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When Black Elk stood above Wounded Knee in the snow of December 1890, he understood he was witnessing more than an endin...
03/06/2026

When Black Elk stood above Wounded Knee in the snow of December 1890, he understood he was witnessing more than an ending—he was watching the deliberate erasure of a world he had been called to protect.
Born in 1863 into the Oglala Lakota, Black Elk received a vision as a child that would define his life. He saw horses dancing across the sky, thunder beings moving through clouds, and a sacred tree meant to shelter all peoples. The elders who heard his vision understood it as a calling. He would carry responsibility for his people through the darkness that was coming.
What came was the systematic dismantling of everything his vision had shown him.
At thirteen, Black Elk witnessed the aftermath of Little Bighorn, where Lakota and Cheyenne warriors defeated George Armstrong Custer's forces in 1876. The victory felt like vindication. It lasted mere months. Retaliation arrived with crushing force. Land was seized. Treaties signed in good faith were torn apart openly. Reservations became prisons dressed as protection.
By the late 1880s, desperation had taken root so deeply that many Lakota turned to the Ghost Dance—a spiritual movement promising renewal and the disappearance of the forces destroying them. U.S. authorities saw not prayer but rebellion. They responded with soldiers.
On December 29, 1890, at Wounded Knee Creek, those soldiers killed more than 250 Lakota men, women, and children. Black Elk was there. He carried the wounded through frozen ground. He lifted bodies that would never rise again. He watched snow turn red with blood and then fall silent under more snow, covering everything as if it had never happened.
Later, he would say that the nation's sacred hoop—the circle that held his people together—was broken there and scattered beyond repair.
But Black Elk did not break with it.
Survival demanded adaptation. He converted to Catholicism and worked as a catechist, teaching the faith of those who had conquered his people. Outsiders would later argue whether this was compromise or betrayal. Black Elk never saw it as either. He understood that survival sometimes requires speaking in the language of power while keeping the old language alive in quieter places.
In the 1930s, he shared his life with writer John G. Neihardt, and together they created Black Elk Speaks. The book brought Lakota worldview to millions, but it also filtered his words through a non-Native perspective. Parts were simplified. Some meanings were lost in translation. The world listened, but not always to what Black Elk actually said.
That tension lives in his legacy still.
Black Elk was not a prophet trying to predict the future or resurrect the past. He was a witness determined to document what was taken and what remained. He did not speak to preserve some imagined purity. He spoke to preserve memory itself—because he understood that stories carry weight when land and sovereignty have been stripped away.
Black Elk did not fail to save his world. That was never within any one person's power.
What he did was refuse to let its destruction be forgotten or distorted. His vision was never about reversing history. It was about ensuring that even in defeat, truth could survive and be transmitted forward.
When Black Elk said the sacred hoop was broken, he was not abandoning hope.
He was placing it carefully into the hands of anyone willing to remember what was done, who did it, and why forgetting would complete the work that violence had started. He understood that bearing witness is itself an act of resistance—and that the stories we refuse to let die become the seeds of what might still grow.

Oscar-winning Cherokee actor Wes Studi calls the Western genre U.S. “mythology" built around genocide.It “makes heroes o...
02/05/2026

Oscar-winning Cherokee actor Wes Studi calls the Western genre U.S. “mythology" built around genocide.
It “makes heroes out of absolute villains," he says.
"Over the years, what’s happened is, I think people, and especially Indian people, and other minorities that have been affected by the way that the United States of America was built, we began to put pressure on the storytellers of the world, in that, 'Hey, what about us? Did you uh, did you ever stop to think that no, we didn’t disappear. You didn’t kill all of us. And we are still here, we have developed, and we have been a large part of your development?' I think we need to start telling stories in a way that is real. Enough of these fairytales. Enough of this making heroes out of people that weren’t actual heroes. Let’s talk about the fact that our present and our future depends on a better recognition of our past. And I think that some filmmakers, some studios, caught the gist of that and began to move in a direction that is hopefully more true to what our population is.”
Again: “We need to start telling stories in a way that is real. Enough of these fairytales.

