BassForge

10/16/2026

Links to the new event are in my bio if you’d like to join, we would love to have you.

We haye a super exciting weekend planned withea ton of great speakers like Hugh Newman, Dan Richards, BIllY Carson, in inserts, and so many more. We even have some surprise guests 😈

All links for this new event are in my bio, if you are lost at any point from the chaos of the previous event I’ve diverted my entire staff to handling support so y’all are taken care of, just shoot us an email at [email protected] and we’ll get you in the right direction.

We did not organize the previous event, if you have retund requests those need to go to the original site you purchased them from, unfortunately none the speakers have access to the prior ticketing information.

This was put together at lightspeed in TWO days by myself, Michael Collins, Inn Cahoots, and all of my incredible friends in the ancient history community and especially the ones from the best city on earth (Austin).

Let us show you some southern hospitality 🫶🏼

See you on the sidequest 😎

10/13/2026

The Colossi of Memnon are two enormous problems for the orthodox idea of ancient Egypt. These are stone statues standing in Luxor, Egypt, each weighing an estimated 700 tons and towering nearly 60 feet into the air.

Their existence is where things get interesting.

These monuments were transported roughly 420 miles from their presumed quarry near Cairo to their final resting place in Thebes over 3,300 years ago.

Too heavy to transport on the Nile, they had to have been transported on land.

For comparison, modern highways and bridges have strict weight limits, and moving a load this massive today would require specialized heavy-haul equipment, extensive route planning, and potentially significant infrastructure modifications.

Yet the ancient Egyptians accomplished this without hydraulic cranes, diesel engines, steel transporters, or modern paved roads. Two modern day examples of our tech in practice here are the Ramses II statue moved to the Egyptian museum in Cairo, and the Levitated mass in California.

So how did they move hundreds of tons of stone across ancient Egypt? What kind of infrastructure would have been necessary that no longer exists, and how much do we actually know about their transportation methods?

The deeper you look into ancient Egyptian engineering, the more interesting the questions become… let’s talk about them at Quest for Ancient Civilizations in Austin..

10/09/2026

In 1995 a book called Seed of Knowledge Stone of plenty proposed a mechanism that tied ancient ritual and monumental architecture to increased growth in crops.

30 years later, numerous studies on soil conductivity, pulsed magnetic fields, and acoustic response have strengthened the theory.

By aligning the factors that maximize growth factors, pest resistance, crop yield, and germination rates using the earths natural electric circuit, we now have a scientific language to pair with the ritual practice and environmental manipulation.

This is just a small Piece of the technology I will be breaking down at Quest for Ancient Civilizations in Austin October 15th.

This is the culmination of about a year and a half of not writing another book 🙃 travel, and experimentation so that we can finally take this research seriously.

Super excited to present what I’ve been working on, hope I see you there 🫶🏼 tickets are going fast, snag them here:
Quest4ancients.com

10/07/2026

It’s not a coincidence that there’s a shiva statue outside of CERN. The ancient Hindu were so far ahead of their time were having a hard time deciphering it today.

Ancient technology has been my obsession for a decade, and providing the mechanisms and clear explanations for how it works is a huge part of my pages.

In a few days I’ll be giving a talk on how many of these ideas work together to form a viable hypothesis for what the ancients were actually doing with all of these monuments. I’ll give you a little hint, none of them were tombs 😇

Go check out the insane lineup and activities we’re bringing to my backyard, the heart of Austin, at ACL Live at the moody theater. Super excited to play some tunes, meet you all, and start unlocking new technologies that have been lost for millennia.

See you there!

10/06/2026

SURPRISE. This was not on my bingo card for the month but BOY was I excited for this.

Today I sat down with Graham Hancock, Dan Richards from Dedunking, and GSP (yes the fighter) for a conversation about ancient history, open dialogue in the academic world, and some of grahams latest adventures in Iraq.

Graham has been busy with his new book and recovering from heart surgery that fortunately, for the world, was successful.

We are all super excited to meet everyone and show the world the latest stuff we’ve been working on at Quest for Ancient Civilizations in Austin Texas, October 15-18.

The lineup is actually the craziest thing I’ve ever seen 😂 we have Randall Carlson, Billy Carson, Dan Richards, Hugh Newman, David Hatcher Childress, and many more independent Ancient Researchers.

Along with that, there will be comedy from Tyler Fischer, Kurt Metzger, and Duncan Trussel, as well as a completely new audio visual performance from yours truly including a Halloween costume party on Saturday night

Tickets are $100 off until October 10th and if you use code “BFORGE” at checkout you can get an additional $50 off 😇

Get those here: www.quest4ancients.com

Catch the interview premiere on YouTube tonight at 7PM CST

LOVE YOU 🫶🏼

09/29/2026

When I was first learning this stuff I skipped Sacred geometry because I thought it was pseudoscience.

I’ve since changed my mind entirely and would argue that most things from the ancient world to today are impossible to understand without it.

Sacred Geometry Secrets is up on YouTube 🤘🏼 put the link in my bio as well.

09/28/2026

The same technology we’re using in quantum sound crystals was implemented thousands of years ago to by our Ancestors.

Ancient architecture mirrors the the resonant geometry used in our smaller tech today.

By matching the pattern, we see clear design choices based on resonance, proportion, and symmetry. Pretty hard to ignore when it appears across every culture.

Was it only for seismic protection? Personally I think that was just a byproduct of designing in line with the natural laws of the universe.

The bigger question is why that was a priority before inventing devices like ours that could use it.

Unless those were actually devices.

09/27/2026

A vajra isn’t a Vajra unless it’s in a specific design. Not by measurements alone but by ratio.

Everything in the universe operates on ratios from music to electromagnetics.

As weapon described as working across multiple dimensions and scales of reality., the vajra seems more like techology than mythology.

I’m going to go deep on this one so I’m having a giveaway for the authentic Tibetan Vajra seen in this video along with Sogned copies of all my books.

Comment “Vajra” and I’ll send you the details 🤘🏼

09/25/2026

Any vibration can fit in a trumpet, but only certain ones fit perfectly. Those are the harmonics of the trumpet. The notes on a scale are the ones that fit perfectly in the trumpet or whatever instrument you’re playing. When the notes fit inside each other perfectly, those are chords. This makes up a harmonic series.

Chords are the sum of these three harmonic tones that we call notes. Cymatics are the result of sprinkling sand over a metal plate and then playing a certain frequency through that metal plate. Harmonic tones make patterns in the sand. Tones that aren’t harmonic create chaos in the sand. But that’s just one dimension of what’s actually going on.

Each frequency creates peaks and valleys as the frequency interferes with itself on a chladni plate. When the sound interferes constructively, then you have a peak. When it interferes destructively, you create a valley. That’s where the sand sits. If we get a little extravagant with the movement, it starts to look like a piece of paper, but this is actually what’s going on with the metal. Too much movement would just bounce the sand right off the plate. You may recognize the complex patterns as we move up in frequency like Borobudur, which is the largest Cymatic Pattern in the world.

My buddy Fab discovered that the Sri Yantra can be mapped to a frequency. In the Ancient days, emple chambers created a sonic envelope inside that’s often marked by a cymatic flower on the walls. Why? Humans have known for a long time that sound creates experience. Understanding the specific frequencies can elicit a feeling or emotion. The nerve you hear with is connected to every system in the body, which makes sound and harmonics the most effective way to drive an experience here.

Follow these incredible creators in this video:of.curiosity

09/25/2026

https://youtu.be/ruVJE9po3-U?is=b3HeCaXRVmAgo7Bp

Tyler Engle is a musician, researcher, author, and host of the "Bas...