Hiro Hiro Art Space

Hiro Hiro Art Space 地址：台北市中正區紹興南街10號

02/06/2026

依然柔軟，依然銳利 Still Soft, Still Sharp
高瀬栞菜 Takase Kanna
June 5 — July 11, 2026

Opening June 5, 2026 4-7 pm

藝術家介紹高瀬栞菜（1994年生於大阪）於2020年完成京都市立藝術大學美術研究科繪畫專攻碩士課程，現以京都為創作據點。2024年獲得京都府新銳選拔展最優秀賞，並於京都市文化博物館別館 Hall 舉辦大型個展。她習慣將日常中令自己在意的人事...
01/06/2026

藝術家介紹
高瀬栞菜（1994年生於大阪）於2020年完成京都市立藝術大學美術研究科繪畫專攻碩士課程，現以京都為創作據點。2024年獲得京都府新銳選拔展最優秀賞，並於京都市文化博物館別館 Hall 舉辦大型個展。她習慣將日常中令自己在意的人事物記錄成文字，再以那些語言作為畫面的起點。作品多從人與人之間的關係出發，描繪交流中難以言說的情緒與距離感，包含彼此之間的障礙、焦躁、悲傷、痛感，以及那些無法被真正看透、深藏於內心的情感。高瀬經常以動物、植物與日常物件作為替代性的象徵，將原本帶有不安與負面情緒的內容，以鮮豔、輕快甚至帶有童趣的方式轉化於畫面之中，在可愛與危險、幽默與疼痛之間製造微妙落差，構築出既不安卻又令人忍不住靠近的敘事世界。她筆下經常出現的爪牙，象徵人與人互相傷害的可能；覆蓋身體的毛皮，則像是一種保護自我的隱喻。那些無法直接說出口的感受，最終被寄託於動物的神情與姿態之中，成為她獨特而敏銳的情感語言。

Kanna Takase (born in Osaka in 1994) completed her MFA in Painting at the Graduate School of Fine Arts, Kyoto City University of Arts, in 2020 and is currently based in Kyoto. In 2024, she received the Grand Prize at the Kyoto Prefectural Emerging Artists Exhibition and presented a major solo exhibition at the Annex Hall of the Kyoto Cultural Museum.

Takase habitually records people, events, and observations from her daily life in written notes, using these fragments of language as the starting point for her paintings. Her work often begins with human relationships, exploring the emotions and distances that arise between individuals—barriers, frustration, sorrow, pain, and the deeply private feelings that remain impossible to fully understand or reveal.

She frequently employs animals, plants, and everyday objects as symbolic substitutes, transforming subjects rooted in anxiety and negative emotions into images that are vivid, playful, and at times almost childlike. Through this approach, she creates a subtle tension between cuteness and danger, humor and pain, constructing narrative worlds that feel unsettling yet irresistibly inviting.

The claws and fangs that often appear in her paintings symbolize the potential for people to hurt one another, while the fur that covers bodies serves as a metaphor for self-protection. Emotions that cannot be spoken directly are ultimately entrusted to the expressions and gestures of animals, becoming Takase’s distinctive and perceptive visual language of human feeling.

依然柔軟，依然銳利 Still Soft, Still Sharp
高瀬栞菜 Takase Kanna
June 5 — July 11, 2026
Opening: June 5, 2026 4-7 pm
Hiro Hiro Art Space （台北市中正區紹興南街10號）
https://hirohiroartspace.com/

依然柔軟，依然銳利 Still Soft, Still Sharp高瀬栞菜 Takase Kanna June 5 — July 11, 2026Opening June 5, 2026 4-7 pmWhen TAKASE Kanna’s...
26/05/2026

依然柔軟，依然銳利 Still Soft, Still Sharp

高瀬栞菜 Takase Kanna

June 5 — July 11, 2026
Opening June 5, 2026 4-7 pm

When TAKASE Kanna’s brush meets a candle on canvas, the flame does not burn quietly. It swells into a tiger’s face, all fury and fangs, heat pressing forward, with a single tear caught at the corner of its eye. On the beach, a claw has traced a heart in the sand while the tide waits at the painting’s edge, unhurried, inevitable, ready to take the heart away and leave only scattered shells. A horse in the sand strains forward and glances back, knowing, perhaps, that no amount of speed outruns the pull of the moon. “Feelings” work the same way: they swell and subside, pressing toward release, or simply wearing themselves smooth. In her Taipei debut, Still Soft, Still Sharp, Japanese artist TAKASE Kanna fills Hiro Hiro Art Space with over twenty paintings and ceramic works, opening a habitat for feeling where tigers, horses, bats, and turtles each carry something they can’t quite put down. The exhibition runs June 5 to July 11, 2026.

