Cans藝術新聞

Cans藝術新聞 All you need to know about Chinese antique art markets.

Leading the pack among Japan’s many auction houses, Osaka   has built a strong reputation over the past 13 years for bot...
02/04/2026

Leading the pack among Japan’s many auction houses, Osaka has built a strong reputation over the past 13 years for both quality and curatorial creativity.

This Spring 2026 auction, running from April 20–25, will present 18 dedicated auctions featuring over 1,550 carefully selected works—from ancient to contemporary, spanning both Eastern and Western art. A richly curated lineup with standout highlights throughout.

作為日本眾多拍賣公司中的領頭羊,大阪上氏拍賣成立至今已有13年,每一次推出的拍賣,除了質量俱佳外,亦別出心裁。2026春季藝術品拍賣會將於4月20至25日啟程,本次拍賣推出18個專場,甄選涵蓋古代至當代的東西方藝術精品1,550餘件,琳琅滿目、亮點紛呈。


Marking its 40th anniversary in Asia,  a takes center stage this April in Hong Kong.From 28–30 April, during Asia Art We...
02/04/2026

Marking its 40th anniversary in Asia, a takes center stage this April in Hong Kong.

From 28–30 April, during Asia Art Week, a series of major sales will unfold—bringing together a dazzling lineup of rare and exceptional masterpieces.

2026年正值佳士得肇基亞洲四十週年慶,在香港亞洲藝術週期間,佳士得將於4月28日至30日,隆重連續呈獻多個重磅專場,逸品琳琅珍罕。

The 2025 Chinese painting and calligraphy auction market may well be defined as a year in which masterpieces of fine cla...
13/02/2026

The 2025 Chinese painting and calligraphy auction market may well be defined as a year in which masterpieces of fine classical Chinese paintings shone with irreplaceable brilliance.

Masterpieces stood firm as the market matured—shifting from chasing names to honoring intrinsic value and historical legacy. The “Fu Baoshi phenomenon” dominated modern rankings, while online auctions reshaped participation and expanded access.

A year of correction, clarity, and conviction.

2025 年的中國書畫拍賣市場可謂是:頂級古代書畫,綻放無可替代的光芒的一年。在市場延續理性調整的整體氛圍中,收藏與投資的重心,正從對藝術家名望的追逐,回歸到對作品內在價值與歷史傳承的篤信與珍視。這不僅是價格的調整,更是價值認知的深化,標誌著市場參與者在資訊透明化時代共同步入了一個更成熟、更注重內涵的收藏新階段。

近現代書畫板塊的「傅抱石現象」得到集中體現,六件作品同時閃耀去年中國近現代書畫榜單,全面涵蓋其早期、中期與晚期的創作,題材橫跨山水、人物。

一如往年,呈現普品市場流動性減弱與頂級精品價格堅挺所形成的「兩極化」,但 2025 年的線上拍賣為市場注入了新活力,網路拍賣、直播導覽與線上競投拓展了交易的邊界,處理了大量中低價位標的,成為培育參與者和普及藝術知識的重要窗口。

In 2025, the 10th highest result for scholar’s studio objects has already exceeded HK$10 million — notably stronger than...
13/02/2026

In 2025, the 10th highest result for scholar’s studio objects has already exceeded HK$10 million — notably stronger than many other craft categories, including jade. “Wenfang Yawan” is no longer a supporting role, but a high-value field rich in cultural depth.

Collecting is about people. Rooted in literati spirit and cultivated taste, this category holds particular resonance in Mainland China. It is set to become one of the most broadly supported and closely watched segments in the auction market.

在 2025 年年文房雅玩拍賣成交第十名的水位已站上千萬港元,其整體水位明顯高於玉器等其他工藝品類,顯示去年「文房雅玩」已非陪襯,而是高文化含量高價位項目。藝術品收藏離不開人,文房雅玩更離不開文人的唱和與人格精神,在內地也是最有魅力且最能深耕的品類,相信未來文房雅玩在內地拍場是更能見證群眾基礎的板塊。

#2025

High-End Chinese Art Market: Huanghuali Furniture Takes the LeadAmid persistent global economic uncertainty, the huanghu...
12/02/2026

High-End Chinese Art Market: Huanghuali Furniture Takes the Lead

Amid persistent global economic uncertainty, the huanghuali furniture market continues to show remarkable resilience, with little sign of volatility. Growth remains steady, though the market has shifted toward greater rationality and differentiation.

Today, provenance is key. Works from distinguished collectors, prominent families, or those backed by authoritative exhibition and publication records command clear premiums. Such pieces reduce uncertainty, strengthen scholarly standing, and increasingly emerge as focal points at auction—while more ordinary examples return to stable, measured performance.

