04/20/2015
While we were enjoying Marcos Balter's music at the premiere of The Codex Project in Baltimore, audiences in Boston were also healring a selection of the same music. In a glowing review, Matthew Guerrieri observes, "The score — threatening warbles, pointed interjections, garrulous virtuosity, fierce silences — exalts music’s open-eared conspiracy: its expressive indecipherability. Out of the crosscurrents of influence and idiom came a reminder that music truly is a universal language, in that nobody knows what it really means." It did mean a great night of music in two cities!
“Arielismo,” it was called: the idea (first expounded, through archetypes from Shakespeare’s “The Tempest,” in Uruguayan writer José Enrique Rodó’s 1900 book, “Ariel”) that Latin American culture was the continent’s buoyant, spiritual counterweight to the brutish, utilitarian, Caliban-like United St…