當高瀬栞菜的畫筆落在蠟燭上，那燭火沒有靜靜燃燒，而是驟然膨脹為一張撲面而來的虎臉——怒目、獠牙、熱度逼人，眼角卻含著一顆淚珠；沙灘上，獸爪刻下一顆心，潮水靜靜候在畫面的邊緣，遲早會收走它，僅留下片片貝殼；沙上奔馳的馬回頭望向那片潮水，無論跑得多快，終究逃不過引力，潮起潮落自有它的時辰……情感莫不如此，脹了又縮，等待一個出口，也可能被撫平。兩件事同時發生，我們往往分不清，哪怕只是一根蠟燭的引線，可能是爆發，也可能是熄滅。日本藝術家高瀬栞菜首度來台個展「依然柔軟，依然銳利」，用二十餘件油畫和陶塑作品在台北Hiro Hiro Art Space闢出一座情感的棲息地——虎、馬、蝙蝠、烏龜，各自帶著說不清的心事出沒其中，展期自2026年6月5日至7月11日。

明天展覽最後一天，大家請把握最後時間。狂花一墨 A Stroke of Wild Bloom藝術家： 勅使河原蒼風、羅士廉、梁瀚云花藝家： 黃淑青、陳品妤展期： May 2 — May 16, 2026（週二至週六 11:00 － 19:...
15/05/2026

明天展覽最後一天，大家請把握最後時間。

狂花一墨 A Stroke of Wild Bloom
藝術家： 勅使河原蒼風、羅士廉、梁瀚云
花藝家： 黃淑青、陳品妤
展期： May 2 — May 16, 2026（週二至週六 11:00 － 19:30 ）
地點：Hiro Hiro Art Space （台北市中正區紹興南街10號）
網站：https://hirohiroartspace.com/

13/05/2026

狂花一墨 A Stroke of Wild Bloom
Artist： Sofu Teshigahara、Chris LO Sze Lim 、LIANG Han-Yun
Ikebana artist： HUANG SHU CHING、Chen Pin Yu
May 2 — May 16, 2026

現場照狂花一墨 A Stroke of Wild Bloom藝術家： 勅使河原蒼風、羅士廉、梁瀚云花藝家： 黃淑青、陳品妤展期： May 2 — May 16, 2026日期：（週二至週六 11:00 － 19:30 ）地點：Hiro H...
12/05/2026

現場照
狂花一墨 A Stroke of Wild Bloom

藝術家： 勅使河原蒼風、羅士廉、梁瀚云
花藝家： 黃淑青、陳品妤
展期： May 2 — May 16, 2026
日期：（週二至週六 11:00 － 19:30 ）
地點：Hiro Hiro Art Space （台北市中正區紹興南街10號）
網站：https://hirohiroartspace.com/

《兩代之風》勅使河原蒼風擅長以鐵器作為花器媒材，而第三代家元勅使河原宏則以竹材創作聞名。本件大型裝置作品融合兩代家元各自鮮明的創作特色，藉由鐵與竹的結合，呈現草月流勇於突破素材界限、持續創新的精神。《Two Generations of W...
09/05/2026

《兩代之風》

勅使河原蒼風擅長以鐵器作為花器媒材，而第三代家元勅使河原宏則以竹材創作聞名。本件大型裝置作品融合兩代家元各自鮮明的創作特色，藉由鐵與竹的結合，呈現草月流勇於突破素材界限、持續創新的精神。

《Two Generations of Wind》

Sofu Teshigahara was known for incorporating iron vessels into his ikebana practice, while the third-generation iemoto, Hiroshi Teshigahara, became renowned for his bamboo-based creations. This large-scale installation brings together the distinctive characteristics of these two generations, combining iron and bamboo to express the Sogetsu School’s spirit of innovation and its continual exploration beyond the conventional boundaries of materials.

大型裝置製作人員：
黃淑青\陳品妤\Scent\林佳詩\Amy\心怡\Viviana\Kelly\陳怡彤\小茹\ 靜瑩\愛珠\Elliee\隋昀妤\Maya\Robin\雅雯\ Ceci\Beryl\李明玲\Stephy\美儒

展覽名稱：狂花一墨 A Stroke of Wild Bloom
藝術家： 勅使河原蒼風、羅士廉、梁瀚云
花藝家： 黃淑青、陳品妤
展期： May 2 — May 16, 2026

狂花一墨｜藝術家介紹梁瀚云，生於臺灣高雄，長期以自然為創作靈感來源。大學主修英文，後進入國立陽明交通大學應用藝術研究所視覺藝術組就讀，在學期間曾赴美國紐約與芬蘭赫爾辛基交流，並開始接觸陶藝與立體創作。畢業後於從事設計工作的同時，持續發展個人...
08/05/2026

狂花一墨｜藝術家介紹
梁瀚云，生於臺灣高雄，長期以自然為創作靈感來源。大學主修英文，後進入國立陽明交通大學應用藝術研究所視覺藝術組就讀，在學期間曾赴美國紐約與芬蘭赫爾辛基交流，並開始接觸陶藝與立體創作。畢業後於從事設計工作的同時，持續發展個人藝術實踐，逐步建立融合自然元素的陶藝語彙。
2017年赴日本四國高知縣，師從陶藝家小野哲平，專注投入陶藝創作。2020年於大阪舉辦首次個展後，陸續於日本各地展出，並於2021年獲文化部補助，前往滋賀縣立陶藝之森駐村。2022年返臺後持續創作與展出，並榮獲臺南新藝獎，亦入圍2025年高雄獎空間性藝術類。

