Double Square Gallery 双方藝廊

Double Square Gallery 双方藝廊 双方藝廊（Double Square Gallery）2015年成立於台北大直，是一所側重藝術推廣、策展實踐、出版研究以及收藏服務為經營核心觀念的藝術空間。

双方藝廊 台北市中山區北安路770巷28號　　
T 02 8501 2138　 F 02 8501 2338

双方藝廊（Double Square Gallery）2015年成立於台北大直，是一所側重藝術推廣、策展實踐、出版研究以及收藏服務為經營核心觀念的藝術空間。

Double Square Gallery (双方藝廊) established in 2015, Taipei, is an art space that emphasizes on the promotion of art, curatorial practice, publishing, research and art collection service as its core values.

✹ 展覽現場 ✹當代影像焦點特展《Art Intelligence》將於今日下午在東京現代藝術博覽會（Tokyo Gendai）正式開幕。藝術家崔廣宇 1974 年生於台北，畢業於國立藝術學院（現北藝大），活躍於威尼斯雙年展等國際舞臺。他以...
10/09/2026

✹ 展覽現場 ✹

當代影像焦點特展《Art Intelligence》將於今日下午在東京現代藝術博覽會（Tokyo Gendai）正式開幕。

藝術家崔廣宇 1974 年生於台北，畢業於國立藝術學院（現北藝大），活躍於威尼斯雙年展等國際舞臺。他以「生物學式的適應與演化」為脈絡，將身體化為介入社會系統的實驗載體，透過荒謬的親身實踐直面集體迷思，剖析現實縫隙。

本次展出的標誌性系列《當代生活習作》，將目光投向消費主義與數位平滑景觀交織的當代都市。當日常被馴化為無止盡的媒體模擬，我們在螢幕與櫥窗前「表演日常」時，真實體驗也如層層剝開卻不見核心的洋蔥般虛實難辨。藝術家將超商、櫥窗與直播通道化為行為實驗場，解構被大數據填滿的生活，向透明時代召喚自主感知的預言之力。

《Art Intelligence》
展覽日期｜2026/09/11 – 2026/09/13
展覽地點｜日本橫濱太平洋會展中心（PACIFICO Yokohama）
展位｜T03
參展藝術家｜崔廣宇、余政達（法咪咪）、張徐展
贊助單位｜文化部

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✹ THE SCENES ✹

The special contemporary video focus exhibition, Art Intelligence, officially opens this afternoon at Tokyo Gendai.

Born in Taipei in 1974 and a graduate of the National Institute of the Arts (now TNUA), artist Tsui Kuang-Yu has long been active on international stages such as the Venice Biennale. Operating within the conceptual framework of "biological adaptation and evolution," Tsui transforms his body into an experimental vehicle to intervene in social systems, confronting collective myths through absurd physical practices.

In his iconic series Studies for Contemporary Life, Tsui turns his critical lens toward the urban landscape woven from consumerism and digital smoothscapes. As daily life becomes domesticated into media simulation—with routines "performed" across screens and storefronts—authentic experience grows as elusive as an onion peeled down to a hollow core. By transforming convenience stores and live-streaming channels into behavioral laboratories, he deconstructs an existence saturated by big data, re-summoning the prophetic power of individual perception.

《Art Intelligence》
Dates｜2026/09/11 – 2026/09/13
Venue｜PACIFICO Yokohama, Japan
Booth｜T03
Artists｜Tsui Kuang-Yu, Yu Cheng-Ta (FAMEME), ZHANG XU Zhan
Sponsored by｜Ministry of Culture, Taiwan

#東京現代 #新媒體藝術 #藝文展訊 #双方藝廊 #其玟畫廊 #就在藝術空間 #アートフェア

09/09/2026

✹ 當期展覽 ✹

本次個展中，藝術家張善學持續其對植物「肖像畫」的熱情與鑽研，發展出更具視覺張力的全新直式連幅作品。這些作品透過不同比例的構圖並置，生動呈現了蕨類植物各異其趣的生長姿態，並在精確且自由的筆觸下，將更多元的物種納入創作版圖。

藝術家打破傳統繪畫將植物視為陪襯的慣例，將其推向畫面的「主角」位置，藉由層疊堆砌的顏料細膩地梳理出植物特有的肌理。展覽的另一亮點新作《大屯火山群》系列風景畫以三連作的形式，捕捉山林從清晨至黃昏流轉不息的地景變化。

《避風島》
展覽日期｜2026/08/15 – 2026/09/26
展覽地點｜双方藝廊
藝術家｜張善學

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✹ EXHIBITION ON VIEW ✹

In this exhibition, artist Chang San Hsueh expands his plant "portraits" with multi-panel vertical compositions that capture the dynamic forms of ferns.

