsu Nagamune , mizosasora , and Natalia Siu Munro โ€”display a collection of 13 works embodying the meticulous nature of the technique that helped shape the folk art movement in Japan. Katazome is a traditional Japanese craft that uses cut-stencil and rice paste resist (a mixture applied through the stencil to block color from penetrating the surface) to develop imagery and design while celebrating the beauty in nature, objects and life. From imploring natural dyes on ramie (a strong fiber cloth similar to linen) to vibrant pigments on hanji (traditional Korean handmade paper), ๐™Ž๐™ฅ๐™–๐™˜๐™š๐™จ ๐˜ฝ๐™š๐™ฉ๐™ฌ๐™š๐™š๐™ฃ ๐˜พ๐™ค๐™ก๐™ค๐™ง is a dynamic look at how traditional craft shapes contemporary practice.

๐Ÿ’ฅ๐—˜๐—ซ๐—›๐—œ๐—•๐—œ๐—ง๐—œ๐—ข๐—ก ๐—”๐—ก๐—ก๐—ข๐—จ๐—ก๐—–๐—˜๐— ๐—˜๐—ก๐—ง๐Ÿ’ฅ Opening May 9th, Distortion Society presentsย ๐™‡๐™–๐™ง๐™ง๐™ช๐™ฅ๐™ž๐™ฃ, a solo exhibition by installation artis...
04/12/2026

๐Ÿ’ฅ๐—˜๐—ซ๐—›๐—œ๐—•๐—œ๐—ง๐—œ๐—ข๐—ก ๐—”๐—ก๐—ก๐—ข๐—จ๐—ก๐—–๐—˜๐— ๐—˜๐—ก๐—ง๐Ÿ’ฅ Opening May 9th, Distortion Society presentsย ๐™‡๐™–๐™ง๐™ง๐™ช๐™ฅ๐™ž๐™ฃ, a solo exhibition by installation artist Josuรฉ Morales Urbina. Born in Guatemala and now based in New York, his practice centers on the experience of not fully belonging to either placeโ€”what he calls transcultural displacement orย dรฉpaysement, a longing for home within a foreign environment. Inย ๐™‡๐™–๐™ง๐™ง๐™ช๐™ฅ๐™ž๐™ฃ, Morales Urbina works with materials ranging from the utilitarian to the organic to explore ideas of home, ephemerality, and connection through language, taste, and sensory experience. Curated by Gallery Director Michelle Silver ๐˜๐—ต๐—ฒ ๐—ฒ๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ฝ๐—ฒ๐—ป๐˜€ ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜†, ๐— ๐—ฎ๐˜† ๐Ÿต, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐˜„๐—ถ๐˜๐—ต ๐—ฎ๐—ป ๐—ผ๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ฝ๐˜๐—ถ๐—ผ๐—ป ๐—ณ๐—ฟ๐—ผ๐—บ ๐Ÿณ-๐Ÿต๐—ฝ๐—บ and will be on view through July 2 so add it to your list for - weโ€™re an official participant!

Morales Urbina relocated to the United States in his twenties. In the U.S., he is often asked to account for his origins; in Guatemala, his accent, clothing, and lived experience mark him as other. He describes himself as a โ€œhidden immigrantโ€ or someone who appears to belong yet remains outside. Within this tension, art becomes a site for constructing a sense of home. Informed by Homi K. Bhabhaโ€™s concept of the Third Space, his work inhabits an in-between condition where identity is continually negotiated and hybridity emerges as both friction and generative force. Everyday materialsโ€”zip ties, rubber bands, drinking strawsโ€”are activated as structural agents, shaping the work through their inherent tensions, fragilities, and transformations. Edible and biodegradable elements such as mandarin peels introduce domestic associations and layered cultural histories that shift in relation to the viewerโ€™s own experiences. [continued in commentsโ€ฆ]











Stunning line work and color gradients on this floral tattoo by  ๐ŸŒธ For consultation or tattoo appointments, fill out the...
04/10/2026

Stunning line work and color gradients on this floral tattoo by ๐ŸŒธ

For consultation or tattoo appointments, fill out the form at the link in bio or go to the โ€œbook a tattooโ€ button on distortionsociety.com

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155 Main Street
Beacon, NY
12508

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