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Wednesday 11:00 - 18:00 Thursday 11:00 - 18:00 Friday 11:00 - 18:00 Saturday 11:00 - 18:00 Sunday 11:00 - 18:00

Voloshyn Gallery

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Voloshyn Gallery заснована в 2006 році подружжям Максимом та Юлією Волошиними, та 10 років існувала під назвою Mystetska Zbirka Art Gallery. Галерея розташована в культурному центрі Києва на вулиці Терещенківській. Voloshyn Gallery – галерея сучасного мистецтва. Є майданчиком для експериментів, досліджень, соціальних проектів. Відкритий виставковий простір, як для знаних художників, так і для тих,

хо ще тільки заявляє про себе.
Місія галереї: розвиток мистецького середовища в Україні, сприяння його інтеграції в європейські культурні процеси. Максим і Юлія Волошини активно представляють українське мистецтво за кордоном. У лютому 2014 вони презентували проект «Україна. Архетип свободи» у Відні в культурно-виставковому центрі Novomatic. У квітні 2015 року з ініціативи галереї був організований перший український арт-тур на острів Кіпр під назвою MAKE ART NOT WAR. У 2015 році Максим і Юлія організували проект українських художників у Нью-Йорку, який проходив в Ukrainian Institute of America. Наразі галерея буде представляти українських художників на SCOPE BASEL 2016.
Волошини активно підтримують сучасних молодих художників і колекціонують їх твори. У 2015 році Максим і Юлія увійшли в ТОП 30 українських колекціонерів за версією Forbes і стали наймолодшими у цьому рейтингу. В цьому ж році Максим і Юлія увійшли ще в один рейтинг українського Forbes: 30 успішних українців, яким ще не виповнилося 30.

26/05/2026

Join us on Saturday, May 30 for the opening of Always Looking at Palm Trees - A Botanical Conversation, a solo exhibition by Mehdi-Georges Lahlou at Voloshyn Gallery in Miami.

The Conference of the Palm Trees marks the first U.S. presentation of this new body of work by Mehdi-Georges Lahlou and the artist’s debut in Miami. Drawing from The Conference of the Birds, the twelfth-century Sufi poem by Farid ud-Din Attar, Mehdi-Georges Lahlou transforms Attar’s gathering of birds into a gathering of palms, activating the palm tree as a potent figure through which histories of migration, colonialism, climate change, fantasy, and ecological precarity converge.

Working across sculpture, installation, photography, drawing, and printmaking, the artist reimagines memory and history as mutable, living materials shaped by the urgencies of the present. In Miami - a city where native and imported palms coexist as symbols of paradise, leisure, and displacement - palms become living archives: silent witnesses to transformed landscapes, colonial afterlives, and uncertain futures.

Work:
From the Conference of the Palm Trees, Date Palm Totem, 2024
Faience, enamel, stoneware, oil paint, wool, and metal
Approx. 90 × 70 × 70 cm
Unique work

Opening Reception: Saturday, May 30, 2026 | 6:00PM - 8:00PM
Progressive Art Brunch: Sunday, May 31, 2026 | 12:00PM - 5:00PM

Dates: May 30, 2026 - July 15, 2026
Gallery Hours: Tuesday–Saturday | 11:00 AM to 5:00 PM
Address: 802 NW 22nd Street, Miami, FL 33127

Text: Conor Moynihan Bonacossa

20/05/2026

Fragments of Displacement Part II, a group exhibition presented by Voloshyn in partnership with FF Projects and curated by Omar Lopez-Chahoud, is on view for its final days at the gallery.

Bringing together conceptual artists whose practices engage with materiality and reconfiguration, Fragments of Displacement Part II considers how context alters perception as artworks migrate across sites while retaining traces of their earlier conditions. Materials, gestures, and processes initially activated within an industrial and logistical environment now enter a space historically associated with contemplation and display. Themes such as the passage of time, the repurposing of infrastructure, and the reactivation of residual spaces remain central to the curatorial lens, allowing the works to carry forward traces of their earlier site, while opening new possibilities for reflection.

