The Július Koller Society

The Július Koller Society The Július Koller Society is a non-profit association established in 2008 in Bratislava.

Y͓̽o͓̽u͓̽ M͓̽u͓̽s͓̽t͓̽ C͓̽h͓̽a͓̽n͓̽g͓̽e͓̽ Y͓̽o͓̽u͓̽r͓̽ L͓̽i͓̽f͓̽e͓̽Július Koller at the Gwangju Biennale in South Korea ...
07/09/2026

Y͓̽o͓̽u͓̽ M͓̽u͓̽s͓̽t͓̽ C͓̽h͓̽a͓̽n͓̽g͓̽e͓̽ Y͓̽o͓̽u͓̽r͓̽ L͓̽i͓̽f͓̽e͓̽
Július Koller at the Gwangju Biennale in South Korea 🇰🇷
5.9.2026 ~ 15.11.2026

We are delighted to announce that Július Koller is representing the Slovak Republic at the prestigious Gwangju Biennale of Contemporary Art in South Korea.📍

For this occasion, we proudly present an extensive selection from Koller’s work, including documentation of the legendary J. K. Ping-Pong Club (1970), his Ping-Pong Cultural Situations, and a selection from Post-Communication—a series of text cards that the artist circulated through the postal network.

Koller’s playful, conceptual interventions transform everyday activities and communication into open-ended cultural situations, inviting us to rethink the boundaries between art, life, play, and social interaction. 🏓

Inspired by the final line of Rainer Maria Rilke’s poem Archaic Torso of Apollo, the 16th Gwangju Biennale explores how new capacities and forms of life emerge through artistic practice.

In Rilke’s 1908 poem, a fragment of an ancient sculpture releases within its viewer an overwhelming surge of emotional energy, culminating in the injunction: “You must change your life.” Yet the poem offers no prescription. Transformation remains open—urgent, but not yet determined. Taking inspiration from this imperative, the Biennale approaches change not as a destination but as a method: a process through which matter, bodies, perceptions, and relations are continually reorganised.

Change is often most immediately visible to us in moments of rupture and crisis. Yet change also unfolds quietly and unnoticed, like the changes in faces of the loved ones we see daily. And change also unfolds through the accumulation of our everyday acts and rituals as they accumulate to practices of repetition that brings about difference. It is through such practices that we expand our capacity to affect—and to be affected. 📈

A central proposition of this Biennale is that change is sustained through practice. But in order to be generative, any practice must be sustainable enough to repeat across multiple scales of life. Repetition is what shapes how we perceive, how we relate, and how we live. As such living models of persistence and experimentation, artistic practices appear here as cumulative techniques through which individuals and communities embody their experiences of transformation.

📦The photo was taken during the installation.

🎉 Born on May 28, 1939 in Piešťany. Július Koller. An artist whose body of work consistently reveals new layers, fosters...
28/05/2026

🎉 Born on May 28, 1939 in Piešťany. Július Koller. An artist whose body of work consistently reveals new layers, fosters critical intergenerational dialogue, and challenges established perspectives. As a non-profit association, we are glad to continue preserving, researching, developing and contextualizing Július Koller's legacy.

Currently on view: Exhibition Július Koller: Univerzálny Fantastický Otáznik (U.F.O.) at Galerie Martin Janda in Vienna until July 4, 2026.

We are deeply grateful to all our supporters, institutional partners, and fellow art enthusiasts, whose ongoing engagement allows us to keep Július Koller’s work active and accessible for next generation.

photo: Kvetoslava Fulierová, U.F.O.-naut J.K. (U.F.O), 1982

Over the past two weeks, we have hosted a series of inspiring professional events. 🌐🖇️In collaboration with the Departme...
30/04/2026

Over the past two weeks, we have hosted a series of inspiring professional events. 🌐

🖇️In collaboration with the Department of Theory and History of Art, the Department of Sculpture, Object, Installation, and the Performance Laboratory, we organized a lecture and workshop featuring 𝙁𝙧𝙚𝙣𝙘𝙝 𝙘𝙪𝙧𝙖𝙩𝙤𝙧 𝙋𝙞𝙚𝙧𝙧𝙚 𝘽𝙖𝙡-𝘽𝙡𝙖𝙣𝙘. The author presented his extensive curatorial practice in the field of performance art and, in collaboration with our students, created a Bratislava-based adaptation of the script 𝘾𝙤𝙡𝙡𝙚𝙘𝙩𝙞𝙫𝙚 𝙀𝙭𝙝𝙞𝙗𝙞𝙩𝙞𝙤𝙣 𝙛𝙤𝙧 𝙖 𝙎𝙞𝙣𝙜𝙡𝙚 𝘽𝙤𝙙𝙮. Both events has been made possible by generous support from Kontakt Collection Vienna and Július Koller Society.

🖇️Our program was further enriched by a visit to the Ludwig Museum in Budapest for the opening of the exhibition 𝙄𝙣 𝙩𝙝𝙚 𝙀𝙣𝙙 𝙏𝙝𝙚𝙧𝙚 𝙒𝙞𝙡𝙡 𝘽𝙚 𝙉𝙤 𝙀𝙣𝙙, which runs until September 20th. This exhibition project, curated by Katarína Bajcurová and Lucia Gregorová Stach, presents works of the Slovak Neo-Avant-Garde and contemporary art from the Art Fond Collection, including seminal works by Július Koller.

