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Editions TH

ข้อมูลการติดต่อ, แผนที่และเส้นทาง,แบบฟอร์มการติดต่อ,เวลาเปิดและปิด, การบริการ,การให้คะแนนความพอใจในการบริการ,รูปภาพทั้งหมด,วิดีโอทั้งหมดและข่าวสารจาก Editions TH, ทัศนศิลป์, 45/1 Phra Arthit Road, Phra Nakhon, Bangkok.

10/05/2026

“How R U?”
A solo exhibition by Pommechan
Curated lighting by Ou Sakulthai
Date: 11-31 May 2026
Venue: Lamptitude Ekamai

02/05/2026

[ภาษาไทยในช่องคอมเมนต์]

With white paper and black ink, Ding Min depicts the world of “Yōkai,” entities rooted in Japanese belief that there is a spirit dwelling in all things. Intertwined with her personal narratives on life, work, relationships, and her take on spirituality, many tales are told through her drawings resembling panel comics, mostly in one-panel format. They could be viewed as a sizable collection of her practice over the years, open for the audience to interpret, finding their version of story within.

“Where Spirits Dwell”
A solo exhibition by Ding Min
Curated by Jason Yang
Date: 25 April - 25 May 2026
Venue: GalieOasis

25/04/2026

In the “River > Birth” exhibition, Thirasak contemplates on multiple elements of nature, primarily the river. As water is mostly known as the giver of life, flower and moss, closely related to water, are there to represent the life. And as there is life, there is death, Thirasak’s works explore into the cycle of life and the impermanence of all things, revisiting one of the discourses rooted in Buddhism.

“River > Birth”
A Solo Exhibition by Thirasak Tanapatanakul
Date: 24 April - 24 June 2026
Venue: 10 10 Art Space

28/03/2026

As time flies by, Mango Art Festival 2026 had happened on March 4-8. The art fair let us witness the changes in the Thai art market as well as the gradual development of the art fair itself.

The first thing to be recognized is the absence of art toys, although not entirely, depends on how you define what they are. This could either mean the trend has ended, or they are not quite fitted in an art fair.

Another thing is that, this time, there are many recognizable faces, both artists and curators who have been around for quite some time, particularly in the curated section. There are also some sizable artworks. This shows how the goal of becoming more than a trading event has started to take serious root and is going in a promising direction.

Like any art fairs with the main goal of selling and buying artworks, painting, sculpture, and print remain the dominant categories, as they are highly collectible. But what matters is the quality of the artworks and the consistency of the artist in developing their practice and career. Likely, this is how we differentiate those who only pass by and those who stay.

Mango Art Festival 2026
Date: 4-8 March 2026
Venue: River City Bangkok

(1) Udom Udomsrianan, 8 Home Gallery & Studio, curated by Nim Niyomsin
(2) Jarasporn Chumsri, Palette Art Space
(3) Krit Ngamsom, Palette Art Space
(4) Marco Plazza, Palette Art Space
(5) Phattharakon Singthong, Ba Space
(6) Isana Yamada, A4 Gallery TOKYO & nada art gallery
(7) Joan Cornellà
(8) Chaichana , Within Space
(9) Emon Surakitkoson
(10) Phadungkeat Supsri, Qubism Art Space
(11) Sda Thongprasert, J&N Studio
(12) Prem Buachum
(13) Sayaporn Arporntip
(14) Nattanon Baiphowongse
(15) Siwakorn Buathong
(16) Arcom Wongpaisan
(17) Samatcha Apaisuwan
(18) Winmahun
(19) Jorn Ratcharoon
(20) NEWCOMER

28/03/2026

The connection between art and design, by Panisa Jermhansa.

“Light Fragments”
A Solo Exhibition by Panisa Jermhansa
Curated by Pran Limchuenjai
Date: 7 February - 28 March 2026
Venue: Mini Xspace Gallery, Fl. 2

23/03/2026

[ภาษาไทยในช่องคอมเมนต์]

The art world is often viewed as inaccessible, as the general public is often considered an outsider, whether it be by those inside or by themselves. Throughout history, art has been linked to the upper class and the wealthy, who have assumed the roles of collectors and patrons.

However, in the present day, there’s a growing emphasis on artworks regarding social issues which are directly linked to society and the general public who are in this ecosystem as audiences.