Liang Han-Yun was born in Kaohsiung, Taiwan, and draws primary inspiration from the natural world. She majored in English before pursuing graduate studies in the Visual Arts program of the Institute of Applied Arts at National Yang Ming Chiao Tung University. During her studies, she participated in academic exchanges in New York and Helsinki, where she began exploring ceramics and three-dimensional materials. After graduation, while working in design, she continued to develop her personal artistic practice, gradually forming a ceramic language that integrates elements of nature.
In 2017, she moved to Kochi Prefecture in Shikoku, Japan, to study under ceramic artist Teppei Ono, dedicating herself to ceramic practice. Following her first solo exhibition in Osaka in 2020, she continued to exhibit across Japan. In 2021, she was awarded a grant by Taiwan’s Ministry of Culture to undertake a residency at the Shigaraki Ceramic Cultural Park. After returning to Taiwan in 2022, she continued her practice and exhibitions, receiving the Tainan New Art Award the same year and being shortlisted for the 2025 Kaohsiung Award in the Spatial Arts category.

work information:
Liang Han-Yun

❶ ceramics
24.5 x 15.5 x 24 cm
2026
❷ ceramics
21.5 x 19.5 x 11.5 cm
2026
❸ ceramics
12 x 12 x 23 cm
2026

Portrait Photo by Chen Yang

狂花一墨 A Stroke of Wild Bloom
Artist： Sofu Teshigahara、Chris LO Sze Lim 、LIANG Han-Yun
Ikebana artist： HUANG SHU CHING、Chen Pin Yu
May 2 — May 16, 2026

羅士廉畢業於香港中文大學藝術系（1990），長期專注於陶藝創作與教學。其創作涵蓋雕塑陶藝、裝置藝術及實用器物等多種形式，並於1996年創立大陶工作室，持續推動陶藝教育與實踐。他的作品以「人、物與時空的關係」為核心主題，透過自然、簡約的造形語...
07/05/2026

羅士廉畢業於香港中文大學藝術系（1990），長期專注於陶藝創作與教學。其創作涵蓋雕塑陶藝、裝置藝術及實用器物等多種形式，並於1996年創立大陶工作室，持續推動陶藝教育與實踐。
他的作品以「人、物與時空的關係」為核心主題，透過自然、簡約的造形語言與質樸肌理，展現兼具內斂與張力的創作氣質，並延伸出對日常經驗與精神層次的細膩觀察與思考，使作品在靜謐之中蘊含強烈的個人感知與創造能量。
羅氏曾任香港藝術中心陶藝課程及多個藝術課程之兼任導師，並於2007年獲邀參與美國 Kohler Art/Industry Residency Program 及日本信樂陶藝之森（Shigaraki Ceramic Cultural Park）駐場計畫。現為香港康樂及文化事務署轄下博物館陶藝專家顧問。
此外，他亦曾研習草月流花道，相關經驗進一步影響其對空間結構與材料關係的理解，並滲透於其陶藝創作之中。

𝐂𝐡𝐫𝐢𝐬 𝐋𝐨 𝐒𝐳𝐞 𝐋𝐢𝐦 was born in Hong Kong in 1967 and graduated from the Department of Fine Arts at The Chinese University of Hong Kong in 1990. With a prolific career in ceramic art spanning over 30 years, he has built an extensive exhibition history. After relocating to Taiwan, he founded the Cobo Ceramic Workshop -Taiwan, where he focuses on his creative practice. Lo has held numerous solo exhibitions and participated in international showcases across Japan, Taiwan, Korea, the United States, Europe, China, and Hong Kong. His works are held in the permanent collections of major art institutions, including the Hong Kong Museum of Art, the Hong Kong Heritage Museum, the National Museum of China, The John Michael Kohler Arts Center in the U.S., and The Shigaraki Ceramic Cultural Park in Shiga Prefecture, Japan, as well as in various private collections.

work information:
Chris LO Sze Lim
❶ ceramics
29 x 29 x 33 cm
2026
❷ceramics
27 x 22 x 29 cm
2026
❸ceramics
28 x 23 x 20 cm
2026

A Stroke of Wild Bloom:
Sofu TESHIGAHARA’s Calligraphy with Ceramics by Chris LO Sze Lim and LIANG Han-Yun, and Ikebana

Chris LO Sze Lim_photo by Blues Wong

Jing You：命運花園 Syzygy 2025.12.13 - 2026.1.11
18/12/2025

Jing You：命運花園 Syzygy

2025.12.13 - 2026.1.11

Address

紹興南街10號
Taipei
100

Opening Hours

Tuesday 11:00 - 18:30
Wednesday 11:00 - 18:30
Thursday 11:00 - 18:30
Friday 11:00 - 18:30
Saturday 11:00 - 18:30

Telephone

+886223935880

Website

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