06/14/2023
So saddened to learn of the loss of yet another of the indisputable all time greats, the AMAZING John Romita, Sr.
Ask anybody who draws superheroes in any context, professionally or just for fun, and they'll tell you that Spider-Man may be one of the toughest of the classics to really nail. He may look deceptively simple due to his elegant design, but he's TOUGH. From the webs to the shape of the eyes, to the way everything just POPS, the devil is really in the details. But there are few things as satisfying as drawing a Spider-Man that looks just right.
I first fell in love with the Friendly Neighborhood Wall Crawler on the animated series Spider-Man & His Amazing Friends in the early 80s, which certainly has Romita's influence all over it. When I started reading the comics, the artists who stood out the most to me were the likes of Mark Bagley and Todd McFarlane, so I would do my best to draw a very skinny, contortionist Spidey with giant bug-eyes that took up almost all of his face.
However, one of the first Spidey comics I bought, Amazing Spider-Man #365, the 30th anniversary issue, featured not only Bagley's art in the main story, but also Romita, illustrating Mary Jane Watson and Gwen Stacy both in the beautiful back-up story "I Remember Gwen."
For this tribute, I've tried to draw a more classic, Silver Age style Spidey face, with bold, prominent webs, a face that is extremely ovular (almost defying the idea that there are cheekbones or ears underneath), and narrow, almost sinister eyes.
It was a real joy to look back on Romita's work for inspiration. Along with some of the other recently passed masters like Neal Adams, George Pérez, and Tim Sale, he has left behind a legacy in superhero comics art and in our shared visual language of pop culture that will live on forever.
Not to mention, he has a literal legacy since his son, John Romita, Jr is ALSO a legend in the field.
RIP to the great John Romita, Sr.
A bonus story:
I was just recently having a long conversation with my friend Jon the other day, waxing poetic about how the "Face it, tiger..." panel is one of the greatest single panels in comics history, and undoubtedly one of the most lovingly homaged & parodied.
Nowadays it would undoubtedly be a splash page of its own, but in that book it was just part of the page, but everything about it is perfect. If a less capable artist had drawn a Mary Jane Watson who was anything less than jaw-dropping, the moment would not have landed with the seismic impact it had.
I'd been meaning to do my own tribute to that iconic panel, just for fun, but I hadn't gotten to it.
This did however set me on a night of reading the next several issues of early MJ appearances. One of the extraordinary things about that era of Spidey is the love and attention that was clearly given by the creators to the ongoing soap opera that was Peter Parker's personal life, and Romita's art is every bit as beautiful and compelling in a diner scene as it is during battles with The Rhino and The Lizard. Romita was an absolute master!