窯座 Yáo

窯座 Yáo 一棟兼差做展場/工作室/活動空間的公寓
目前替代空間執行中，聚落集散中

收拾收拾 Tidy Up, Tidy Down呂妙盈《保持乾淨》、《保持乾淨：夏天》、《保持乾淨：東方》一個畫面令人印象深刻：地板被刷洗之後，竟然長出了花。清潔用品的舊廣告總是出現相似的情節：家庭主婦面帶笑容，與光亮無瑕的地板及輕快音樂，打...
08/06/2026

收拾收拾 Tidy Up, Tidy Down

呂妙盈
《保持乾淨》、《保持乾淨：夏天》、《保持乾淨：東方》

一個畫面令人印象深刻：地板被刷洗之後，竟然長出了花。

清潔用品的舊廣告總是出現相似的情節：家庭主婦面帶笑容，與光亮無瑕的地板及輕快音樂，打掃看起來是多麽令人幸福的一件事。

這件作品從影像出發，和絹印磁磚、清潔工具、植物和文字放置在一起，是我思考「清潔」作為收拾的環節，以及進行著圍繞在其周圍、各種想像的實驗。

Lu MiaoYing
Keep It Clean, Keep It Clean: Smells like Summer, Keep It Clean:

One image has stayed with me for years: after a floor is scrubbed clean, flowers begin to bloom from its surface.

Vintage cleaning product advertisements recur the same scenes: smiling housewives, spotless floors, and cheerful music. Cleaning is presented as something effortless, even joyful. It is a promise of happiness embedded in everyday life.

This work begins with those images and brings together screen-printed ceramic tiles, cleaning tools, plants, and text. It is an attempt to think about cleaning not only as a practical act of maintaining a space, but also as an experiment in the many imaginations, desires, and associations that gather around it.

Photo © YÁO、藝術家
-
藝術家 Artist /鄭芳宜Cheng FangYi、呂妙盈Lu MiaoYing、魯志楷Lu ChihKai

展覽日期 Dates / 2026.05.30-2026.06.14
收拾派對 Tidy Party / 2026.06.14（日） 17:00
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*這週日
*收拾派對
*不見不散

收拾收拾 Tidy Up, Tidy Down魯志楷 收拾往往能喚起記憶，同時成為想像生成過程中的某種能量。從遊戲、攤開、封存與打包等動作出發，討論整理工序背後的符號意義。這些物件有的來自倉儲中的遺留，有的屬於搬運、包裝與保護的功能性場景；...
05/06/2026

收拾收拾 Tidy Up, Tidy Down

魯志楷 

收拾往往能喚起記憶，同時成為想像生成過程中的某種能量。從遊戲、攤開、封存與打包等動作出發，討論整理工序背後的符號意義。這些物件有的來自倉儲中的遺留，有的屬於搬運、包裝與保護的功能性場景；它們在展場中被重新安置、觀看與操作，也被賦予不同於原先用途的狀態。作品試圖反轉物件既有的使用邏輯，使那些看似日常、輔助或暫時性的事物，逐漸顯露其表面之外的時間、記憶與張力。

Lu ChihKai

Tidying up often evokes memory, becoming a certain kind of energy in the formation of imagination. Beginning with actions such as playing, unfolding, sealing, and packing, this body of work explores the symbolic meanings embedded in processes of organization and tidying. Some of these objects come from what has been left behind in storage, while others belong to functional contexts of moving, packaging, and protection. In the exhibition space, they are rearranged, observed, and activated, taking on states different from their original uses. The work attempts to reverse the established logic of these objects, allowing seemingly ordinary, auxiliary, or temporary things to gradually reveal the time, memory, and tension that exist beyond their surfaces.

