The Warehouse Atlanta

10/10/2026

Yes, we are OPEN.

1pm — 5pm

We hope to see you soon for our public access day.



—

Ed Rusche, Yes — No, 1987, Ed Ruscha, courtesy of the artist and Gagosian.

10/10/2026

09/30/2026

Join us at The Warehouse this Saturday, October 3, from 10 AM-3 PM for a ✨ bonus ✨ opening day.

A collection shaped by ideas of home, place, memory, and the everyday is best experienced in person.

Swipe through for a glimpse inside →
1. , “Untitled,” 1940s - 1990s, wood, tin, iron, plastic, cement, house paint, aluminum and glass
2. , “Santee-Cooper Basin (S.C.),” 1990, oil pastel on archival paper
3. The Warehouse installation view. Works pictured:
, “Bible House,” late 1960-early 1970, wood, mirror, paint, brick and metal; , “Hexenhaus und Pilz (Witch’s House and Mushroom),” 1999, wood, polyester, and paint.
4. Tim Davis Tim Davis, “Jacob’s Ladder,” 2020, dye sublimation print on aluminum. From Normaltown, on view at The Warehouse through February 9, 20207.
5. The Warehouse installation view
6. Tim Davis Tim Davis, “Georgia,” 2022, dye sublimation print on aluminum. From Normaltown, on view at The Warehouse through February 9, 20207.

Open to the public. Free admission. No reservations required.

09/30/2026

Join us at The Warehouse this Saturday, October 3, from 10 AM–3 PM for a bonus Saturday.

A collection shaped by ideas of home, place, memory, and the everyday is best experienced in person.

A glimpse inside:
Ferdinand Cooper, “Untitled,” 1940s - 1990s, wood, tin, iron, plastic, cement, house paint, aluminum and glass

Beverly Buchanan, “Santee-Cooper Basin (S.C.),” 1990, oil pastel on archival paper

The Warehouse installation view. Works pictured: Howard Finster, “Bible House,” late 1960-early 1970, wood, mirror, paint, brick and metal; Katharina Fritsch, “Hexenhaus und Pilz (Witch’s House and Mushroom),” 1999, wood, polyester, and paint.

Tim Davis, “Jacob’s Ladder,” 2020, dye sublimation print on aluminum. From Normaltown, on view at The Warehouse through February 9, 20207.

The Warehouse installation view

Tim Davis, “Georgia,” 2022, dye sublimation print on aluminum. From Normaltown, on view at The Warehouse through February 9, 20207.

Open to the public. Free admission. No reservations required.

09/24/2026

Join us for a bonus Public Saturday, October 3, from 10 AM–3 PM, coinciding with Atlanta Art Fair.

Make yourself at home and spend the day with the collection.

Free admission. No reservations required.



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Roe Ethridge, “Midwest Long Island,” 2018, dye sublimation print on aluminum

09/11/2026

New work, familiar surroundings, a new season.

The Warehouse reopens to the public this Saturday, September 12.
After a planned summer closure, The Warehouse returns with a reinstallation of works from the collection alongside a new exhibition of photographs from NORMALTOWN, Tim Davis’s (Tim Davis) deeply personal exploration of memory, place, and the meaning of home. NORMALTOWN will be on view Sept. 12, 2026-Jan. 9, 2027.

Open Saturday, September 12, 10 AM–5 PM. Docent led hours at 10:30 a.m. and 12:00 p.m. 1643 Chattahoochee Avenue NW, Atlanta.

Free admission. No reservation required.



Bruce Nauman, “House Divided,” 1982, graphite on paper
Theaster Gates, “The Promise of Modularity,” 2016, ceramic bricks and wood
Tim Davis, “Motorbike Kid,” 2024, dye sublimation print on aluminum

06/11/2026

Reminder: There is no Public Saturday on June 13

The Warehouse is temporarily closed to the public from June through August to prepare for a new fall season.

We’re making a splash behind the scenes this summer and look forward to welcoming visitors back in the fall.

Sign up for our newsletter at www.thewarehouse.org to receive reopening updates.
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Simon Fujiwara, Who’s Bigger Splash? (Curious Blue), 2021, colored paper collage

05/07/2026

We’re ready for summer break.

Join us this Saturday, May 9 for a final visit to The Warehouse before we pause for a summer break. The Warehouse will be temporarily closed to the public from June through August to prepare for a new fall season.

Open May 9th from 10am – 5pm.

Docent tours at 11am and 1pm.

Free admission, no reservations required.

All visitors to The Warehouse must be 10 or older.

Visit www.thewarehouse.org for more information
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Jennifer Bartlett, At Sands Points, 1986, oil on canvas, painted wood

Maureen Gallace, Beach House/Roses, 2009, oil on panel
Yvonne Jacquette, Untitled, c. 1969, acrylic on canvas board

Alex Katz, Reflection II, 1992, oil on canvas

Have a nice summer. We’ll see you in the fall.

04/09/2026

Poetry and visual art sometimes speak the same language just in different forms.

In honor of National Poetry Month, we present an excerpt of “Auguries of Innocence” by William Blake and “All Heaven in a Rage” by Mark Dion.

“To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.

A robin redbreast in a cage
Puts all Heaven in a rage...”

— William Blake

Mark Dion, All Heaven in a Rage, 2024, mixed media
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Join us this Saturday, April 11 from 10am – 5pm.
Docent tours at 11am and 1pm.

Free admission, no reservations required.
All visitors to the Warehouse must be 10 or older.

Visit www.thewarehouse.org for more information