Breaking from traditional conventions that relegate plants to the background, he elevates them to central protagonists using rich, layered pigments. Another highlight is the Datun Volcano Group series, a triptych capturing mountain landscapes from dawn to dusk.

《Shelter Island》

Dates｜2026/08/15 – 2026/09/26

Venue｜ Double Square Gallery

Artists ｜Chang San Hsueh

09/09/2026

✹ 當期展覽 ✹

在作品《收藏之物》系列中，藝術家安娜．德．阿爾維亞由「所有孩子都是從收集彩色石頭開始的……我們都是囤積者」的觀點，呼應詩人、評論家蘇珊．史都華的《論渴求》。
史都華指出「收藏」的本質是以空間的「分類」取代時間與歷史；人類藉由囤積與控制物件，在私有空間中建構出一個可以完全被掌控的封閉宇宙。這種將外在世界內部化的渴望，也是阿爾維亞對「慾望之物」的深刻詮釋。

慾望是如何穿透我們的一生？想擁有物件的渴望、對於懷舊的渴望、想探究一切之初的渴望...... 如同我們總是仰望時間，每次的收藏都是一個起點。

《慾望之物：微觀與巨觀的交會之境》
展覽日期｜2026/08/15 – 2026/09/26
展覽地點｜双方藝廊
藝術家｜安娜．德．阿爾維亞

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✹ EXHIBITION ON VIEW ✹

In the OBJECT OF COLLECTION series, artist de Alvear presents the idea that "all children start collecting colored stones... we are hoarders," echoes the poet and critic Susan Stewart's observation that the essence of the collection is the replacement of time and history with spatial classification. By hoarding and controlling objects, humanity constructs a hermetic universe within a private space that can be completely mastered. This longing to internalize the external world is also de Alvear's profound interpretation of "objects of desire."

How does desire permeate the entirety of our existence? The yearning for material possession, the longing for nostalgia, the compulsion to interrogate the primordial genesis of all things... Much as we perpetually gaze up at the axis of time, every act of collecting unfurls as a new inception.

《Objects of Desire: Where Micro and Macro Open in All Directions》

Dates｜2026/08/15 – 2026/09/26

Opening｜2026/08/15 15:00PM

Venue｜ Double Square Gallery

Artists ｜Ana de Alvear

✹ 展訊消息 ✹2026年9月11日至13日，双方藝廊將攜手其玟畫廊與就在藝術空間受邀參與東京現代國際藝術博覽會（Tokyo Gendai），於 Tane 特別展區聯手呈獻當代影像焦點特展《Art Intelligence》。本展將人工智慧...
08/09/2026

✹ 展訊消息 ✹

2026年9月11日至13日，双方藝廊將攜手其玟畫廊與就在藝術空間受邀參與東京現代國際藝術博覽會（Tokyo Gendai），於 Tane 特別展區聯手呈獻當代影像焦點特展《Art Intelligence》。本展將人工智慧與藝術智慧並置，透過跨媒介語彙直面當代數位洪流與平滑景觀的集體迷思，在演算法難以觸及之縫隙中，重新召回人類經驗的複雜層次與幽微情感。

在消費主義與數位平滑景觀的交織下，日常早已被馴化為一場無止盡的媒體模擬。當我們透過螢幕與櫥窗「表演日常」、演繹著他人賦予的想像時，真實體驗也如層層剝開卻只見蛋殼的洋蔥般虛實難辨。崔廣宇透過系列作品《當代生活習作》介入這些熟悉的都會場域，將超商、櫥窗與直播通道化為荒謬的行為實驗場；在直面大數據與集體迷思的同時，向這個滿地皆先知的時代重新召喚屬於自主感知的預言之力。

