What are the opening hours?

Tuesday 13:30 - 18:30 Wednesday 13:30 - 18:30 Thursday 13:30 - 18:30 Friday 13:30 - 18:30 Saturday 13:30 - 18:30

RIVER ART Gallery 大河美術, 大業路281號, Taichung (2026)

11/09/2026

BLOCK FOUR:The Pool of the Inner City｜流於意識的城池

陳惠立的泳池不只是放鬆運動的場所，當素昧平生的陌生人，赤裸地坦誠相見，是關乎權力關係、公私領域界線曖昧模糊的微妙場域。

其中，電影中的泳池場景尤其具標誌性。本次展覽的作品，以電影《虎視眈眈》（2001，臺譯：性感野獸）與《倒數時刻》（2021）內的泳池場景為靈感。象徵著殺戮時刻即將來臨前的平靜，以及逃離現實的出口。陳惠立刻意將人物抹去，使觀者更能沈浸在他筆下的水光。大幅的作品延伸他對影片中泳池的想像，層次精細的藍色磁磚吸引著目光，緩緩沒入在水池之中。

For Wai Lap Chan, the swimming pool is more than a place for leisure and exercise. When strangers who have never met before find themselves exposed and vulnerable in one another’s presence, the pool becomes an ambiguous and subtle space where power dynamics unfold and the boundaries between public and private become blurred.

Among these references, swimming-pool scenes in film are particularly emblematic. The works in this exhibition draw inspiration from the pool scenes in “Sexy Beast”(2001) and “Tick, Tick... BOOM!”(2021), evoking the calm before the moment of violence and the pool as an escape from reality. Chan deliberately removes the figures from his compositions, allowing viewers to immerse themselves more fully in the play of light and water that defines his paintings. In his large-scale works, he expands upon her imagination of these cinematic pools: layers of finely rendered blue tiles draw the eye inward, gradually dissolving into the depths of the water.
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Dreaming of swimming pools 18, 17夢見游泳池（十八、十七）, 2026, Pencil and Colour Pencil on Paper, 54 x 54 cm
Love Hate Lust Fear Envy Leisure Boredom Glamour Excitement Oblivion Inspiration (Sexy Beast) 愛恨慾望恐懼嫉妒悠閒沉悶輝煌興奮遺忘靈感（虎視眈眈、倒數時刻）, 2025, Pencil and Colour Pencil on Paper, 12 x 18 cm.
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【 Into the Fern Glow．拜訪暉蕨之森】
▎Dates：15 Aug - 3 Oct 2026
▎Artists：
Cheng Yen Yu 余政諺
Hilarie Hon 韓幸霖
Hsiao-Ai Wang 王筱璦
Liao Wen 廖雯
Ngai Wing Lam Ant 蟻穎琳
Wai Lap Chan 陳惠立
Xinran Liu 劉欣然
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☞ 關於展覽 About the Exhibition
https://reurl.cc/k9akZq
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www.instagram.com/riverartgallery_tw/
☞ LINE官方帳號
https://line.me/R/ti/p/%40riverart

09/09/2026

Creating a Glow｜LighTemp 絕對光度

在《拜訪暉蕨之森》中，「暉」是體驗整個展覽的關鍵之一。大河美術與 LighTemp 絕對光度負責人阿嵐（劉欣宜）合作多年。她自 2018 年獨身投入燈光工程，於2024年成立絕對光度，長期從事藝術展覽、作品與空間的燈光設計及技術執行，合作單位遍及全臺各大美術館以及多間藝廊空間。

阿嵐認為空間乘載了穿梭於時空的記憶碎片，燈光則是喚醒場域裡所有人心中的重要瞬間。透過細膩地感受情緒，同時將之轉化為能被理性實踐的物理技術，創造出新的美好回憶。這份對「光之溫度」的熱忱，滲入本次策展敘事。在她手中，光不只是均質地照亮物件，而是成為調節觀看速度、空間距離與身體感受的媒介。「暉」所蘊含的雙重性被轉為一種可被覺察的模樣，如霧中燈火、雨後水光、城市霓虹餘暉，甚至失眠深夜裡映照臉龐的螢幕藍光，皆被自然地暈染其中。

我們所拜訪的事物從未消逝。當放慢腳步，身體停留於靜默之處，與充滿生命力的暉光與豐饒蕨類一同舒展，或許也會發現，心中那道微光正於此地緩緩顯形。

In this show, “glow” is central to how the exhibition is experienced. RIVER ART GALLERY has collaborated with lighting designer Lan (Hsin-Yi Liu), founder of LighTemp, for many years. She began working independently in lighting in 2018 and established LighTemp in 2024. Her practice spans lighting design and technical ex*****on for exhibitions, artworks, and spatial environments, with projects across major museums, galleries, and art spaces throughout Taiwan.