Art is becoming more inclusive. It is shifting from being an individual pursuit to a collective one, welcoming a wider range of audiences. This positions art in a way that can address the question of its purpose and significance.

RELATABLE, a group exhibition curated by Pran Limchuenjai, showcases the perspectives and skills of 3 audiences, Beam - Tawan Panusittikorn, Caesar - Wariskit Akaradaycharat and Muang - Vasu Sirivanich, each contributing to the creation of their own art practices. Their works portray how they convey their own narratives, which include (1) Intra-family relationships, (2) life reflection in the current world, and (3) stereotypes of LGBTQ+, into artworks of their own.

“Relatable”
A group exhibition curated by Pran Limchuenjai
Artists: Tawan Panusittikorn (Beam), Wariskit Akaradaycharat (Caesar), Vasu Sirivanich (Muang)
Date: 14 February - 29 March 2026
Venue: People’s Gallery P3, BACC Pop · up

Previously exhibited from 2 December 2025 - 4 January 2026, at People’s Gallery P3, BACC,

14/03/2026

[ภาษาไทยในช่องคอมเมนต์]

There is a part in the fashion world that favors youth and perfection, and there is another that favors something different.

In FEWK’s “Early Year 2026” collection, he brings the elements of decay and flaws into his design. With rose, a widely known symbol for love, as the center element, FEWK’s latest collection for the year 2026 narrates the story of disappointment, grief, and acceptance. Through the study of its visual transformation through time, the states of faded, rotted, and dried are translated on the material, texture, and form, with the use of fabric manipulation techniques such as sun dyeing, tea-dyeing, and acid wash.

Apart from FEWK’s, the exhibition also features photos by Leo Tanapon, perfume by BLANCHAMBRE, flower installation by Naraphat Sakarthornsap, and poetry by Jessada Chan-yaem. Each interprets and conveys their own stories, going together in unity with the collection, giving an interesting move through incorporating and balancing the aspects of art and product.

FEWK’s Early Year 2026
A exhibition showcase by Fewk Pongsakorn
Date: 13-15 March 2026
Venue: ATELIER 9

12/03/2026

Me, Myself, and I
Poems Dimension

[ENG] “What would it be like if we could meet ourselves from different ages?” is the question where the musical ‘Me, Myself, and I’ started. But beyond that, the story also brings us the conversation on self-discovery, passion, disappointment, and compromise.

The story unfolded from the main character going through his old belongings, which later escalated into him having an actual conversation with himself from different ages, which are 16, 26, and 36 years old. His 16 self was full of energy, passion, hope, and dreams. But he later felt disappointed in his 26 self, who had started to give up on his dream of becoming a musician, and even more with his 36 self, who completely gave up and accepted his reality of working full-time.

During the play, there are moments of happiness, hope, confusion, conflict, rage, and understanding. It is not meant to answer whether giving up on our dream is good or bad, but to lay down the reality of the consequences of our own choices.

Essentially, the story also perfectly represents POEMS DIMENSION, the small experimental theatre which produces this show as a part of its internal program, as it was found with the vision of being an incubating ground for young theatre graduates to pave their way into the professional stage. It is meant to make a difference to the current situation where not only theatre graduates but many art-related graduates need to change their course due to the scarcity of opportunities.

Me, Myself, and I (A New Musical) “MALE CAST”
A theatre performance produced by POEMS DIMENSION

Directed by:
Jade Jessada (เจษ เจษฎา)

Performed by:
Teema Tadapratheep (จีน - ธีมา ธาดาประทีป)
Nitibodee Kongtrakansombut (เล้ง - นิธิบดี จงตระการสมบัติ)
Bhuthip Sukkree (ต้น - ภูธิป สุกกรี)

Date: 20 February - 1 March 2026 (10 Shows)
Venue: POEMS DIMENSION

*This program has already finished.
*โปรแกรมการแสดงนี้ได้สิ้นสุดลงแล้ว

#ละครโรงเล็ก

11/03/2026

[ENG] Light is one of the most important elements, if not the most important, in images such as photographs and paintings depicting realistic scenes. But in “Light Fragments,” a solo exhibition by Panisa Jermhansa, light becomes the subject conveying nature, the sunlight that goes through leaves, how the wind makes them move, and how the presence of oneself is connected to the passage of time.