在全球經濟環境仍具不確定性的背景下,黃花梨家具市場顯然未受明顯波動影響,反而展現出高度韌性。未來的黃花梨家具市場仍將持續走強,但趨勢已明顯轉向理性與分化,具備名人舊藏與來源清晰的拍品,在家具市場中往往具備更強的價格優勢,無論是出自重要收藏家、知名家族,或曾經歷權威展覽與出版記錄的作品,皆能有效降低市場不確定性,並強化其學術與歷史定位,這類拍品在拍場上更容成為焦點;而普品則回歸穩健表現。

#2025

As Asia’s most established auction hub, Hong Kong offers unmatched international buyers, finance, and logistics—while th...
12/02/2026

As Asia’s most established auction hub, Hong Kong offers unmatched international buyers, finance, and logistics—while the growing influence of Mainland Chinese collectors in Buddhist art continues to underpin high-end prices through strong cultural and historical affinity.

香港作為亞洲最成熟的拍賣樞紐,具備完整的國際買家結構、金融與物流條件,能有效承接高價競投;同時,中國內地藏家近年在佛教藝術領域的影響力持續上升,對頂級造像與唐卡所承載的文化與歷史價值具備高度認同,成為支撐高價的重要力量。

In 2025, China’s Buddhist and ancient sculpture auction market showed a steady, clearly defined trajectory. The year’s m...
11/02/2026

In 2025, China’s Buddhist and ancient sculpture auction market showed a steady, clearly defined trajectory. The year’s most notable shift was the long-awaited return of eight-figure RMB results, re-establishing a key market benchmark.

While headline masterpieces captured the spotlight, the market’s true barometer lay in its upper-mid segment. Lots priced between RMB 2–5 million formed a solid middle layer, delivering consistently stable results. This reflects a more cautious, selective flow of capital in the current climate.

The sector is moving into a more mature and rational phase: trophy works, defined by rarity, set the ceiling and draw global competition, while mid-market performance suggests overall momentum is steady—but still building.

2025 年中國佛像與古代雕塑拍賣市場呈現穩健而清晰的發展脈絡。全年最顯著的變化是找回了久違的「千萬級」成交的標杆。

在頂級重器閃耀的同時,市場的中堅力量──即中高價位區間的表現,構成了評估整體「水位」的關鍵。例如,成交價在 200 萬至 500 萬人民幣區間的拍品,形成了堅實的市場腰部。這一區間的整體表現比較穩定,反映出資金在當前環境下趨於謹慎與選擇性集中。此領域正步入一個更為成熟與理性的階段,頂級重器以其稀缺性定義了價格的高度,並吸引了全球資金的聚焦角逐;而市場中端部分的表現則提示,整體動能仍有待進一步積累。

The global bronze market continues to be shaped by three major auction houses—, , and —which together secured seven plac...
10/02/2026

The global bronze market continues to be shaped by three major auction houses—, , and —which together secured seven places on this year’s Top 10 list. Hong Kong’s presence dropped sharply from eight lots in 2024 to just four, while mainland China accounted for only two, reflecting a more cautious market under stricter regulatory scrutiny. Europe, however, emerged as a new highlight: Paris claimed two spots, with London and Germany taking one each—an unprecedented shift not seen in the past two years of bronze auction rankings.

Imperial bronzes remain a key pillar, demonstrating steady and mature demand across both Hong Kong and European salerooms. By contrast, bronzes before Song dynasty delivered the strongest momentum of the season. Monumental and highly distinctive examples, especially those with solid provenance and refined craftsmanship, continue to attract serious collectors, signaling early signs of a market rebound.

銅器市場主要由三大拍賣公司統籌,蘇富比、佳士得與邦瀚斯,合計取得 7 個席位。香港席次由 2024 年的 8 席大幅減半至 4 席;而在中國內地市場向來備受追捧的銅器僅占 2 席,反映出在嚴格審查制度下,市場整體趨於審慎。歐洲方面則異軍突起,巴黎占有 2 席,倫敦與德國各 1 席,此為前兩年「銅器拍賣成交十大排行」未曾出現的現象。

宮廷御製銅器依舊是本次榜單重要支柱,無論在香港或歐洲拍場,皆展現穩定且成熟的收藏市場需求。相較宮廷御製銅器的穩健表現,高古青銅重器仍是本次榜單中最具話題性與爆發力的板塊。在高古銅器板塊中,具備特殊性或屬於重器等級的拍品,依然深受收藏家青睞;而流傳有序、工藝精湛者亦交出不俗成績,整體市場呈現回暖跡象。

The 2025 jade auction market lacked real excitement, with few headline lots capable of driving broader attention. After ...
09/02/2026

The 2025 jade auction market lacked real excitement, with few headline lots capable of driving broader attention. After several shifts in collecting taste, jade before Han dynasty returned to the center of the market after 2016—and even amid the current downturn, it continues to hold a relative edge.

This transition has been propelled by a new generation of collectors born in the ’70s and ’80s, who are actively reshaping the market. The focus is gradually moving away from the decorative aesthetics of Ming–Qing jades toward the cultural depth and historical weight of high antiquity. After repeated market corrections, value and price will inevitably find their balance again. Trends come and go—but in the end, the true quality of an object is what really matters.

2025 年玉器拍賣市場整體並不算精彩,缺乏能帶動市場話題的重點拍品。過去玉器收藏的風向曾經多次輪轉,2016 年後古玉再度回到玉器收藏的重心,此波景氣下行中,古玉仍相對占優勢,這波世代交替成功與 70、80 後新世代藏家的積極參與是主要推動力,讓收藏重心從明清的裝飾性品味,逐步轉向高古的文化性。在市場一波又一波的洗滌之後,「價值」與「價格」終究會重新找到平衡點。流行只是一時,器物本質夠不夠好才是硬道理。

The 2025 auction market has remained soft, with few true highlight lots in the Chinese art and craft sector. Compared wi...
06/02/2026

The 2025 auction market has remained soft, with few true highlight lots in the Chinese art and craft sector. Compared with the boom years of 2016–2017, when masterpieces repeatedly set record prices, both the quantity and overall quality of top-tier works have clearly declined. Across categories, demand for blue-chip pieces has turned cautious, marking the end of an era defined by fierce multi-collector bidding and runaway prices.

The market is now in a transitional phase of generational shift and value recalibration—often referred to within the trade as “garbage time.” How to endure this period, and more importantly, how to identify new opportunities amid the reshuffle, has become a true test of vision and judgment for collectors and auction professionals alike.

2025 年拍賣市場表現疲弱,中國工藝品板塊的「高光」拍品相對稀少,與 2016、2017 年藝術市場全盛期相比,名品頻創天價的盛況已難再現,無論拍品的數量與品質都明顯下降,總體來看,頂級藝術品不論品類,買氣皆趨於保守謹慎,已不復過往那種能引來多方藏家同場追逐、價格狂飆的時代。

當前市場正處於世代交替與價值重整的過渡期,業內簡稱為「垃圾時間」,該如何熬過這段「垃圾時間」?並在新舊交替之際找到利基,考驗著收藏家與拍賣從業人員的眼光與智慧。

One of the most defining characteristics of China’s ceramic auction market in 2025 was not record-breaking prices, but t...
04/02/2026

One of the most defining characteristics of China’s ceramic auction market in 2025 was not record-breaking prices, but the systematic release of important legacy collections. Major private collectors and institutions—including Ailian Tang, Jianshan Longquan Tang, Japan’s so-called “Egg King” Ise Hikonobu, and the Ou Bailing Collection (Part II)—entered the market in succession.

Rather than fueling speculative highs, this wave of “collection renewal” marked a turning point toward a more rational and sustainable phase. Long-awaited top-tier material finally returned to the auction circuit, while the market itself underwent a large-scale stress test—clearly redefining value benchmarks across different categories of Chinese ceramics.

2025 年的中國瓷器拍賣市場全年最顯著的特徵,並非天價紀錄的誕生,而是如「愛蓮堂」、繭山龍泉堂、日本「雞蛋大王」伊勢彥信和「區百齡珍藏 第二部分」等資深重要私人藏家及機構,進行了系統性的珍藏釋出,處於理性繁榮的新起點。這波「換藏潮」不僅為市場注入了久違的頂級生貨,更是一場大規模的壓力測試,並清晰檢驗中國陶瓷各門類的價值定位。

2026 年由重要藏家釋藏引領的「換藏潮」或將繼續,通過新老藏家對流傳有緒的生貨的理性競逐,完成了新一輪價值共識的塑造。各家拍賣公司爭奪和策劃這類具有「收藏史」意義的專場,將成為核心競爭力;更是新晉藏家快速建立高品位收藏體系的機遇期。

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此寶騰腰刀,整刀呈細長的「S」型,刃鋒至尖處略上翹,配白玉雕柄,柄底端以渦旋形作收,正中雕刻一朵六瓣花,花心處鑽有一孔,穿帶珠飾及流蘇的黃色絲縧。刀柄上的刻花裝飾具有鮮明的蒙古草原風格。橢圓形鐵鋄金鏤空響龍護手,刀靠近銎處有金、銀、銅絲鑲嵌...
30/01/2026

此寶騰腰刀,整刀呈細長的「S」型,刃鋒至尖處略上翹,配白玉雕柄,柄底端以渦旋形作收,正中雕刻一朵六瓣花,花心處鑽有一孔,穿帶珠飾及流蘇的黃色絲縧。刀柄上的刻花裝飾具有鮮明的蒙古草原風格。橢圓形鐵鋄金鏤空響龍護手,刀靠近銎處有金、銀、銅絲鑲嵌的花飾及雲龍紋,另有金銀絲裝飾框內嵌刻「寶騰」以及「天子十七號」,另一側相同位置「乾隆年製」四字款識。刀鞘木製,外包山甲紋的金桃皮裝飾,刀的首尾飾件琫、珌為鐵鋄金鎪空紋,鞘的兩箍為鐵鋄金蟠螭紋,襻穿黃色掛繩。

閱讀全文:https://mp.weixin.qq.com/s/pv5QThdv0l8ok9rcob2w_w

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