Rather than reproducing the initial presentation, this iteration functions as a continuation that foregrounds the exhibition's central inquiry into how materials, spaces, and identities shift from one state to another. Embedded within these works, which respond to context, process, and their evolving conditions, the concept of transformation remains ever-present.

Dates: March 21, 2026 - May 23, 2026
Gallery Hours: Tuesday–Saturday | 11:00 AM to 5:00 PM
Address: 802 NW 22nd Street, Miami, FL 33127

Photos: Phillip Karp

24/04/2026

Voloshyn in partnership with FF Projects is pleased to present the next phase of Fragments of Displacement Part II, a group exhibition curated by Omar Lopez-Chahoud, expanding the exhibition through the addition of 8 new works. Bringing together works by Malibu (Barbara Braccini), Stefan Brüggemann, KD Castañeda, Jose Dávila, Brian Eno, Ryan Gander, Mario García Torres, John Giorno, Molly Gochman, Linnea Göransson, André Komatsu, Gonzalo Lebrija, Alessandro Moroder, Kes Richardson, Ugo Rondinone, and Ian Waelder.

The area's identity, once defined by manufacturing, wholesale, and production, remains closely tied to systems of trade and distribution that continue to operate today. Historically shaped by transient commerce, migration, and industrial labor, the Produce Center provided a site marked by circulation, exchange, and material transit for the earlier presentation. Removed from the active rhythms of the market, the works now occupy a different architectural and institutional context, allowing them to be reconsidered.

Materials, gestures, and processes initially activated within an industrial and logistical environment now enter a space historically associated with contemplation and display. Themes such as the passage of time, the repurposing of infrastructure, and the reactivation of residual spaces remain central to the curatorial lens, allowing the works to carry forward traces of their earlier site, while opening new possibilities for reflection.

We will also be participating in Sip & Stroll tomorrow from 12–5PM, and welcome you to join us alongside neighboring Allapatah galleries: Andrew Reed, KDR, La Cometa, Mindy Solomon, and Tomas Redrado for a glass of wine and a first look at our exhibition.

Work Pictured:

Gonzalo Lebrija
Zopilote (black), 2024
Brass
61 x 25.4 x 30.5 cm.
24 x 10 x 12 in.

Ryan Gander
Natural Sign/Time Management (Leaky White Moon)
Acrylic on Japanese Denim
25.4 x 25.4 cm.
10 x 10 in.

Sip & Stroll: Saturday, April 25, 2026 | 12:00PM - 5:00PM
Opening Reception: Saturday, April 25, 2026 | 6:00PM - 9:00PM

Dates: March 21, 2026 - May 23, 2026
Gallery Hours: Tuesday–Saturday | 11:00 AM to 5:00 PM
Address: 802 NW 22nd Street, Miam

22/04/2026

Nikita Kadan’s A New Integrity has just opened at Pavilion 13 in Kyiv. Supported by RIBBON International, it is a multidisciplinary project that brings together sculpture, sound design, theatre and oral history to consider the way in which trauma reshapes personal integrity.

At the center of the installation, kinetic sculptures assembled from prosthetic limbs operate like a theater of automatons or temporary avatars for their human users. They perform slow, repetitive movements that follow the rhythms of rehabilitation: repetition, endurance, frustration and adjustment. Nearby, a pair of prosthetic legs runs continuously in mid-air. Suspended in an endless present, their relentless motion reflects the ongoing labour of regaining physical and emotional integrity after injury, while also offering a close view of the prosthetic body’s athletic potential.
“War trauma is a violation of integrity. Ranging from human-anatomical to state-territorial, the physical absence of a limb through war is a manifestation of this violation. What prosthetics allow for is a functional substitution of the limb, giving voice to an absence while also reassembling the body. But equal substitution is impossible in principle. A New Integrity questions what integrity means, whilst also resisting any attempt to reduce a person to a representation of their trauma.” – Nikita Kadan

The public program for A New Integrity will convene art historians, writers, psychologists, artists and veterans to discuss representations of war, injury and rehabilitation in European cultural history, and in contemporary Ukrainian public discourse.