From her background as an architect who is very much interested in sustainability, her paintings show her understanding of space as well as her appreciation for nature. They are depicted in a poetic way through her choices of color, the materials which, apart from traditional canvas, are wood and metal.

[TH] แสงเป็นหนึ่งในองค์ประกอบที่สำคัญที่สุด (หรืออาจจะสำคัญที่สุด) ในภาพอย่างภาพถ่ายและงานจิตรกรรมที่ถ่ายทอดภาพสมจริง แต่ใน “Light Fragments” นิทรรศการเดี่ยวโดยปาณิศา เจิมหรรษา แสงกลายเป็น “หัวเรื่อง (Subject)” ที่เล่าถึงธรรมชาติทั้งแสงอาทิตย์ที่ลอดผ่านใบไม้ สายลมที่มาทำให้แสงเคลื่อนไหว และตัวตนของเราที่เชื่อมโยงกับกาลเวลา

ด้วยพื้นฐานที่ปาณิศาเป็นสถาปนิกที่มีความสนใจในเรื่องความยั่งยืน (Sustainability) ผลงานของเธอสะท้อนให้เห็นถึงความเข้าใจในเรื่องพื้นที่ ควบคู่ไปกับความรักในธรรมชาติ สิ่งเหล่านี้ถูกถ่ายทอดออกมาราวกับเป็นบทกวีผ่านสีและวัสดุที่นอกจากผืนผ้าใบตามแบบดั้งเดิมแล้ว เธอยังเลือกใช้แผ่นไม้และโลหะมาสร้างสรรค์ผลงานอีกด้วย

“Light Fragments”
A Solo Exhibition by Panisa Jermhansa
Curated by Pran Limchuenjai
Date: 7 February - 28 March 2026
Venue: Mini Xspace Gallery, Fl. 2

10/03/2026

“Light Fragments”
A Solo Exhibition by Panisa Jermhansa
Curated by Pran Limchuenjai
Date: 7 February - 28 March 2026
Venue: Mini Xspace Gallery, Fl. 2

25/02/2026

[ENG] Orchids, Qu**rs, Art

“To Fall From Grace / จะร่วงหล่นเพื่อหวนคืน” navigates through the history of orchids in Thailand. As Dendrobium “Pompadour” was once considered the country’s number one cut-flower export, it has lost to Dendrobium “Sonia” because the latter is easier to cultivate, leading to a bigger potential to be commercialized.

As the artist is q***r himself, he raises questions on how social expectation and capitalism have shaped himself and others with similar identities, as well as many other things, how they “fall” not because they are not good, but because they don’t go with the world and the system. Hence, does that mean they are any good at all?

[TH] ดอกกล้วยไม้ เควียร์ ศิลปะ

“To Fall From Grace / จะร่วงหล่นเพื่อหวนคืน” พาเราเข้าสำรวจประวัติศาสตร์ของดอกกล้วยไม้ในประเทศไทย กล้วยไม้หวายปอมปาดัวร์ (Dendrobium Pompadour) ที่ครั้งหนึ่งเป็นถึงสายพันธุ์ที่ทำให้ตลาดกล้วยไม้ไทยเติบโตได้พ่ายแพ้ให้กับกล้วยไม้หวายโซเนีย (Dendrobium Sonia) เพราะว่าโซเนียเพาะพันธุ์ได้ง่ายกว่า นำไปสู่ศักยภาพทางการตลาดที่สูงกว่า

ด้วยอัตลักษณ์เควียร์ของศิลปิน เขาตั้งคำถามถึงการที่ความคาดหวังทางสังคมและโลกทุนนิยมหล่อหลอมสร้างตัวตนของเขา และคนอื่นๆที่มีอัตลักษณ์คล้ายกัน รวมไปถึงสิ่งต่างๆที่ “ร่วงหล่น” ไม่ใช่เพราะมันไม่ดี แต่เพราะมันเป็นไปตามโลกและระบบ ถ้างั้นแบบนี้อาจจะหมายความว่าสิ่งเหล่านั้นไม่ได้ดีเลยหรือเปล่า

“To Fall From Grace / จะร่วงหล่นเพื่อหวนคืน“
A solo exhibition by Naraphat Sakarthornsap
Curated by Pojai Akratanakul
Date: 18 December 2025 - 28 February 2026
Venue: SAC Gallery