For Lan, space carries fragments of memory across time, while light has the capacity to awaken meaningful moments within those who inhabit it. By attuning closely to emotion and translating it into precise physical and technical decisions, she creates conditions in which new memories can emerge. This sensitivity to the “temperature of light” is woven into the exhibition’s curatorial narrative. In her hands, light does more than evenly illuminate objects; it modulates the pace of looking, spatial distance, and bodily perception. The dual quality embedded in “glow” is rendered perceptible through subtle shifts of light: lamps dissolving into mist, reflections after rain, the lingering afterglow of urban neon, and even the blue light of a screen cast across a sleepless face.

What we come to visit has never truly disappeared. By slowing our pace and allowing the body to linger in stillness—unfolding alongside the vital glow and abundant ferns—we may begin to notice a faint light within ourselves gradually coming into view.
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【 Into the Fern Glow．拜訪暉蕨之森】
▎Dates：15 Aug - 3 Oct 2026
▎Lighting Designer：
LighTemp 絕對光度｜Lan 阿嵐
Photo拍攝者｜warwish
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☞ 關於展覽 About the Exhibition
https://reurl.cc/k9akZq
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☞ LINE官方帳號
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04/09/2026

BLOCK THREE : The Cosmic Tideland｜星汐之境

韓幸霖的退隱之地，座落於宇宙星系與森林間的潮間帶。波光在其中流轉，使外在景象不再只是風景，而成為折射內在精神脈動的介質，在靜謐而持續的凝視中，召喚人們重新感知時間與記憶中，自身存在的狀態。

《飛行的模式》以木盒為基底，採三聯畫形式展開。刻意保持簡樸沉穩的盒體，與內部細膩而豐富的世界形成對照；作品亦由此脫離白盒子所預設的觀看框架，在自身的邊界內，構築出相對獨立且有庇護感的精神領域。韓幸霖受天文學家 Carl Sagan 著作的啟發，將面向浩瀚宇宙的理性凝視，與個體幽微的精神經驗縫於一室。左右翼板的磁磚皆為藝術家親手捏塑、燒製，並援引 Francisco Goya《Proverbios》系列中對人類飛行幻想的描繪，反覆指向一種超越現實重量的精神意志：即使身處受限、負重甚至困頓的現實，仍能保有仰望天空、想像未來的能力。正如《Don't Let Light Go Out of The Eye》翼板上的黃銅星星，守護你我眼中，那道永不熄滅的希望之光。

Hilarie Hon’s place of retreat occupies an intertidal zone between the cosmos and the forest. Shifting reflections of light transform the external world from mere landscape into a medium for the psyche's inner pulse, inviting sustained contemplation of one’s state of being across time and memory.

“A Way of Flying” unfolds as a triptych housed within a wooden box. Its deliberately restrained exterior contrasts with the intricate world within, allowing the work to move beyond the conventional viewing framework of the white cube and establish a self-contained, sheltering psychological space. Inspired by the writings of astronomer Carl Sagan, Hon brings a rational gaze toward the vastness of the universe into dialogue with intimate states of inner experience. The tiles on the side panels are hand-shaped and fired by the artist, drawing on Francisco Goya’s “Proverbios” series and its imagery of human flight to evoke a will that exceeds the weight of reality: the capacity to look upward and imagine a future even amid constraint, burden, and adversity. Like the brass stars on the panels of “Don't Let Light Go Out of The Eye,” they safeguard the light of hope that endures within us.
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A Way of Flying, 2026, Mixed Media on Wooden Box, 50 x 121 x 5 cm.
Internal Refraction, 2026, Acrylic and Oil on Canvas, 75 x 100 cm.
Don't Let Light Go Out of the Eye, 2024, Mixed Media on Wooden Box, 28 x 77 x 5 cm.
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【 Into the Fern Glow．拜訪暉蕨之森】
▎Dates：15 Aug - 3 Oct 2026
▎Artists：
Cheng Yen Yu 余政諺
Hilarie Hon 韓幸霖
Hsiao-Ai Wang 王筱璦
Liao Wen 廖雯
Ngai Wing Lam Ant 蟻穎琳
Wai Lap Chan 陳惠立
Xinran Liu 劉欣然
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☞ 關於展覽 About the Exhibition
https://reurl.cc/k9akZq
☞ Instagram
www.instagram.com/riverartgallery_tw/
☞ LINE官方帳號
https://line.me/R/ti/p/%40riverart