《Art Intelligence》
展覽日期｜2026/09/11 – 2026/09/13
展覽地點｜日本橫濱太平洋會展中心（PACIFICO Yokohama）
展位｜T03
藝術家｜崔廣宇、余政達（法咪咪）、張徐展
贊助｜文化部

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✹ EXHIBITION’s INFORMATION ✹

From September 11 to 13, Double Gallery, Chi-Wen Gallery, and Project Fulfill Art Space are jointly invited to participate in Tokyo Gendai 2026, presenting the contemporary video focus exhibition Art Intelligence in the special Tane (Seed) sector. Juxtaposing artificial intelligence with artistic intelligence, the exhibition employs cross-media vocabularies to confront the collective mythologies of contemporary digital torrents and smooth landscapes, seeking to reclaim the complex layers and subtle emotions of human experience within the fissures elusive to algorithms.
Interwoven by consumerism and the smooth landscapes of the digital, everyday life has long been domesticated into an endless simulation of media. As we "perform the everyday" through screens and shop windows, acting out the imaginations bestowed by others, authentic experience becomes as ambiguous and elusive as an onion whose layers yield only another eggshell. Through artist Tsui Kuang-Yu’s series Exercise Living, he intervenes in these familiar urban sites, turning convenience stores, storefronts, and streaming channels into absurd arenas for behavioral experiments. Confronting big data and collective mythologies alike, he summons back the prophetic power of autonomous perception within an era cluttered with self-proclaimed prophets.

《Art Intelligence》
Dates｜2026/09/11 – 2026/09/13
Venue｜PACIFICO Yokohama, Japan
Booth｜T03
Artists｜Tsui Kuang-Yu, Yu Cheng-Ta (FAMEME), ZHANG XU Zhan
Sponsored by｜Ministry of Culture, Taiwan

#東京現代 #新媒體藝術 #藝文展訊 #双方藝廊 #其玟畫廊 #就在藝術空間 #アートフェア

✹ 展訊消息 ✹2026年9月11日至13日，双方藝廊將攜手其玟畫廊與就在藝術空間受邀參與東京現代國際藝術博覽會（Tokyo Gendai），於 Tane 特別展區聯手呈獻當代影像焦點特展《Art Intelligence》。本展將人工智慧...
04/09/2026

✹ 展訊消息 ✹

2026年9月11日至13日，双方藝廊將攜手其玟畫廊與就在藝術空間受邀參與東京現代國際藝術博覽會（Tokyo Gendai），於 Tane 特別展區聯手呈獻當代影像焦點特展《Art Intelligence》。本展將人工智慧與藝術智慧並置，透過跨媒介語彙直面當代數位洪流與平滑景觀的集體迷思，在演算法難以觸及之縫隙中，重新召回人類經驗的複雜層次與幽微情感。
當代生活早已被演算法與媒體悄悄重塑，我們在櫥窗與螢幕之間反覆演練著集體想像，連真實的感知也漸漸流於模擬。崔廣宇的系列作品《當代生活習作》，正是將這種狀態推向極致的行為實驗。他以身體直接介入超商與街頭等日常場景，在虛實交錯的縫隙中，將消費社會的荒謬感赤裸揭露。作品不給答案，只是冷靜地在滿地皆先知的時代裡，留下一個對應真實的叩問。

《Art Intelligence》
展覽日期｜2026/09/11 – 2026/09/13
展覽地點｜日本橫濱太平洋會展中心（PACIFICO Yokohama）
展位｜T03
藝術家｜崔廣宇、余政達（法咪咪）、張徐展
贊助單位｜文化部

-

✹ EXHIBITION’s INFORMATION ✹

From September 11 to 13, Double Gallery, Chi-Wen Gallery, and Project Fulfill Art Space are jointly invited to participate in Tokyo Gendai 2026, presenting the contemporary video focus exhibition Art Intelligence in the special Tane (Seed) sector. Juxtaposing artificial intelligence with artistic intelligence, the exhibition employs cross-media vocabularies to confront the collective mythologies of contemporary digital torrents and smooth landscapes, seeking to reclaim the complex layers and subtle emotions of human experience within the fissures elusive to algorithms.