🖇️In collaboration with Sabeth Buchmann, Pierre Bal-Blanc, Kathrin Rhomberg (Kontakt Collection), and the University of Vienna, Daniel Grúň presented a paper titled "𝙎𝙚𝙡𝙛-𝙝𝙞𝙨𝙩𝙤𝙧𝙞𝙘𝙞𝙯𝙖𝙩𝙞𝙤𝙣, 𝙖𝙧𝙘𝙝𝙞𝙫𝙚 𝙖𝙣𝙙 𝙖𝙧𝙩𝙞𝙨𝙩𝙞𝙘 𝙥𝙧𝙖𝙘𝙩𝙞𝙘𝙚 𝙤𝙛 𝙅. 𝙆𝙤𝙡𝙡𝙚𝙧 as part of the Study Day: "𝙉𝙚𝙬 𝘼𝙥𝙥𝙧𝙤𝙖𝙘𝙝𝙚𝙨 𝙩𝙤 𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝘼𝙧𝙩" program.

We look forward to many more exciting projects ahead.

1–3 Workshop Collective Exhibition for a Single Body with Pierre Bal-Blanc, AFAD, Bratislava
4–5 Exhibition In the End There Will Be No End, Ludwig Museum, Budapest
6–7 Lecture by Daniel Grúň titled "Self-historicization, archive and artistic practice of Július Koller", Vienna

We are highlighting a selection of new articles that delve deeper into Július Koller’s extensive practice. Explore curat...
15/04/2026

We are highlighting a selection of new articles that delve deeper into Július Koller’s extensive practice. Explore curated list of recent features below:

📁Planetárna postkomunikácia Júliusa Kollera. K rekonštrukcii umelcovho inter-archívu by Daniel Grúň in: Flash Art, s. 33–36, no. 79, vol. XVIII, 2026.

Daniel Grúň's study examines the reconstruction of the international communication networks of Slovak conceptual artist Július Koller. Drawing on archival materials, it investigates his active participation in the Mail Art movement, his creation of text cards and the U.F.O. series, through which Koller built an alternative artistic infrastructure despite the constraints of normalisation-era Czechoslovakia. The article highlights the artist's foreign contacts and exhibition projects that have remained insufficiently documented to date.

📁Repositioning Július Koller’s More (1963–1964): Conceptualism, Region and Critical Art History by Daniel Grúň in: UMĚNÍ 4 ART, s. 388–400, č. LXXIII, 2025.

This study focuses on the pivotal work More (1964) through the lens of two methodological perspectives. Beyond proposing potential interpretations of the work, it re-evaluates the concept of conceptualism within both local and global contexts. Through the prism of Koller’s practice, the article highlights divergent approaches to the historiography of art after 1945.

📁Július Koller : : : Inverse Situationism by Miško Šuvaković in ARS, s. 159–171, no. 2, vol. 58, 2025.

Inverse Situationism study provides a critical analysis of Július Koller’s post-media practice within the context of the Slovak and international Neo-Avant-Garde. It focuses on the concept of 'Inverse Situationism' and the integration of art into everyday life through his Anti-Happenings and the U.F.O. project. The article examines the singular characteristics of Koller’s work during the transition from socialism to capitalism.

Flash Art Czech & Slovak Edition
Daniel Grúň

C͎o͎l͎l͎e͎c͎t͎i͎v͎e͎ ͎E͎x͎h͎i͎b͎i͎t͎i͎o͎n͎ ͎f͎o͎r͎ ͎a͎ ͎S͎i͎n͎g͎l͎e͎ ͎B͎o͎d͎y͎ ͎b͎y͎ ͎P͎i͎e͎r͎r͎e͎ ͎B͎a͎l͎-͎B͎l͎a͎n͎c͎St...
07/04/2026

C͎o͎l͎l͎e͎c͎t͎i͎v͎e͎ ͎E͎x͎h͎i͎b͎i͎t͎i͎o͎n͎ ͎f͎o͎r͎ ͎a͎ ͎S͎i͎n͎g͎l͎e͎ ͎B͎o͎d͎y͎ ͎b͎y͎ ͎P͎i͎e͎r͎r͎e͎ ͎B͎a͎l͎-͎B͎l͎a͎n͎c͎

Studio of Free Sculpture (Drotárska cesta 44)
16. 4. 2026 (Lecture) / 21. 4. 2026 (Workshop)

Kolektívna výstava pre jedno telo je performatívny scenár vytvorený v roku 2015 kurátorom Pierrom Bal-Blanc, v ktorom sa telo stáva miestom kolektívnej prezentácie. Účastníci tu prispievajú gestami alebo akciami priradenými ku konkrétnym častiam tela, čím ho premieňajú na živý výstavný priestor.

V roku 2017 bola partitúra za účasti vybraných umelcov upravená a počas dvoch mesiacov realizovaná v Kasseli a Aténach v rámci podujatia documenta 14. Následne viedenská Kontakt Collection iniciovala vznik pozmenenej verzie, ktorá reflektovala diela zo zbierky prepojené s avantgardnými hnutiami východnej Európy. V novembri 2019 bola predstavená na festivale Playground v Leuvene a neskôr v Lisabone a Bukurešti.

🚶🏼 Bratislavská verzia bude v rámci workshopu vyzývať svojich účastníkov, aby na základe príspevkov jednotlivých členov vytvorili novú adaptáciu partitúry.

Prednášku a workshop organizuje Katedra teórie a dejín umenia, Katedra sochy, objektu, inštalácie a Laboratórium performancie. Obe podujatia sa mohli uskutočniť vďaka podpore Kontakt Collection Vienna a Július Koller Society.

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Lecture and workshop are organized by the Departmet of Theory and History of Art, Department Sculpture, object, installation and Laborarory of Performance. Both events has been made possible by generous support from Kontakt Collection Vienna and Július Koller Society.

photos:
1 — Pierre Bal-Blanc by Marianne Maric, 2019
2— Documenta 14, 2017

Address

Račianska 78
Bratislava
83102

Opening Hours

Wednesday 13:00 - 18:00
Friday 13:00 - 18:00

Telephone

+421919495081

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