There’s something amazing about seeing nature reconnect what was once broken. These herds aren’t just animals walking — ...
01/27/2026

There’s something amazing about seeing nature reconnect what was once broken. These herds aren’t just animals walking — they’re history returning to motion. 🦬
Migration routes aren’t random. They’re memory passed through generations, written into instinct. When those pathways come back, it feels like the land is healing in real time.
It’s a reminder that restoration is possible — and that the wild still knows how to find its way home. 🌲💛

𝐇𝐚𝐩𝐩𝐲 𝐁𝐢𝐫𝐭𝐡𝐝𝐚𝐲 𝐭𝐨 𝐑𝐨𝐛𝐞𝐫𝐭 𝐃𝐞 𝐍𝐢𝐫𝐨- 𝐀 𝐭𝐫𝐮𝐞 𝐚𝐫𝐭𝐢𝐬𝐭 𝐰𝐡𝐨 𝐡𝐚𝐬 𝐬𝐡𝐚𝐩𝐞𝐝 𝐦𝐨𝐝𝐞𝐫𝐧 𝐜𝐢𝐧𝐞𝐦𝐚 𝐰𝐢𝐭𝐡 𝐫𝐞𝐥𝐞𝐧𝐭𝐥𝐞𝐬𝐬 𝐭𝐚𝐥𝐞𝐧𝐭 𝐚𝐧𝐝 𝐝𝐞𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧.Rober...
01/26/2026

𝐇𝐚𝐩𝐩𝐲 𝐁𝐢𝐫𝐭𝐡𝐝𝐚𝐲 𝐭𝐨 𝐑𝐨𝐛𝐞𝐫𝐭 𝐃𝐞 𝐍𝐢𝐫𝐨- 𝐀 𝐭𝐫𝐮𝐞 𝐚𝐫𝐭𝐢𝐬𝐭 𝐰𝐡𝐨 𝐡𝐚𝐬 𝐬𝐡𝐚𝐩𝐞𝐝 𝐦𝐨𝐝𝐞𝐫𝐧 𝐜𝐢𝐧𝐞𝐦𝐚 𝐰𝐢𝐭𝐡 𝐫𝐞𝐥𝐞𝐧𝐭𝐥𝐞𝐬𝐬 𝐭𝐚𝐥𝐞𝐧𝐭 𝐚𝐧𝐝 𝐝𝐞𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧.
Robert De Niro was born on August 17, 1943, in New York City, into an artistic family. He began his career in the 1960s and rose to prominence with roles in Bang the Drum Slowly (1973), Mean Streets (1973), and especially The Godfather Part II (1974), which earned him an Academy Award for Best Supporting Actor. He continued to impress with Taxi Driver (1976), Raging Bull (1980 – Best Actor Oscar), Goodfellas, Casino, Heat, The Irishman (2019), and Killers of the Flower Moon (2023). Beyond acting, he co-founded the Tribeca Film Festival, the global Nobu restaurant chain, and is a vocal advocate for social justice, arts education, and climate action. With over 60 years of dedication, De Niro stands as a living icon of cinematic excellence and civic responsibility.
Very worth reading
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01/26/2026
Lakota
01/16/2026

Lakota

Monument Valley Navajo Tribal Park 😲😲😲, situated on the Arizona-Utah border in the southwestern United States, is a brea...
01/14/2026

Monument Valley Navajo Tribal Park 😲😲😲, situated on the Arizona-Utah border in the southwestern United States, is a breathtaking landscape renowned for its iconic sandstone formations. Managed by the Navajo Nation, this park holds profound cultural and spiritual significance for the Navajo people, known as the Diné. The towering buttes, mesas, and spires that dominate the horizon are not only natural wonders but also integral to Navajo mythology and traditional ceremonies.Visitors to Monument Valley can explore the park via a 17-mile scenic drive loop, offering unparalleled views of formations like the Mittens and Merrick Butte, which have become symbols of the American West. Navajo-guided tours provide deeper insights into the park's history, culture, and sacred sites, including ancient petroglyphs and traditional Navajo dwellings known as hogans.The park's visitor center serves as a gateway for information, permits, and tour arrangements, emphasizing sustainable tourism practices that respect the environment and preserve Navajo heritage. Monument Valley Navajo Tribal Park stands as a testament to the enduring connection between the land and its indigenous stewards, inviting visitors to appreciate its natural beauty and cultural richness.