Photo © YÁO、藝術家
-
藝術家 Artist /鄭芳宜Cheng FangYi、呂妙盈Lu MiaoYing、魯志楷Lu ChihKai

展覽日期 Dates / 2026.05.30-2026.06.14
收拾派對 Tidy Party / 2026.06.14（日） 17:00
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*有人注意到
*鳥居上面
*的紅酒瓶嗎

⟡ 窯座 2027 展覽申請 ⟡YÁO ALTERNATIVE SPACE 2027 Exhibition Open Call(Scrolling down for the English version)因應窯座 2027 年的整體規劃，...
03/06/2026

⟡ 窯座 2027 展覽申請 ⟡
YÁO ALTERNATIVE SPACE 2027 Exhibition Open Call

(Scrolling down for the English version)

因應窯座 2027 年的整體規劃，本次徵件不分上下半年，將以單次徵件方式進行。
本次共開放四檔展覽；若計畫涉及特殊佈展方式或空間配置需求，請於提案中一併說明。申請請透過 Google 表單完成，空間簡章、注意事項與住宿資訊皆已整合於表單中。Instagram、Facebook 訊息與 Email 不收件

特別提醒：本徵件為展覽申請，非駐村計畫，展覽檔期與 YÁO BnB 皆為付費使用。

表單連結 🔗https://docs.google.com/forms/d/e/1FAIpQLSecMKq5hWyXmyi_Y9QNoKIYOdwO80bWjVFrWD1gTbuojAac4A/viewform?usp=header
或點 bio 中 Linktree

申請結果將於 2026/8/31 前通知，等你們來辦展！

As part of YÁO’s 2027 programme planning, applications for all 2027 exhibition slots will be considered through a single open call.

Four exhibition slots are available. If your proposal involves specific installation requirements or spatial considerations, please include them in your application. Applications must be submitted via the Google Form. Information regarding the space, application guidelines, and accommodation options can all be found within the form. Applications submitted via Instagram, Facebook, or email will not be considered.

Please note: This open call is for exhibitions only and is not a residency programme. Exhibition slots and YÁO BnB accommodation are both fee-based.

Application Form 🔗 https://docs.google.com/forms/d/e/1FAIpQLSecMKq5hWyXmyi_Y9QNoKIYOdwO80bWjVFrWD1gTbuojAac4A/viewform?usp=header
or visit the Linktree in our bio.

Applicants will be notified of the results by 31 August 2026. We look forward to welcoming your exhibition to YÁO

收拾收拾 Tidy Up, Tidy Down此次展覽，鄭芳宜於展場不同角落配置其影像裝置系列《在場空間》。作品依照裝置所處的實際空間，使用人工智慧系統從影像資料庫中提取對應的空間片段，於現地播放。藝術家根據窯座的空間特性，選擇了四個條件鮮...
01/06/2026

收拾收拾 Tidy Up, Tidy Down

此次展覽，鄭芳宜於展場不同角落配置其影像裝置系列《在場空間》。作品依照裝置所處的實際空間，使用人工智慧系統從影像資料庫中提取對應的空間片段，於現地播放。藝術家根據窯座的空間特性，選擇了四個條件鮮明的場域：有沙發、窗戶與櫃子的客廳，可以穿梭各房間的室內走道，廁所的洗手台，以及有著大片落地窗的陽台。

觀看作品的同時，意識到影像的內容與身體的所在重疊和呼應。影像中的時間與空間於是由螢幕的平面介面延展至實體的空間，跟身體產生連結。多頻道和現地的配置，鬆動影像作為他處的想像，使影像被感知為一種正在發生、與當下空間共時的狀態。

《在場空間》關注在當代高度依賴影像以及介面的觀看環境中，當影像不再只是被觀看的對象，成為空間的一部分時，身體如何再次和空間建立關係。

Cheng FangYi presents Present Space, a series of video installations dispersed throughout the exhibition site. Responding to the spatial conditions of each installation location, an AI system extracts corresponding spatial fragments from a moving-image database and presents them on-site. Drawing from YAO’s architectural characteristics, the work occupies four distinct spaces: a living room, an interior corridor, a bathroom sink, and a balcony framed by large windows.

