15/02/2026
《聲音是路:在太魯閣族與貓公部落之間,看見文化的脈絡》
如果說這段旅程教會了我們什麼,那或許是—聲音,本身就是一條路。
在太魯閣族的文化裡,山不只是地景,而是一種存在方式;吟唱不只是旋律,而是祖靈記憶的延續。那些在山林中奔行的腳步聲、喘息與風聲,從來不是背景,而是文化得以流動的節奏。當我們走進部落,學習先聆聽,再錄下聲響,才逐漸理解:文化並不總是被講述,它更多時候,是被生活著。
而在貓公部落(Fakong),海的聲音成為另一種敘事。浪潮拍岸、漁具摩擦、日常交談的語氣與節奏,構成了部落生活的紋理。山與海,看似不同,卻在聲音之中連結成一條隱形的文化軸線。從太魯閣到 Fakong,我們發現,原住民族的文化不只存在於儀式或祭儀之中,而是深藏在每一個日常片刻。
這次創作讓我們重新理解「採集」的意義—那不是為了保存標本,而是為了參與脈絡。當台灣原住民族文化與當代節奏交織,當山谷回音與海風聲響被重新編排,我們看見的不只是音樂的可能性,而是文化自身的深度與美感。
透過聲響,我們學會謙卑。
透過傾聽,我們開始理解。
這不是一次終點式的紀錄,而是一場持續發生的對話。聲音讓我們靠近文化,文化讓我們重新認識土地。當我們閉上眼睛,聽見山的呼吸與海的回應,也就聽見了台灣原住民族文化最真實而動人的樣貌。
感謝沿途遇見的風景,感謝每一位參與與協力的夥伴。也再次感謝 Studio Monkey Shoulder,讓我們有機會透過聲音,好好地認識這片土地,並用自己的方式,向它致敬。
Sound as a Path: Tracing Cultural Threads Between Truku and Fakong
If this journey has taught us anything, it is this — sound itself is a path.
In Truku culture, the mountains are not merely landscapes — they are a way of being. Chanting is not just melody, but the continuation of ancestral memory. The sound of footsteps running through the forest, breath carried in the wind — these are not background noise, but the rhythm through which culture moves. As we entered the community and learned to listen before recording, we began to understand: culture is not always spoken — it is lived.
In Fakong, the ocean speaks in another register. Waves meeting the shore, fishing tools in motion, the cadence of everyday conversations — all form the texture of community life. Mountain and sea may seem distant, yet through sound they are bound by an invisible cultural thread. From Truku to Fakong, we realised that Indigenous culture does not only live within ceremonies — it resides in the smallest moments of daily life.
This creation reshaped our understanding of “field recording.” It is not about collecting specimens, but about participating in context. When Taiwanese Indigenous culture intert
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特別致謝
Beatmakers:
聲景採集師:
嘉木郎 Jiamulang Sigaolao
游筑鈞 Jhu Jyun You
平面攝影:
專輯設計:
影像拍攝製作: 1869
piteyru 老師: