FOST Gallery

FOST Gallery Contemporary art gallery FOST Gallery exhibits and represents promising and established artists.
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Its focus is to initiate and sustain discourse among artists and art enthusiasts, through curated exhibitions with a particular emphasis on stimulating contemporary art practices. The gallery is located at Gillman Barracks, Asia's up-and-coming art destination.

Happy birthday ! You’re still kiln it after 60 years!
14/06/2026

Happy birthday ! You’re still kiln it after 60 years!

"These are several of the oldest tools I have used since I began cutting paper — the blades, craft knife, the Chinese ca...
11/06/2026

"These are several of the oldest tools I have used since I began cutting paper — the blades, craft knife, the Chinese calligraphy brush I used to clean up tiny carved away paper pieces."

Happy birthday ! Always live life on the edge!

Image 3
Bovey Lee
Hope-Orchids (Indoor)
2021
Cut Xuan paper on silk
H87.63 x W62.865 cm

Thank you everyone for joining us at the opening of HE WRITES STRAIGHT WITH CROOKED LINES last weekend!The exhibition wi...
11/06/2026

Thank you everyone for joining us at the opening of HE WRITES STRAIGHT WITH CROOKED LINES last weekend!

The exhibition will run until 25 July 2026, with an Artist Dialogue with Justin Zhuang on 11 July at 4pm. RSVP via [email protected].

Hanson Ho

Last day to catch Long Decay by Jason Lim, be sure not to miss it!Long Decay11 April – 30 May 2026Exhibition Essay writt...
30/05/2026

Last day to catch Long Decay by Jason Lim, be sure not to miss it!

Long Decay
11 April – 30 May 2026
Exhibition Essay written by Dr. Adrian Tan

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FOST Gallery is delighted to present HE WRITES STRAIGHT WITH CROOKED LINES, a solo exhibition by Hanson Ho and his first...
29/05/2026

FOST Gallery is delighted to present HE WRITES STRAIGHT WITH CROOKED LINES, a solo exhibition by Hanson Ho and his first with the gallery.

Opening Saturday, 06 June 2026, 4-7pm, running until 25 July 2026
Artist Dialogue with Justin Zhuang Saturday, 11 Jul 2026, 4-5pm

Across 13 new sculptures, Ho explores the tension between notions of Man as both artistic creator and a created being of nature. Subject to the human condition, he navigates the world while participating in a smaller act of making within a greater, unseen order. In expressing his thoughts, he is at once the maker and the made — a human being shaped by forces beyond himself.

Exhibition Essay Justin Zhuang
Exhibition Identity

Long Decay11 April – 30 May 2026Exhibition Essay written by Dr. Adrian Tan Jason LimBefore Silence2025Ceramics, wood, st...
29/05/2026

Long Decay
11 April – 30 May 2026
Exhibition Essay written by Dr. Adrian Tan

Jason Lim
Before Silence
2025
Ceramics, wood, stone, sponge, waterproofing tape and medical gauze
H54 x Ø31 cm (bell)
H47 x W4 x D6 cm (mallet)



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Lim's Resonance series suggest the visual trace of vibration, as though sound has been translated and held upon paper. E...
29/05/2026

Lim's Resonance series suggest the visual trace of vibration, as though sound has been translated and held upon paper. Executed through accumulations of ink, graphite, and gesture, the drawings unfold through a process of sustained repetition, as concentric forms ripple outward across the surface.

Each mark registers duration, embedding time into the paper. Yet unlike the instantaneous spread of sound, these visual resonances slowly emerge through the pressure of the hand, so that each line carries a measured passage of time.

Long Decay
11 April – 30 May 2026
Exhibition Essay written by Dr. Adrian Tan

Jason Lim
Resonance 1
2025
Chinese ink, pastel and graphite on watercolour paper
H109.2 x W89.5 cm



Image 3 and 4 by

“I learned to crochet in art school, initially to make fabric sculptures, and it has stayed with me ever since — through...
12/05/2026

“I learned to crochet in art school, initially to make fabric sculptures, and it has stayed with me ever since — through more sculptures, and through durational performances where the act of making became the work itself. My crochet hook is my oldest tool. For me, crocheting has always been about time: the slow accumulation of loops, the rhythm of repetition. But it is also about material intimacy — something familiar in the hand, and something that bears the trace of the hand.”

Happy Birthday to Bea Camacho .camacho! Wishing you another great year woven from meaningful encounters, fulfilling work, and moments that stay close to the hand and heart.

Image 2-4
Efface
2008
Single-channel video
11 hours

Image 5
Artist Portrait
📸: Neal Oshima

The video component of Yingge forms part of the broader Tintinnabulation series, extending the artist’s inquiry into res...
06/05/2026

The video component of Yingge forms part of the broader Tintinnabulation series, extending the artist’s inquiry into resonance into the register of the moving image. If the ceramic bells shape sound through vibration, the video becomes another vessel through which resonance unfolds. Here, sound, memory, and landscape circulate together. The work does not simply document the bells; it listens through the spaces in which they were made. In this sense, the video operates less as representation than as a chamber of mediation, where sound, image, and duration are allowed to linger.

The term “tintinnabulation”, popularised by Edgar Allan Poe in The Bells (1849), evokes the ringing and reverberation of bells as both a sonic and existential condition. Here, it names not simply sound, but the atmosphere of ringing itself - the lingering aura of vibration that persists after the source has fallen silent.

Long Decay
11 April – 30 May 2026
Exhibition Essay written by Dr. Adrian Tan

Jason Lim
Yingge
2024
Ceramics, wood, stone, rubber, waterproofing tape and medical gauze, performance documentation and single-channel video (00:06:44)
Dimensions variable (installation)



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"Across the exhibition, portraits do not emerge as singular or definitive images of a person, but instead function as si...
06/03/2026

"Across the exhibition, portraits do not emerge as singular or definitive images of a person, but instead function as sites where materials, methods, subjectivity, and context intersect. Though some approaches may register as more historically entrenched than others, and some materials as more technologically recent, none are positioned as inherently more relevant or truthful.

With all six artists working as contemporaries, each practice angles the portraiture format to reveal different facets of personhood in today’s unique context, affirming that identity is constituted through layers of lived experience, mediation, and interpretation. Mirrorball: Reflections on Portraiture thus reinforces portraiture’s importance as a reflective and critical practice that reveals how the self is continuously formed, fractured, and refracted within an increasingly complex world."

View the works in in our current exhibition, Mirrorball: Reflections on Portraiture, running until 14 March 2026.
camacho






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Address

1 Lock Road, #01/02
Singapore
108932

Opening Hours

Tuesday 11:00 - 19:00
Wednesday 11:00 - 19:00
Thursday 11:00 - 19:00
Friday 11:00 - 19:00
Saturday 11:00 - 19:00

Telephone

+6590496136

Website

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