09/30/2026
“Alapaha has always been our favorite venue to play, and we love ya’ll.” Danny Dawson is looking forward to Saturday, November 14. The former Georgia Heartbeat frontman's concert comeback occurred 11 years ago at the celebration.
Danny’s influences consist of George Jones, Conway Twitty, Johnny Cash, Alison Krauss, Patty Loveless, Tanya Tucker, Tracy Lawrence, and Charley Pride. Danny has barnstormed across the country opening for multiple acts including Waylon Jennings and Ronnie Milsap.
The "Why Can't I Have You" songwriter patiently answers a barrage of questions covering his hardscrabble roots alongside 18 siblings on a farm in Manor below.
And in a brush with the big leagues, an RCA Victor record deal was agonizingly thwarted by an inexperienced manager who shared lineage with a '70s country superstar.
Question: What's been up?
My first concert of 2026 will be the Okefonokee Agricultural Fair in Waycross on November 6. Alapaha will be my second concert, and come December 12 you will find me opening for Neal McCoy in Franklin, Georgia.
I've got some new cover songs in mind for Alapaha, stuff by George Strait, Ronnie Milsap, Confederate Railroad, Alan Jackson, and of course the Possum.
Georgette Jones is so nice and looks like her dad but sounds like her mom—Tammy Wynette. She let me sing George's "White Lightning" with her onstage.
Question: Having 18 brothers and sisters, how on earth did your parents have enough money to feed, cloth, and shelter you all?
There wasn't a whole lot of money, and it never got lonely [laughs]. We lived on a small farm owned by a kind old man named Bill Inman in Manor, Georgia. My father Willie DeWitt Dawson worked there. Mr. Inman would give us vegetables. If they slaughtered a cow or hog, they would share the meat with us.
My mom Bertha Mae was a housekeeper for different families. If you were old enough to work, you helped on the farm. That's how we survived in the early '70s. I'm the next to the youngest child. My parents have since passed away along with 11 of my brothers and sisters.
Question: Did your parents live long enough to see you perform?
Thankfully, they did when I was in my former band, the Georgia Heartbeat [1990 - 1995]. They were so thrilled and supportive. I remember them telling me, "Son, no matter what, never give up on your dreams."
Question: Who was your very first concert?
I'll never forget being around 24 years old when I saw my debut show in 1992 at Metropolitan Park in Jacksonville, Florida. It was Ronnie Milsap, and I actually opened for him on that same occasion with the Georgia Heartbeat. It was so much fun. Ronnie was cool, and we took several pictures together. I was as nervous as a sprayed roach.
Question: When you saw Charley Pride on "Hee Haw" as a kid and became hooked on country music, did you encounter your musical idol later in life?
It was a thrill when I finally got to meet Mr. Pride in Bremen, Georgia. He was doing a concert at Mill Town Music Hall [May 4, 2019] and heard that I was a black country singer from Georgia who had worked with Waylon Jennings back in the early '90s and also that I was a huge fan since childhood. Arrangements were made so that my wife Martha and I could meet him personally before the show.
Mr. Pride was 85 years old, very sharp, and super nice. He was impressed with my credentials and could not for the life of him understand why I never got signed to a big label. He told me, "Keep singing and believing in yourself. Good things will happen. You're living proof."
Question: Just how close did you get to being signed by a major label?
Very close. RCA was looking to sign me in 1995, but it fell through because my manager blew it. He had no idea of how to talk to a label even though his father was a legend in the business. I won't get into all the details because he has passed away, and I remain good friends with his family.
Just prior to RCA's interest I did sign with a small independent label owned by Berrien Sutton, an attorney out of Homerville, Georgia. He financed and produced my self-titled first album but didn't know how to market it.
The album [containing 12 Dawson compositions plus two covers written by producer Ronny Light] sat on the shelf for well over a decade with no radio play until I started selling the CD's myself around 2010.
Question: After losing the RCA deal, did you keep doing shows or did it frustrate you so much that you stopped music entirely?
