Foamcolour painter

Foamcolour painter รับเพ้นท์ผนัง งานวาดทุกชนิด ป้ายไม?

ขอบคุณครับ  #งานเพ้นท์2565
29/07/2022

ขอบคุณครับ #งานเพ้นท์2565

10/03/2022

https://www.facebook.com/MiaFeigelson Mia Feigelson Gallery
"Butterflies and Poppies" (Saint-Rémy. May-June 1889) [F748]

Nuenen, 14 July 1885
"My dear Theo,.. I don’t know the future, Theo — but — I do know the eternal law that everything changes — think back 10 years and things were different, the conditions, the mood of the people, everything in short.
And 10 years on, a great deal is bound to have changed again. But DOING SOMETHING endures — and one doesn’t easily regret having done something. The more active the better, and I’d rather fail than sit idle." — Letter 515 http://bit.ly/2n52RL6

Vincent: Inspiration from Japan — Japan in St Rémy:
"Vincent left his print collection in Paris with his brother Theo. In the meantime, however, he had learned to ‘see with a more Japanese eye’, and so no longer needed the prints.

He opted for compositions with a low horizon or none at all, just like in Japanese prints. Or he took everyday, seemingly insignificant details from nature as his subject matter, such as flowers and insects." — See more at http://bit.ly/2ofI7h6

Saint-Rémy. 31 May — 6 June, 1889
"My dear Theo,..When you receive the canvases I’ve done in the garden you’ll see that I’m not too melancholy here.
(...) I’ve been here almost a whole month, not one single time have I had the slightest desire to be elsewhere; just the will to work again is becoming a tiny bit firmer.
I don’t notice any very clear desire to be elsewhere in the others either, and this may and this may very well come from the fact that one feels too decidedly broken for life outside.

(...) Anyway you must absolutely stop worrying with regard to me now. When I receive the new canvas and the colours I’ll go out a bit to see the countryside.

(...) For the flowers will be short-lived and will be replaced by the yellow wheatfields. The latter, above all, I would like to capture better than in Arles." — Letter 777 http://bit.ly/2hHqjw7

"Butterflies and Poppies" (Saint-Rémy. May-June 1889) [F748]
By Vincent van Gogh (Dutch, 1853-1890)
oil on canvas, 35 x 25.5 cm
© Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) http://bit.ly/2koclNO
https://www.facebook.com/VanGoghMuseum

Overview:
"When Van Gogh made this painting he started with the flowers and butterflies and filled in the blue background only afterwards. This is clear from the fact that the broad strokes of blue paint occasionally cover the green stems of the flowers. Van Gogh even left part of the canvas unpainted, with the bare cloth visible.

Using various shades of green, he gave depth to the tangle of stems, leaves and petals. Van Gogh skilfully captured the spirit of the delicate poppies. Some of the buds are about to burst open." — Find out more http://bit.ly/2koclNO

09/03/2022

https://www.facebook.com/MiaFeigelson Mia Feigelson Gallery
"Field with Irises near Arles" (Arles, May 1888) [F409]

See the preparatory study for the present canvas [F1416r] http://bit.ly/2sAf7mQ

Arles, 22 May 1888
"My dear Bernard,.. new studies on the go (...) a view of Arles — of the town you see only a few red roofs and a tower, the rest’s hidden by the foliage of fig-trees, etc

All that far off in the background and a narrow strip of blue sky above. The town is surrounded by vast meadows decked with innumerable buttercups — a yellow sea. These meadows are intersected in the foreground by a ditch full of purple irises.

They cut the grass while I was painting, so it’s only a study and not a finished painting, which I intended to make of it. But what a subject — eh — that sea of yellow flowers with a line of purple irises, and in the background the neat little town of pretty women.

I’ve just read a book — not beautiful and not well written, by the way — on the Marquesas Islands, but very heart-rending in its description of the extermination of an entire tribe of natives — cannibals in the sense that let’s say an individual was eaten once a month, and what of that?
The whites, very Christian, etc., to put an end to this barbarity? really not very savage...., could think of nothing better than to exterminate both the tribe of cannibal natives and the tribe with which the former was at war (in order to obtain the requisite edible prisoners of war on both sides).

Then the two islands were annexed, and did they become dismal!!! Those tattooed races, those negroes, those Indians, everything, everything, everything disappears or is corrupted.

And the frightful white man, with his bottle of alcohol, his wallet and his pox, when will we have seen enough of him! The frightful white man, with his hypocrisy, his greed and his sterility! And those savages were so gentle and so loving." - http://bit.ly/26whhDl

Arles, 12 May 1888
"Dear Theo, .. Now I have two new studies like this: you already have a drawing of it, a farmhouse beside the wide road in the wheatfields. A meadow full of very yellow buttercups, a ditch with iris plants with green leaves, with purple flowers, the town in the background, some grey willow trees — a strip of blue sky.

If they don’t mow the meadow I’d like to do this study again, because the subject matter was really beautiful and I had trouble finding the composition. A little town surrounded by countryside entirely covered in yellow and purple flowers. That would really be a Japanese dream, you know." - http://bit.ly/2kIuSEc

"In February 1888 Van Gogh left Paris for the town of Arles in Provence. The French capital had exhausted him, both mentally and physically, and he yearned for the quiet life of the countryside. In Provence he hoped to find something of the light and atmosphere that so fascinated him in Japanese prints. Moreover, he thought of establishing an artists’ colony in the south, where he and his friends could live and work.