02/09/2026

BLOCK TWO:The Fountain of Long Afternoons｜漫長的午後噴泉

蟻穎琳的作品受童年成長經驗與夢境記憶啟發，本次展出作品圍繞「香港動植物公園」與美洲豹「小花」的跨時空連結。這座香港歷史最悠久的公園於1871年落成，園區設計及地理位置反映19世紀的殖民城市規劃。小花則是在1989年西柏林贈送給香港的禮物，終生住在這座公園的鐵籠之內。

畫中的小花脫離禁錮，置身在1860和1930年代不同的公園水池場景悠遊。一同在嬉戲的魚人，同時是藝術家個人及香港集體記憶的化身，以極其溫柔的方式解放這段歷史，有了休憩的的退隱入口。

Ngai Wing Lam’s work is inspired by her childhood experiences and memories of dreams. Her works evolve around a transhistorical connection between the Hong Kong Zoological and Botanical Gardens and Siu Fa, a leopard. Established in 1871, the Hong Kong Zoological and Botanical Gardens is the oldest park in Hong Kong, while its design and geographical location reflect the colonial urban planning of the nineteenth century. Siu Fa, meanwhile, was gifted to Hong Kong by West Berlin in 1989 and spent her entire life confined within an iron cage in the Gardens.

In Ngai’s paintings, Siu Fa is freed from captivity, wandering through scenes of the park’s fountains from the 1860s and 1930s. The koi-head figures playing alongside her embody both the artist’s personal memories and Hong Kong’s collective memory. Through an exceptionally gentle gesture, the works liberate this history, opening a secluded space for rest and retreat.
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小花 Siu Fa, 2026, Oil on Wood Panel, 30 x 30 cm.
我們在1930 年代的水池旁邊相遇We Met by The Fountain in 1930s, 2026, Oil on Wood Panel, 45 x 50 cm.
小花在遊玩Siu Fa is Playing, 2026, Mixed Media, 10 x 42 x 22 cm.
我們在1860 年代的水池旁邊相遇We are Playing Badminton at the fountain in 1860s, 2026, Oil on Wood Panel, 45 x 50 cm.
在風中揮動球拍 I&II Swinging Rackets in The Wind I&II, 2026, Mixed Media, 33 x 12 x 2 cm.
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【 Into the Fern Glow．拜訪暉蕨之森】
▎Dates：15 Aug - 3 Oct 2026
▎Artists：
Cheng Yen Yu 余政諺
Hilarie Hon 韓幸霖
Hsiao-Ai Wang 王筱璦
Liao Wen 廖雯
Ngai Wing Lam Ant 蟻穎琳
Wai Lap Chan 陳惠立
Xinran Liu 劉欣然
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☞ 關於展覽 About the Exhibition
https://reurl.cc/k9akZq
☞ Instagram
www.instagram.com/riverartgallery_tw/
☞ LINE官方帳號
https://line.me/R/ti/p/%40riverart

28/08/2026

BLOCK ONE:The Golden Thicket｜金色密林

劉欣然的作品捕捉轉瞬即逝的思緒與記憶，本次，她首次嘗試使用羊皮紙創作，其光滑的媒材特性，更能保留她每一筆輕盈快速的筆觸。色彩受到文藝復興藝術家埃爾・格列柯（El Greco）的啟發，她結合在英國東北邊海岸Horsey Gap健行的回憶，使用檸檬黃、飽和橘等顏色，以糾纏的筆觸，營造宛如烈火在暗夜中燃燒的奇異景色。

大型的麻布作品延續此系列，反之，她以日光為主題，使用飛揚的筆觸交疊不同層次的金黃色。光束和光斑穿透物件，表現光線炫目而強烈的視覺記憶。熾熱溫暖的統一色調，卻也使人感覺到無比寂靜平和。

Xinran Liu’s work endeavors to capture the unfiltered thoughts and memories that surface in an instant. In her new series, she experiments with parchment, whose smooth surface allows her light and quick brushstrokes to be preserved with greater clarity. Her palette is inspired by El Greco, while memories of hiking near Horsey Gap in England are woven into the works. Lemon yellow and saturated orange, combined with entangled brushstrokes, create an peculiar landscape reminiscent of flames burning against the darkness of night.

The large-scale linen works continue this series, but turn instead to the theme of sunlight. Here, sweeping brushstrokes overlap in layers of golden yellow, while beams and patches of light pe*****te the objects, evoking a vivid visual memory that is dazzling and intense. Despite their blazing warmth and unified palette, the works also convey a profound sense of stillness and tranquility.
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silent fire, 2026, Oil on Linen, 130 x 160 cm
the irresistible desire of you to devour, 2026, Oil on Parchment, 70 x 60 cm
will you do it, will you?, 2026, Oil and Color Pencil on Canvas, 140 x 160 cm
moonlight falls, 2026, Oil on Parchment, 70 x 60 cm
a noonday dream, 2026, Oil on Linen, 150 x 170 cm
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【 Into the Fern Glow．拜訪暉蕨之森】
▎Dates：15 Aug - 3 Oct 2026
▎Artists：
Cheng Yen Yu 余政諺
Hilarie Hon 韓幸霖
Hsiao-Ai Wang 王筱璦
Liao Wen 廖雯
Ngai Wing Lam Ant 蟻穎琳
Wai Lap Chan 陳惠立
Xinran Liu 劉欣然
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☞ 關於展覽 About the Exhibition
https://reurl.cc/k9akZq
☞ Instagram
www.instagram.com/riverartgallery_tw/
☞ LINE官方帳號
https://line.me/R/ti/p/%40riverart

26/08/2026

Into the Fern Glow 拜訪暉蕨之森｜

《Into the Fern Glow 拜訪暉蕨之森》將持續展出至 10 月 3 日，本次展覽試圖揭示專屬「東亞濕潤文明的離線狀態」，七位藝術家共同身處的高濕度氣候，形塑出介於清醒與恍惚間的感知經驗。邀請觀眾在展期間來到這座「暉蕨之森」，喚醒夢的潛能。

“Into the Fern Glow” will remain on view until October 3. The exhibition seeks to reveal an “offline condition” particular to East Asia’s humid civilization, the mutual high-humidity climate shared by the seven artists, shapes a perceptual experience suspended between lucidity and reverie. We sincerely invite viewers to enter this “Fern Glow Forest”, awaken the potential power of dreams.
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【 Into the Fern Glow．拜訪暉蕨之森】
▎Dates：15 Aug - 3 Oct 2026
▎Artists：
Cheng Yen Yu 余政諺
Hilarie Hon 韓幸霖
Hsiao-Ai Wang 王筱璦
Liao Wen 廖雯
Ngai Wing Lam Ant 蟻穎琳
Wai Lap Chan 陳惠立
Xinran Liu 劉欣然
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☞ 關於展覽 About the Exhibition
https://reurl.cc/k9akZq
☞ Instagram
www.instagram.com/riverartgallery_tw/
☞ LINE官方帳號
https://line.me/R/ti/p/%40riverart

22/08/2026

Installation Shots ｜Into th Fern Glow

本次不選擇直接從地理或身份層面出發，而轉向一種更細膩的策展方法：氣候。藝術家的「原始之森」有著長期滲入身體、城市記憶與文化的濕潤感：山霧與海島濕氣、盆地霧感、回南天與漫長雨季，形塑一種介於清醒與恍惚間的感知經驗。「潮濕」在此成為一種存在狀態，關乎氣味如何喚回記憶、皮膚如何感知環境、霧氣如何改變觀看，甚至是情緒、夢境與集體意識如何成形。

二樓始於陳惠立充滿曖昧濕氣的無人電影泳池場域，以及余政諺步步沉積的自然分形之谷；穿過天井走廊，廖雯向觀眾呈現出廢墟建築中，橫生而出的身體閾限狀態。最後，在王筱璦辨識虛實的內在花園中，帶著豐沛的能量與清明的覺知，有力地「震盪」回我們生存的世界。當現實與虛擬、科技與自然早已彼此滲透，人們需放下掌控並學會重新信任無名的本能，讓我們接受迷路的發生，在這座「暉蕨之森」喚醒夢的潛能。

Rather than beginning directly with geography or identity, the exhibition turns toward a more nuanced curatorial approach: climate. The artists’ “primordial forests” are marked by forms of humidity long absorbed into the body, urban memory, and culture: mountain mist and island moisture, basin fog, condensation seasons, and prolonged rains. Together, these conditions shape a perceptual experience suspended between lucidity and reverie. Here, humidity becomes a condition of being. It concerns how scent recalls memory, how the skin senses its environment, how mist alters the act of looking, and even how emotions, dreams, and collective consciousness gradually take form.