Contemporary life has quietly been reshaped by algorithms and media, leaving us to repeatedly rehearse collective imaginations between storefront windows and screens, where even the perception of reality gradually bleeds into simulation. Tsui Kuang-Yu’s series Exercise Living pushes this exact condition to its extreme as a behavioral experiment. By physically intervening in everyday sites such as convenience stores and street corners, he lays bare the inherent absurdity of consumer society within the ambiguous fissures of the virtual and the real. Rather than offering answers, the work coolly casts a critical inquiry toward the concept of reality in an era saturated with self-proclaimed prophets.

《Art Intelligence》
Dates｜2026/09/11 – 2026/09/13
Venue｜PACIFICO Yokohama, Japan
Booth｜T03
Artists｜Tsui Kuang-Yu, Yu Cheng-Ta (FAMEME), ZHANG XU Zhan
Sponsored by｜Ministry of Culture, Taiwan

#東京現代 #新媒體藝術 #藝文展訊 #双方藝廊 #其玟畫廊 #就在藝術空間 #アートフェア

✹ 藝術家消息 ✹張善學（Chang San-Hsueh），1984 年生於台北，台灣。畢業於台北藝術大學美術系，現生活及創作於台北。他曾獲 2023 年臺南新藝獎、2018 年高雄獎入選，作品獲選台灣美術基金會藝術銀行典藏。張善學的繪畫語...
29/08/2026

✹ 藝術家消息 ✹

張善學（Chang San-Hsueh），1984 年生於台北，台灣。

畢業於台北藝術大學美術系，現生活及創作於台北。他曾獲 2023 年臺南新藝獎、2018 年高雄獎入選，作品獲選台灣美術基金會藝術銀行典藏。

張善學的繪畫語彙在精確的描繪與自由的筆觸間取得平衡，探索自然與土地的人文認同。
其作品曾受邀於日本、台灣各地美術館與藝術博覽會展出。

這次的個展中藝術家運用全白背景，一方面呼應中國傳統花鳥水墨的「留白」美學，抽離背景線索，使觀者焦點集中於植物的姿態與美感；另一方面，以白色背景模擬光源透過葉片產生的豐富層次，呈現他每日觀察與照護植物時所見的微細變化。双方藝廊誠摯邀請您親臨現場，一同感受張善學筆下對微小生命的細膩轉譯與觀察。

《避風島》
展覽日期｜2026/08/15 – 2026/09/26
展覽地點｜双方藝廊
藝術家｜張善學

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✹ ARTIST’S INFORMATION ✹

Chang San-Hsueh (b. 1984, Taipei, Taiwan) holds a B.F.A. from Taipei National University of the Arts and currently lives and works in Taipei.

His accolades include winning Next Art Tainan 2023 and receiving an Honorable Mention at the Kaohsiung Award 2018. His work is included in the collection of the Taiwan Art Bank. Balancing precise depiction with expressive brushwork, Chang explores humanistic identity through nature and has exhibited widely across Taiwan and Japan.

In this exhibition, Chang expands his plant "portraits" with multi-panel vertical compositions that capture the dynamic forms of ferns. Breaking from traditional conventions that relegate plants to the background, he elevates them to central protagonists using rich, layered pigments. Another highlight is the Datun Volcano Group series, a triptych capturing mountain landscapes from dawn to dusk. By employing stark white backgrounds, Chang simultaneously echoes the “liubai” (negative space) aesthetic of traditional ink painting and simulates light filtering through leaves, capturing the subtle variations observed in his daily plant care.

《Shelter Island》

Dates｜2026/08/15 – 2026/09/26

Opening｜2026/08/15 15:00PM

Venue｜ Double Square Gallery

Artists ｜Chang San Hsueh

✹ 藝術家消息 ✹安娜．德．阿爾維亞，1962年生於西班牙馬德里。她擅長僅使用純色鉛筆創作超寫實的錯視畫，並以其具創新視野的創作，獲得 2025 年台北當代藝術博覽會（Taipei Dangdai）的新生維度藝術家獎（Edge Artist...
26/08/2026

✹ 藝術家消息 ✹

安娜．德．阿爾維亞，1962年生於西班牙馬德里。

她擅長僅使用純色鉛筆創作超寫實的錯視畫，並以其具創新視野的創作，獲得 2025 年台北當代藝術博覽會（Taipei Dangdai）的新生維度藝術家獎（Edge Artist Award）殊榮。