The Mysterious Beauty: Native AmericanNative American women were depicted as attractive, desirable, and pious. Interesti...
01/09/2026

The Mysterious Beauty: Native American
Native American women were depicted as attractive, desirable, and pious. Interestingly, that beauty was one that matched nineteenth-century beauty ideals for white women: light skin, carefully groomed hair, a thin and shapely body dressed in popular colors.
In some tribes, there is a belief that a person is composed of four things: a physical, an emotional, a mental and a spirit part. Together, these four elements make a person who must bring positivity to these elements to have a balanced life.
This fictitious Native American woman was also morally upstanding. Narratives focused on her superior housekeeping, her fierce devotion to her children, her piety and self-sacrifice. There are 2 conflicting theories on how she gained these: speculation that Native American women learned their values from their natural surroundings, another that they were transmitted through contact with missionaries and white settlers.
With recent movements for Native American rights, women tend to show themselves as they are: descendants of a persecuted nation. And their history, the one of their tribe and families, is sometimes quite enough to show their beauty.
Native American men were another story. Repeatedly portrayed as violent, ruthless, and cruel, they reflected nineteenth-century sexual, racial, and colonial fears. These portrayals reflected popular values by suggesting that ruthless Native American men could only be tamed by civilization or the tempering influence of a woman.
It would be easy to cast these gendered portrayals of indigenous women in a positive light, but they ended up hurting Native Americans more than they helped.
While the articles portrayed women in a positive light according to the criteria of the day, they simultaneously created a fictional Native-American woman, divorced from her
cultural heritage and male counterparts and dependent on the white population for her identity.
But the Native American community is still evolving in a society which abandoned them. Popular beauty standards in America don’t fit with their culture and traditions. Therefore, a lot of Native American women feel like outcasts.

Congratulations to Lily Gladstone — the first Native Indigenous Blackfeet / Nimíipuu woman in the 81-year history of the...
01/01/2026

Congratulations to Lily Gladstone — the first Native Indigenous Blackfeet / Nimíipuu woman in the 81-year history of the Golden Globe Awards to win Best Actress, for her powerful role in Killers of the Flower Moon.
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“The villains are fairly obvious in ‘Flower Moon,’ but Scorsese asks audiences to take a wider look at systemic racism, historical injustice, and the corruptive influence of power and money—intriguingly tying together our past and present.”
— Brian Truitt
“Gladstone, in the rare Scorsese film that gives center stage to a female character, is the emotional core here, and it’s her face that stays etched in our memory.”
— Jocelyn Noveck
“This is for every little Rez kid, every little urban kid, every little Native kid out there who has a dream—and is seeing themselves represented in our stories, told by ourselves, in our own words.”
— Lily Gladstone
“We Are Still Here.”
Top: Mollie Kyle (Burkhart, Cobb) — Osage (1886–1937)
Bottom: Lily Gladstone — Blackfeet / Nez Perce
Get tee: https://wolfnatives.com/feed-a-man-corn
Thank you for reading and supporting this story.
Proud to be Native American.
Very worth reading. ❤️🔥
❤️ Thank you for reading and liking
❤️ Proud to be a Native American
❤️ Very worth reading

In 1913, members of the Blackfoot Nation made headlines when they chose to sleep on the rooftop of the Hotel McAlpin in ...
11/20/2025

In 1913, members of the Blackfoot Nation made headlines when they chose to sleep on the rooftop of the Hotel McAlpin in New York City rather than in the suites and rooms provided to them. Perched high above Herald Square, at Broadway between 33rd and 34th Streets, this act wasn’t just about comfort. It was a powerful gesture of cultural preservation and resistance.
Surrounded by towering buildings and city lights, they stayed connected to the open sky, as their ancestors had done for generations. Even in the heart of Manhattan, they remained true to who they were.
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