The second floor begins with Wai Lap Chan’s unpeopled cinematic poolscape, charged with ambiguous moisture, and Cheng Yen Yu’s valley of natural fractals, built through layered acts of sedimentation. After crossing the atrium corridor, viewers encounter Liao Wen’s liminal body emerging from a ruined architectural structure. Finally, in Hsiao-Ai Wang’s inner garden of dreams—where the boundaries between illusion and reality are carefully discerned—one is powerfully “kicked” back into the world we inhabit, carrying renewed energy and lucid awareness. As the real and the virtual, technology and nature have already permeated one another, we may need to relinquish control and relearn how to trust our unnamed instincts. We warmly invite everyone to accept the possibility of getting lost and to awaken the potential of dreams within this “Fern Glow Forest.”
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【 Into the Fern Glow．拜訪暉蕨之森】
▎Dates：15 Aug - 3 Oct 2026
▎Artists：
Cheng Yen Yu 余政諺
Hilarie Hon 韓幸霖
Hsiao-Ai Wang 王筱璦
Liao Wen 廖雯
Ngai Wing Lam Ant 蟻穎琳
Wai Lap Chan 陳惠立
Xinran Liu 劉欣然
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☞ 關於展覽 About the Exhibition
https://reurl.cc/k9akZq
☞ Instagram
www.instagram.com/riverartgallery_tw/
☞ LINE官方帳號
https://line.me/R/ti/p/%40riverart

21/08/2026

Installation Shots ｜

延續對科技過載及精神退隱的思考，展覽進一步追問：科技與資訊日益過載的現況下，我們是否仍能有意識地退隱至深處，喚回真正的直覺與感知？

展覽將藝廊本身的天井、貨梯、端景走廊等空間結構，融入光與熱、濕度與體感、城市記憶與潛意識等交錯生成的狀態，轉化生成一座由不同感知區域構成的精神森林。觀者將穿梭於擁有不同重力與層次的生態，掉入七位藝術家的夢境 BLOCK。從劉欣然炙熱耀眼的日光起步，在天井下與「小花」散步於蟻穎琳溫柔安置的香港動植物公園後，再下探至韓幸霖如漫遊宇宙般的精神暗室。過程中不難發現遍布各處的蕨類，以及與之相伴的隱隱微光。「Fern」在此指向羊齒植物，同時將最初的「電子羊」意象藏於其中，這種低伏且古老，在山霧雨水間無聲蔓延的存在，成為人類在過度加速後，仍於體內深處延展的原始象徵。

Extending its reflection on technological overload and spiritual retreat, the exhibition further asks: in an age increasingly saturated by technology and information, can we still consciously withdraw into deeper states of being and recover genuine intuition and perception?

This show incorporates the gallery’s own architectural features—the atrium, freight elevator, and axial corridor—into a state shaped by the interplay of light and heat, humidity and bodily sensation, urban memory and the unconscious. These spatial elements are transformed into a spiritual forest composed of distinct perceptual zones. Viewers move through ecologies of different gravities and layers, falling into the dream blocks of seven artists. The journey begins with the searing radiance of Xinran Liu’s sunlit visions; continues beneath the atrium, where one strolls with “Siu Fa” through Ngai Wing Lam’s tenderly reimagined Hong Kong Zoological and Botanical Gardens; and then descends into Hilarie Hon’s psychic darkroom, a space that seems to drift through the cosmos.

Along the way, people will notice the recurring presence of ferns, accompanied by subtle glimmers of light. Here, “Fern” refers to pteridophytes, while quietly preserving the trace of the exhibition’s original “electric sheep” motif. Low-growing, ancient, and silently spreading through mountain mist and rain, the fern becomes a primordial symbol of what continues to unfold deep within the human body after relentless acceleration.
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【 Into the Fern Glow．拜訪暉蕨之森】
▎Dates：15 Aug - 3 Oct 2026
▎Artists：
Cheng Yen Yu 余政諺
Hilarie Hon 韓幸霖
Hsiao-Ai Wang 王筱璦
Liao Wen 廖雯
Ngai Wing Lam Ant 蟻穎琳
Wai Lap Chan 陳惠立
Xinran Liu 劉欣然
-
☞ 關於展覽 About the Exhibition
https://reurl.cc/k9akZq
☞ Instagram
www.instagram.com/riverartgallery_tw/
☞ LINE官方帳號
https://line.me/R/ti/p/%40riverart