As viewers move through the exhibition, the spaces depicted on screen begin to overlap and resonate with the spaces their bodies physically inhabit. The temporal and spatial dimensions of the moving image extend beyond the flat surface of the screen into the surrounding environment. Through its multi-channel, site-specific configuration, Present Space shifts the image away from being a representation of an elsewhere, allowing it to be experienced as something unfolding alongside the viewer’s present surroundings.

Present Space reflects on how the body might renegotiate its relationship to space when moving images become embedded within the environment rather than remaining objects of detached observation.

Photo © YÁO
-
藝術家 Artist /鄭芳宜Cheng FangYi、呂妙盈Lu MiaoYing、魯志楷Lu ChihKai

展覽日期 Dates / 2026.05.30-2026.06.14
收拾派對 Tidy Party / 2026.06.14（日） 17:00
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*這次展覽
*廁所也有作品喔

收拾收拾 Tidy Up, Tidy Down回憶起幾個平凡而私密的時刻 —— 搬家時，在車庫翻出一箱早已忘記是否該丟棄、也不知道該放去哪裡的收藏；或是看著工作室的桌面逐漸變得凌亂，卻又捨不得一次整理乾淨。當這些被暫時放置的心情聚集在一起，...
25/05/2026

收拾收拾 Tidy Up, Tidy Down

回憶起幾個平凡而私密的時刻 —— 搬家時，在車庫翻出一箱早已忘記是否該丟棄、也不知道該放去哪裡的收藏；或是看著工作室的桌面逐漸變得凌亂，卻又捨不得一次整理乾淨。當這些被暫時放置的心情聚集在一起，會構成什麼樣的空間呢？

鄭芳宜、呂妙盈、魯志楷分別從不同的材質與關注著手，體現「收拾」作為一場藝術家的修行，創作就是在累積的同時一邊捨去，反覆之中，試著讓事情保持平衡。

《收拾收拾》所展出的作品，正源自他們拾取影像及物件的經歷。這些舶來的寶藏都曾屬於另一個時空，帶著距離和來歷不可考的未知性。在這裡，藝術家與觀者的記憶被攤開，並從彼此重合之處延展開來。當事物仍停留在尚未被整理的狀態時，「收拾」這個動作，也將由每一位來者，在各件作品之間繼續進行下去。

Recalling a few ordinary and private moments — coming across a box of collected items in the garage, unsure whether it should have been thrown away or where it belongs; or watching a studio desk gradually become cluttered, yet hesitating to tidy it all at once. When these suspended feelings gather together, what kind of space might they form?

Cheng FangYi , Lu MiaoYing , and Lu ChihKai began from different materials and concerns, approaching “tidying” as an artistic practice. For them, creation involved accumulating while simultaneously letting go, and through this repetition, attempting to maintain a sense of balance.

The works presented in Tidy Up, Tidy Down emerge from their process of collecting images and objects. These imported fragments once belonged to another time and space, carrying a sense of distance and an untraceable origin. Here, the artists’ memories and those of the viewers are laid out and begin to extend from their points of overlap. While things remain unorganized, the act of “tidying” continues — taken up by each visitor as they move among the artworks.

-
藝術家 Artist /鄭芳宜Cheng FangYi、呂妙盈Lu MiaoYing、魯志楷Lu ChihKai

展覽日期 Dates / 2026.05.30-2026.06.14
收拾派對 Tidy Party / 2026.06.14（日） 17:00
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*展覽最後一天
*6.14
*收拾派對
*先寫在你行事曆上

然而，we live as if we are immortal。🕳白犬名字叫做小白，在熱帶氣候的樹叢與泥地裡，他的毛色特別明顯。在漫長的一天裡，小白喜歡盯著水塘裡的熱帶魚看、刨挖地裡藏匿的土坵蚓、用短短的耳朵聽夜蛾拍打翅膀發出的聲音。果實...
22/05/2026