Dreams of Japan
Van Gogh found the 'Japanese atmosphere' he had been seeking in the blooming orchards and sun-drenched landscapes of Arles, and captured it in works like the Field with Flowers near Arles. On May 12th, he sent his brother Theo a colorful description of this new painting: “[…] a vast field of bright yellow buttercups, a ditch full of irises with green leaves and purple flowers, in the background a town, a few greyish willows, a strip of blue sky. […]

A little town surrounded by a field of yellow and purple flowers – you know, it’s just like a Japanese dream. The irises of his dream were to become the subject of two paintings executed in Saint-Rémy." - See more at http://bit.ly/2aBKa8W

"Field with Irises near Arles" (Arles, May 1888) [F409] - See the preparatory study for the present canvas [F1416r] http://bit.ly/2sAf7mQ
By Vincent van Gogh (Dutch, 1853-1890)
oil on canvas; 54 x 65 cm
© Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) http://bit.ly/2aBKa8W
https://www.facebook.com/VanGoghMuseum

09/03/2022
11/11/2021
11/07/2021
12/04/2021

ทดสอบสอน1

31/01/2021

Edward Hopper painted America, not the American Dream. Beautiful pictures, vibrant with color, but filled with solitary individuals staring wistfully out a window or standing in a doorway, bathed in bright sunlight, alone and vulnerable in the man-made landscape; reverently rendered houses and buildings, isolated and ghost-like on their hilltops, with only the blue sky and sea as companions; sailboats small and fragile against a wind-swept sea that threatens to engulf them in its blueness; inspiring natural landscapes marred by the encroachments of civilization.

Hopper's is the art of distancing: he paints the familiar in order to de-familiarize it, to open up a space between the viewer and the everyday in order to make her see it with fresh eyes, to reveal, as one critic has put it, "the fractures beneath the painted skin of modern life." Hopper himself was ambivalent about whether or not he sought to portray the loneliness and alienation of modern life, but his American Landscapes have much the same visual power as Antonioni's Italian ones in evoking the paradox of modern industrial life, that the more power we have at our disposal the smaller and more vulnerable we often become, that the more we can communicate with each other the more isolated from our immediate environment and irrelevant we seem.

Hopper produced nearly 500 paintings, etchings and watercolors over his long career. This exhibit includes over half of them, arranged in chronological order. The viewer should come away with a good idea of the range of subject matter he attempted to portray -- from cityscapes to seascapes, from factories and offices to houses and barns, from the streets of New York to the shores of New England.

Many of the pictures are accompanied by comments on the work or the artist. They're worth checking out. For biographical information on Hopper, see the comments to the self-portraits.

For more 20th century American art, check out these other MWW exhibits:
* The Ashcan School: Urban Realism Comes to America (soon to be revised/expanded)
* American Moderns: I - Stuart Davis & the Steiglitz Gang of Four
* American Moderns II: Regionalists and Social Realists
* American Moderns III: Hymns to the Machine Age
* We the People - Lawrence, Shahn & Other Artists of the 30s
* American Moderns IV: Abstract Expressionists of the NY School
* Harlem Renaissance & Other Artists of the Jazz Age
* History Lessons: The Series Paintings of Jacob Lawrence
* American Moderns V: Pop Goes the Art World
* American Moderns VI: Art in the Age of Styrofoam

18/10/2020

ถ้าคุณเคยเจอใครที่มักวิจารณ์งานของคนอื่นๆอย่างดุเดือด จนเข้าขั้น “สาดเสียเทเสีย” ให้ความเห็นเป็นฉากๆได้กับงานที่ตนไม่ได้รับผิดชอบ หรือไม่มีความรู้ในด้านนั้นจริงๆ และไม่ลงมือช่วยทำอะไรเลย นั่นแหละคุณกำลังเจอกับคนประเภท NATO! (No Action, Talk Only)

คนเหล่านี้ “เก่งเสมอ” ในทุกๆเรื่อง รวมถึงเรื่องที่ตนมีความรู้ด้านนั้นมาเพียงเล็กน้อยแบบ “งูๆปลาๆ” ที่เข้าข่ายอาการทางจิตวิทยาของ Dunning-Kruger Effect ที่ให้คำจำกัดความไว้อย่างน่าฉงนว่า “ยิ่งมีความรู้น้อยเท่าไหร่ ยิ่งมีความมั่นใจมากเท่านั้น”

นั่นคือ “ความมั่นหน้า” แบบผิดๆ ที่แปรผกผันสวนทางกับความรู้!

ที่น่าฉงนหนักไปกว่านั้น คือพูดๆๆแล้วจากไป ทิ้งทุกอย่างไว้เป็นปริศนา “เพราะทำอะไรไม่เป็น” ซึ่งถ้าเทียบกับวงการกีฬาแล้ว คงไม่ต่างอะไรกับ “โค้ชคีย์บอร์ด” ที่โปรโมตตนเป็น “กุนซือหลังเกม” แบบคิดเองเออเองด้วยพลังของแป้นพิมพ์

หากบริษัทมีแต่ “นักวิจารณ์” ประเภทนี้ที่ไม่เคยลงมือทำอะไรเลย แล้วผลงานจะมาจากไหน? บริษัทจะเจริญก้าวหน้าได้อย่างไร นอกซะจากบริษัทนั้นจะเปิดให้บริการ “ให้คำวิจารณ์” ที่สามารถสร้างรายได้ขึ้นมาได้?!

เมื่อ “เก่งพูด “ต้อง “เก่งลงมือ” เพราะองค์กรยุคใหม่ล้วนอยากได้คนแบบ Thinker(นักคิด) และ Doer (นักลงมือทำ) ในคนเดียวกัน

ที่สามารถ “คิด”และ “ลงมือทำ” และสร้างผลงานที่ดีขึ้นมาได้จริงๆ


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