19/08/2026

Opening ｜ Into the Fern Glow

《Into the Fern Glow》於上週六順利開幕，當日，臺灣藝術家余政諺、王筱璦與香港藝術家韓幸霖、蟻穎琳、陳惠立以及展覽合作夥伴林志恒到場共襄盛舉。展覽於宛如城市與自然交界的場域，開啟一場跨越地域的創作交流，共同探索東亞濕潤文明朦朧而幽微的暉光。

邀請您於 9 月 12 日下午4點，參與策展人導覽系列活動「Take a dip in the River」，探索漸被遺忘的原始森林，與不可見的豐盛相遇。

“Into the Fern Glow” successfully opened last Saturday, with Taiwanese artists Cheng Yen Yu and Hsiao-Ai Wang, Hong Kong artists Hilarie Hon, Ngai Wing Lam Ant, and Chan Wai Lap, as well as exhibition partner Jims Lam, joining us for the occasion. Set within a space reminiscent of the boundary between city and nature, the exhibition brings together artistic perspectives across regions to explore the hazy and subtle radiance of East Asia’s humid civilizations.

We warmly invite you to join us on September 12 at 4 PM for the curator guided tour “Take a dip in the River”, and venture into a forgotten primordial fern forest, where you may encounter an unseen abundance.
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【 Into the Fern Glow．拜訪暉蕨之森】
▎Dates：15 Aug - 3 Oct 2026
▎Artists：
Cheng Yen Yu 余政諺
Hilarie Hon 韓幸霖
Hsiao-Ai Wang 王筱璦
Liao Wen 廖雯
Ngai Wing Lam Ant 蟻穎琳
Wai Lap Chan 陳惠立
Xinran Liu 劉欣然
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☞ 關於展覽 About the Exhibition
https://reurl.cc/k9akZq
☞ Instagram
www.instagram.com/riverartgallery_tw/
☞ LINE官方帳號
https://line.me/R/ti/p/%40riverart

14/08/2026

About Ngai Wing Lam and Hilarie Hon |

Ngai Wing Lam, born in Hong Kong in 1986, explores relationships, identity, and ambiguity through distinctive humanoid figures paired with koi. Their silent, inscrutable faces conceal inner emotions while reflecting the fear of difference, rejection, and complex human connections. Set against Hong Kong's urban landscapes, Ngai's paintings balance reality and fantasy. Shifting between dreamlike and everyday narratives, her work examines personal experience and social conditions, inviting viewers into stories that are simultaneously alienating and intimate.

Also from Hong Kong, Hilarie Hon uses a deeply introspective visual language to depict surreal scenes where the external world reflects her interior landscape. Raised by the coast, she incorporates shifting light, fluid rhythms, and wave-like movements into her compositions. Moving beyond conventional landscape painting, her works evoke fleeting beauty and quiet contemplation on time, memory, and existence. For Hon, art is a prolonged immersion between reality and the subconscious—a translucent vessel that quietly holds the most ineffable traces of existence amid shifting currents.

蟻穎琳，1986年生於香港。她筆下極具辨識度的鯉魚頭角色承載了她對關係、身分認同與曖昧狀態的探索。其沉默而難以辨識情緒的面孔，映照出人際關係的複雜性，以及個體面對差異與不被接納時的恐懼。以香港的都市景觀為背景，她的畫作捕捉現實與幻想之間若即若離的張力，藉由遊移於夢境感與現實感間的敘事，探討個人經驗與社會處境，並邀請觀者進入一則既疏離又私密的故事。

同樣來自香港的韓幸霖，則是以高度內省的繪畫語言，將超現實氛圍的深邃空間，折射內心世界，探索個人情感與心理狀態。成長於海岸附近的經驗，使其作品經常流露如波光般持續變動的光影、脈動與節奏。其畫面超越了單純的風景再現，在短暫的美感與靜謐的凝視間，喚起對時間流逝、記憶與存在狀態的沉思。繪畫成為一個暫留的渡口，在無常的沉浮與微光之中，悄然留存著生命個體最難以言語的痕跡。
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【Into the Fern Glow．拜訪暉蕨之森】
▎Dates：15 Aug - 3 Oct 2026
▎Opening：15 Aug 3pm
▎Artists-led Tour：15 Aug 3:30pm

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