然而，we live as if we are immortal。🕳

白犬名字叫做小白，在熱帶氣候的樹叢與泥地裡，他的毛色特別明顯。在漫長的一天裡，小白喜歡盯著水塘裡的熱帶魚看、刨挖地裡藏匿的土坵蚓、用短短的耳朵聽夜蛾拍打翅膀發出的聲音。

果實收穫季的時候，空氣中充斥著甜膩的、腐敗的、發酵的氣味，這時候，小白往往會吃得少也睡得短，並且會做許多的夢。有一次，他夢見一隻巨大的母犬在湛藍的天空下安歇，小白靠近她時，聞到了毛皮與乳汁的香味、聽見母犬腹中其他胎兒的聲響。

小白可以嗅聞到自己的死亡，後來，他的眼睛慢慢慢慢的也變成白色，變得只能看見自己。小白最後被葬在荔枝樹下，與他之前的兄弟姐妹一起。有狗下葬的隔年，荔枝樹都會開出少少的花，但是最後剩下來的果實每個都又大又肥碩。

The white dog was named Bai; amidst the thickets and mire of the tropical heat, the hue of his fur was remarkably stark. In the long stretch of the day, Bai liked to gaze at the tropical fish within the pool, to dig for earthworms hidden in the mounds of soil, and to use his short ears to hear the sound of night moths beating their wings.

During the season of the fruit harvest, the air was saturated with scents sweet, decaying, and fermented; at this time, Bai would often eat sparingly and sleep briefly, and he would dream many dreams. Once, he dreamed of a gargantuan mother dog resting beneath a deep blue sky; when Bai drew near her, he smelled the fragrance of fur and milk, and heard the sounds of other fetuses within the mother dog’s belly.

Bai could scent his own death, and later, his eyes slowly turned white, becoming such that he could only see himself. Bai was finally buried beneath the lychee tree, together with his brothers and sisters who came before him. In the year following a dog’s burial, the lychee tree would produce but a few flowers, yet the fruits that remained at the end were each great and succulent.

Photo © YÁO、藝術家
-
藝術家 Artist /童安雅 Tong Anya 蕭雅萱 Hsiao YaHsuan

展覽日期 Dates / 2026.05.10-2026.05.24
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*最後三天
*來看展

然而，we live as if we are immortal。🕳夢裡，我反覆死去——沒有起點，亦沒有終點。時間失去了作用，是失控的、顛倒的。被捲入其中，無法掙脫，我屏住呼吸——我在樓宇間蜿蜒的後巷行走，踩過暴風雨遺留在地面的水痕。我加快...
18/05/2026

然而，we live as if we are immortal。🕳

夢裡，我反覆死去——
沒有起點，亦沒有終點。
時間失去了作用，
是失控的、顛倒的。
被捲入其中，無法掙脫，
我屏住呼吸——

我在樓宇間蜿蜒的後巷行走，
踩過暴風雨遺留在地面的水痕。
我加快腳步，
不是因為恐懼、急迫，或興奮，
不是為了追尋，也不是逃離，
更非什麼神秘的力量在驅使；
只是對於等待，
早已麻木。

對妳的記憶是如此混濁，
散碎的拼貼。
彷彿聽見妳熟悉的聲音
在我耳邊輕語——
一句未說出的話。

我再度醒來——
撫摸著夢留下的摺痕，
是一種無法言喻的情感。
那凹陷既凝重，又空洞，
甚至是令人感到窒息。

痕跡無法被撫平。

夢裡，我反覆重生——
卻早已忘記了呼吸。

In dreams, I die again and again—
no beginning, no end.
Time loses its function—
unhinged, reversed.
Swept into it, unable to break free,
I hold my breath—
I walk through the winding back alleys between buildings,
stepping on the water stains left by the storm on the ground.
I quicken my pace—
not out of fear, urgency, or excitement,
not to chase, nor to escape,
nor driven by any mysterious force;
It’s just that I’ve long grown numb
to waiting.
The memory of you is so murky—
a collage of shattered fragments.
As if I hear your familiar voice
whispering in my ear—
a word never spoken.
I wake up again—
touching the crease left by the dream,
a feeling beyond words.
That hollow is at once heavy and empty,
even suffocating.
The traces cannot be smoothed away.
In dreams, I live again—
Yet having long forgotten how to breathe.

Photo © YÁO
-
藝術家 Artist /童安雅 Tong Anya 蕭雅萱 Hsiao YaHsuan

展覽日期 Dates / 2026.05.10-2026.05.24
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*點擊Bio
*可以查看更多當期展覽資訊
*以及藝術家介紹

然而，we live as if we are immortal。🕳「我曾經看過一座果園，像船、像扇貝、像一顆熟透的水果、像餵養家畜的碗、像水塘、像空心的骸骨、像有神的廟宇、像玻璃燈具、像蝸牛殼、像燃燒的鞭炮」一開始，我最先注意到的是牆。因...
12/05/2026

然而，we live as if we are immortal。🕳

「我曾經看過一座果園，像船、像扇貝、像一顆熟透的水果、像餵養家畜的碗、像水塘、像空心的骸骨、像有神的廟宇、像玻璃燈具、像蝸牛殼、像燃燒的鞭炮」

一開始，我最先注意到的是牆。
因為沒有牆，園內的生命將無限制的恣意生長，生命將會變得沒有盡頭，因而變得沒有生，也沒有死。

然後，我看見泥土。
那是一籮又一籮的大量土壤，空氣中充滿了原始的氣味，晶瑩的、跳動的粒子在空氣中湧動，準備餵養眾生。

果園的角落，是一窪淺水塘。
南方的光線穿透水體，黏合了土壤的豐盈，在熱帶魚表面映照出光亮的花紋，池底的水草順著水流緩緩漂動。

水草上方，ㄧ串熟透的果實懸掛在樹枝上。
隨著一粒又一粒的果實逐漸顯現，不同種類的果樹也逐一出現在園內，他們的雌蕊與雄蕊互相沾染著彼此，樹梢的
盡頭開著不合時宜的花朵。

夜裡，一隻白犬踏著碎步進入果園。
他的腳掌在鋪滿樹枝的土壤上發出潮濕又悅耳的聲響，藉由嗅聞，他知道哪些動物正準備甦醒，而哪些植物又正踏入長長的睡眠。

I once beheld an orchard, like a boat, like a scallop, like a ripened fruit, like a bowl for feeding beasts, like a pond, like hollowed bones, like a temple of the gods, like a glass lamp, like a snail’s shell, like burning firecrackers.

In the beginning, what I first noticed was the wall. Because without a wall, the life within the garden would grow wantonly without limit; life would become endless, and thus there would be no birth, and no death.

Then, I saw the soil. It was basket upon basket of vast earth, and the air was filled with a primordial scent; crystalline, pulsing particles surged in the air, ready to nourish all living things.

In the corner of the orchard, there was a shallow pond. The southern light pierced the body of water, binding the richness of the soil, reflecting luminous patterns upon the surface of tropical fish, while the water weeds at the bottom drifted slowly with the current.

Above the water weeds, a cluster of ripened fruit hung upon the branches. As one fruit after another gradually manifested, different kinds of fruit trees appeared one by one in the garden; their pistils and stamens stained one another, while at the ends of the treetops bloomed untimely flowers.

In the night, a white dog entered the orchard with light, rhythmic steps. His paws made a damp and pleasant sound upon the soil strewn with branches; through scent, he knew which animals were preparing to wake, and which plants were stepping into a long, deep sleep.

-
藝術家 Artist /童安雅 Tong Anya 蕭雅萱 Hsiao YaHsuan

展覽日期 Dates / 2026.05.10-2026.05.24
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*夏天來了
*大家聽到了嗎？

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