作品曾於法國巴黎龐畢度中心、西班牙索菲亞王后國家藝術中心博物館、美國聖地牙哥美術館、東京原美術館及首爾當代藝術館等國際知名機構展出，更蒙聖地牙哥美術館、底特律美術館與海爾加．德．阿爾維亞基金會等重要機構典藏。

阿爾維亞以其精湛的技法與概念性的探索，在極大與極小的尺度中，創造出微觀與巨觀的詩意互動，並透過藝術家安排的視覺敘事，邀請觀者跨出感官的舒適圈，轉化物理與精神上的感知。

《慾望之物：微觀與巨觀的交會之境》
展覽日期｜2026/08/15 – 2026/09/26
展覽地點｜双方藝廊
藝術家｜安娜．德．阿爾維亞

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✹ ARTIST’S INFORMATION ✹

Ana de Alvear was born in Madrid, Spain, 1962.

She specializes in creating hyper-real trompe-l'oeil drawings using only colored pencils. Selected for her highly innovative vision, she was awarded the Edge Artist Award at the 2025 Taipei Dangdai Art & Ideas.

Her work has been exhibited at internationally renowned institutions, including the Centre Pompidou in Paris, the Museo Nacional Centro de Arte Reina Sofía in Spain, The San Diego Museum of Art in the US, the Hara Museum in Tokyo, and the MOCA Seoul. Her works are also included in important collections such as The San Diego Museum of Art, the Detroit Museum of Art, and the Fundación Helga de Alvear.

With her virtuoso craft and conceptual investigation, de Alvear creates a poetic interaction between the micro and the macro. Through carefully staged visual tales, she invites viewers to step beyond their sensory comfort zone, transforming both physical and spiritual perception.
《Objects of Desire: Where Micro and Macro Open in All Directions》

Dates｜2026/08/15 – 2026/09/26

Opening｜2026/08/15 15:00PM

Venue｜ Double Square Gallery

Artists ｜Ana de Alvear

✹ 展覽現場 ✹本日藝術家座談會《避風島》圓滿落幕，非常感謝藝術家、與談人和各位觀眾與我們一同挖剖在這片土地上共生共存、依附而生的意義。衷心感謝與談人郭城孟、謝一誼老師，深度解析蕨類植物的生態樣貌與土地、人文和藝術的緊密關係，並探討張善學作...
22/08/2026

✹ 展覽現場 ✹

本日藝術家座談會《避風島》圓滿落幕，非常感謝藝術家、與談人和各位觀眾與我們一同挖剖在這片土地上共生共存、依附而生的意義。

衷心感謝與談人郭城孟、謝一誼老師，深度解析蕨類植物的生態樣貌與土地、人文和藝術的緊密關係，並探討張善學作品背後的敘事情懷跟對臺灣風土記憶的連結。
有幸相遇，望能一同生長努力，如蕨乘載記憶，總是生生不息。

《避風島》展期到 9 月 26 日，歡迎各位朋友們踏入双方，欣賞本次展覽所帶來的深刻敘說。

《避風島》
展覽日期｜2026/08/15 – 2026/09/26
展覽地點｜双方藝廊
藝術家｜張善學

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✹ THE SCENES ✹

Today’s artist talk for《Shelter Island》has successfully concluded. We extend our deepest gratitude to the artist, our guest speakers, and everyone who joined us in excavating the profound meanings of coexistence, symbiosis, and mutual reliance embedded within this land.
We are especially thankful to speakers Kuo Chen-Meng and Hsieh I-Yi for their profound deconstruction of fern ecology and its intricate ties to the land, humanity, and art. Their insights illuminated the narrative sentiments behind artist Chang San Hsueh’s works and their resonant connection to the tactile memories of Taiwan's local ethos.

《Shelter Island》 remains on view through September 26. We warmly invite you to step into Double Square and experience the profound narratives woven into this exhibition.

《Shelter Island》

Dates｜2026/08/15 – 2026/09/26
Venue｜ Double Square Gallery
Artists ｜Chang San Hsueh

Address

中山區北安路770巷30號
Taipei
104

Opening Hours

Tuesday 12:00 - 18:00
Wednesday 12:00 - 18:00
Thursday 12:00 - 18:00
Friday 12:00 - 18:00
Saturday 12:00 - 18:00

Telephone

+886285012138

Website

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