Location: Pavilion 13, Akademika Hlushkova Ave, Kyiv
Dates: 12 April - 1 June, 2026

1 Image caption: Nikita Kadan portrait, commissioned and produced by RIBBON International, 2026
Credit: Dmytro Prutkin and RIBBON International

Other Images captions: Nikita Kadan, A New Integrity, commissioned and produced by RIBBON
International, 2026
Credit: Dmytro Prutkin and RIBBON International

17/04/2026

Fragments of Displacement: Part II, a group exhibition presented in partnership with FF Projects and curated by Omar Lopez-Chahoud.

Bringing together conceptual artists whose practices engage with materiality and reconfiguration, Fragments of Displacement Part II considers how context alters perception as artworks migrate across sites while retaining traces of their earlier conditions. Materials, gestures, and processes initially activated within an industrial and logistical environment now enter a space historically associated with contemplation and display. Themes such as the passage of time, the repurposing of infrastructure, and the reactivation of residual spaces remain central to the curatorial lens, allowing the works to carry forward traces of their earlier site, while opening new possibilities for reflection.

Rather than reproducing the initial presentation, this iteration functions as a continuation that foregrounds the exhibition’s central inquiry into how materials, spaces, and identities shift from one state to another. Embedded within these works, which respond to context, process, and their evolving conditions, the concept of transformation remains ever-present.

Ahead of April 25, the exhibition will evolve with the introduction of new works.
Join us for Sip & Stroll in Allapattah, April 25, 12–5 PM.

Dates: March 21, 2026 - May 23, 2026
Gallery Hours: Tuesday–Saturday | 11:00 AM to 5:00 PM
Address: 802 NW 22nd Street, Miami, FL 33127

Photos by Phillip Karp

15/04/2026

We are delighted to share that Lesia Khomenko's solo exhibition Fundamentally Indeterminate State is now open at Arsenal Gallery in Białystok.

The exhibition takes as its starting point the mediation of war, not the war itself, but its online representation — drone surveillance footage, battlefield videos circulated on social media and photographs of pixelated soldiers. Khomenko works through this material frame by frame, studying the visual logic of images that are simultaneously hyperreal and deeply abstract. Figures dissolve into rectangular clusters of pixels, blending seamlessly into the surrounding landscape.

The artist compresses entire video sequences into single large-scale canvases, capturing a whole moment of catastrophe in one still image. This gesture breaks the temporal loop of the digital archive. The compulsive replay of footage that numbs rather than informs and creates a space for a different kind of attention — slower, more uncertain, closer to the experience of witnessing than of consuming. Neither documentary nor purely abstract, neither emotionally detached nor didactic, the paintings hold the viewer in what curator Monika Szewczyk describes as a fundamentally indeterminate state — the condition of all of us who encounter this war through screens.

Photos by: Grzegorz Dabrowski

09/04/2026

Voloshyn Gallery congratulates Mariya Sulymenko on her works entering the permanent collection of DePaul Art Museum in Chicago.

Two of Mariya's watercolours were acquired by DPAM through the Barbara Nessim Expo Acquisition Prize and are now part of the museum's collection. The works on view depict figures in existential, even absurd, scenes. The watercolour drawings resemble film stills: in one, a couple stands beside a bed, in another, a man on all fours crawls beneath a curtain. The artist deliberately leaves the space sparse, directing the viewer's gaze toward the symbolic objects.

The works will be on view in Barbara Nessim: My Compass Is the Line, alongside paintings, drawings, computer art prints, and site-specific installation spanning Nessim's pioneering six-decade career. The exhibition will include works acquired through the Barbara Nessim Acquisition Prize, among them pieces by Mariya Sulymenko.

The show is rooted in the practice of Barbara Nessim (b. 1939), who since the 1960s has developed a visual language that challenges traditional gender norms and celebrates the agency of women. A pioneer in computer art during the 1980s, her influence extends across illustration, fashion, advertising, and pop culture. Special emphasis is placed on her sketchbooks which she calls her "forever books" that have been central to her creative process throughout her career.

The exhibition runs from March 5 through June 21, 2026, at DePaul Art Museum.

Photo by RCH for Bob.
Courtesy of DePaul Art Museum DePaul Art Museum

02/04/2026

Voloshyn is delighted to congratulate Lesia Khomenko on receiving the UP100: Power of Women award in the Culture sector.