I tried performing, but I just didn't have the heart anymore. I sold all of my guitars and hid in the shadows for a long time. One day out of the blue a fella named Wayne Delk came to my house and asked, "Are you Danny Dawson?" I said, "Yes, why do you wanna know?"
He then held up a CD of my first album with my picture on it and replied, "Because I let some people in Alapaha [including Sylvia Roberts and Becky Davis] listen to it. They fell in love with your voice and want to know if you would do an acoustic set."
I was like, "Man, I haven't sang in years. I don't know if I have the nerve anymore." Wayne, who was basically my guardian angel, couldn't be deterred. He said, "Danny, you're awesome and will do fine."
I eventually accepted and returned to country music at the Alapaha Station Celebration [Saturday, November 14, 2015]. I haven't slowed down since.
Question: How many shows do you typically do?
Between two and three concerts a month, mostly in Georgia. I love playing on weekends but have done some shows during the middle of the week [Dawson's day gig is a supervisor at Langboard MDF aka medium density fiber board used in furniture crown molding].
A highlight was singing "Queen of Memphis" with Confederate Railroad at the Georgia National Fair in Perry. I'm longtime pals with Danny Shirley, and he invited me onstage to sing their big hit.
Question: What can you divulge about your second studio album, "Never Give Up"?
"Never Give Up" contains 12 songs, and I wrote all except one ["Pickup Truck"]. When I'm doing a club-type atmosphere "I'm Not Drunk" goes over really well [laughs]. More family atmosphere shows like the Alapaha Station Celebration are perfect for "Pickup Truck" or "Something 'Bout Life."
I've been collaborating with a great guy out of Talladega, Alabama, named Kevin Smith. He's a prolific songwriter and has an up-tempo, fun song called "Dive Bars, Guitars, and One Night Stands." I recorded it for my upcoming third studio album that should be complete by next summer and plan on performing it at the celebration.
The album is being cut at Hilltop Studio in Nashville, Tennessee. So many legendary artists have recorded at Hilltop like Merle Haggard, Waylon Jennings, and George Jones.
Ronny Light, who produced Waylon's "Good Hearted Woman," is helping me. Ronny produced my very first album and knows what I'm looking for when it comes to the sound and musicians I want.
Question: How does the inspiration for your songwriting manifest itself?
Songs come to me day or night. I might be driving down an old dirt road or a busy interstate. A friend will say something in a conversation that sparks an idea.
I've even had melodies come to me in dreams. It drives me crazy when I wake up and can't remember because the music sounded so good [laughs]. It's like angels sing to me - but I can't see them - or tasting something sweet in my dreams. It's crazy but that's the only way I can explain it.
Question: Tell me about your six-string gear.
My first guitar was made from old wood paneling that my dad built for me using a pocket knife and some wood glue. He was good with his hands, and we couldn't afford a new one. I kept it until I was 19 years old and then it suddenly vanished. I don't know what happened.
Believe it or not, I obtained my favorite from a junk car. I was needing a part for my old pick-up truck, and the junkyard owner said, "Hey Danny, if you want that old guitar, you can have it because I can't play."
So it went from sleeping in a junk car to a brand new home. I had it restored, did some research, and learned that I have an American-made, vintage 1950s Stella acoustic.
It's beautiful, only 36 inches long, and has an awesome sound. I don't take it on the road and prefer to keep it as a songwriting tool at home.
I also own an American-made, 2016 Fender Telecaster electric guitar. I call her "The Drifter" because of all the places we've been together.
Question: Who gives you optimism on country radio?
That's a hard question because the country music they play and promote today isn't really country. They're pop singers that use Auto-Tune. None of them can sing without this pitch correction software, and none of them can sing a country song.
Everybody is jumping on the country music bandwagon. It's a shame they have gotten away from what country music really is -e.g. stories about family and growing up. Now it's about a big truck that squats in the back, the front end sits up, and it's never been driven down a dirt road.
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