"UP100. Power of Women 2026" is an annual ceremony by Ukrainska Pravda, celebrating 100 women who are shaping contemporary Ukraine across the military, scientific, civic, business, political, creative, cultural, and sports spheres. The nominees represent women of all ages, backgrounds, and professions — from the youngest, just beginning their journey, to those who have lived long lives and continue to inspire others.

Lesia Khomenko is a member of the R.E.P. and Hudrada groups, a tireless ambassador for Ukraine: an initiator of residencies and solidarity networks for artists during the full-scale invasion, and an artist who weaves together real stories and influential projects.

18/03/2026

Voloshyn in collaboration with FF Projects is pleased to present Fragments of Displacement Part II, a group exhibition curated by Omar Lopez-Chahoud.

The exhibition brings together works by Malibu (Barbara Braccini), Stefan Brüggemann, KD Castañeda, Jose Dávila, Brian Eno, Ryan Gander, Mario García Torres, John Giorno, Molly Gochman, Linnea Göransson, André Komatsu, Gonzalo Lebrija, Alessandro Moroder, Kes Richardson, Ugo Rondinone, and Ian Waelder.

Following its initial presentation at the Miami Produce Center in Allapattah, the exhibition carries forward a conceptual framework born within a functioning wholesale market whose identity remains closely tied to systems of trade and distribution that continue to operate today. Removed from the active rhythms of the market, the works now occupy a different architectural and institutional context, allowing them to be reconsidered without erasing the conditions that first shaped them.
Rather than neutralizing what came before, this migration deepens it. Works initially activated within an industrial environment now enter a space historically associated with contemplation and display, carrying forward traces of their earlier site while opening new possibilities for reflection.

Work Pictured:
Andre Komatsu
Untitled, 2025
Coins, brass, barbed wire
76.2 x 76.2 x 55.9 cm.
30 x 30 x 22 in.

Opening Reception: Saturday, March 21, 2026 · 6:00PM - 9:00PM
Dates: March 21, 2026 - May 23, 2026
Gallery Hours: Tuesday–Saturday | 11:00 AM to 5:00 PM
Address: 802 NW 22nd Street, Miami, FL 33127

13/03/2026

Voloshyn in collaboration with FF Projects is pleased to present Fragments of Displacement Part II, a group exhibition curated by Omar Lopez-Chahoud.

The exhibition brings together works by Malibu (Barbara Braccini), Stefan Brüggemann, KD Castañeda, Jose Dávila, Brian Eno, Ryan Gander, Mario García Torres, John Giorno, Molly Gochman, Linnea Göransson, André Komatsu, Gonzalo Lebrija, Alessandro Moroder, Kes Richardson, Ugo Rondinone, Ian Waelder.

Fragments of Displacement Part II carries forward the conceptual framework of its original presentation at the Miami Produce Center into a more conventional exhibition space within the same Allapattah neighborhood. The area's identity, historically shaped by transient commerce, migration, and industrial labor, remains closely tied to systems of trade and distribution that continue to operate today. That context does not disappear in this iteration; it travels with the work.

Works initially activated within an industrial and logistical environment now occupy a space historically associated with contemplation and display. Rather than neutralizing what came before, this migration deepens it, allowing themes of temporal passage, infrastructural repurposing, and displacement to persist across contexts while opening new possibilities for reflection.

Work Pictured:
Gonzalo Lebrija
Unfolded Paper Plane, 2025
Paper
62 x 52 in

Opening Reception: Saturday, March 21, 2026 · 6:00PM - 9:00PM
Dates: March 21, 2026 - May 23, 2026
Gallery Hours: Tuesday–Saturday | 11:00 AM to 5:00 PM
Address: 802 NW 22nd Street, Miami, FL 33127

Address

13a Tereshchenkivska Str
Kyiv
01004

Opening Hours

Wednesday	11:00 - 18:00
Thursday	11:00 - 18:00
Friday	11:00 - 18:00
Saturday	11:00 - 18:00
Sunday	11:00 - 18:00

Telephone

+380957470738

Website

http://voloshyngallery.art/

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