Vitlycke - Centre for Performing Arts

Vitlycke - Centre for Performing Arts Vitlycke is a place for investigation and creation, for research, training and education. A platform where artists can meet, work and discuss.

A place where national and international companies are able to concentrate on their creations, in a calm environment in the middle of nature, detached from the rhythm of the city. Vitlycke-CPA is a place where rehearse and create, but also where to present both informal showings and finished works, open to an audience. The studio is 16 m long x 14 m wide and 5.40 high and it can be transformed it

into a black box -with black sliding curtains, black dance linoleum, bars for lightning, light&sound equipment and a movable tribune for the audience. Vitlycke-CPA dedicates time to project focusing on education. The yearly program includes workshops; intensive summer school and intensive coaching projects, with selected groups of participants. Guest teachers, choreographers, theatre directors and dramaturges are invited to hold workshops and to share their reflections and experiences on the creative process. Vitlycke-CPA organizes also residencies/projects related to visual arts, music & film, martial arts, new circus, youth, literature, new media&internet communication. Vitlycke -CPA is based in Tanumshede (Sweden). The location is quite ideal, being almost right in the middle between Oslo and Goteborg, in the country side, just beside the Vitlycke Museum, in a UNESCO protected area, visited for it's famous Bronze Age stone carvings.

Vitlycke CPA is happy to welcome Blauwal Company(SE) -  Maya Giraudet (SE/FR) and Saga Ivéus Wenglert (SE/FR) to summer ...
18/07/2026

Vitlycke CPA is happy to welcome Blauwal Company(SE) - Maya Giraudet (SE/FR) and Saga Ivéus Wenglert (SE/FR) to summer residency:

Mains par Cœur is a tribute to the complexity of children’s games and the spontaneous physical connections that appear on playgrounds. This dance performance is meant for audiences of all ages, kids and adults alike. In an atmosphere of lively sounds, we fill the space while clapping hands and singing in unison. Guided by the desire
to reinvent the rules, we imagine new meeting points letting rhythms, voices and movements intertwine. Across the performance we wish to carry a pedagogical dimension around cooperation, memory and exchange between
generations and languages. Do we know the game by heart? Do we have it on the tip of our tongues?

photo: bassi

We are happy to welcome to summer residency: Sunniva Skeide (NO) and Åsa Ewing (SE)During their residency they will be w...
17/07/2026

We are happy to welcome to summer residency:

Sunniva Skeide (NO) and Åsa Ewing (SE)

During their residency they will be working on "Hva sa du nå? Vad sa du nu?".

Are we having the same conversation, or are we speaking different languages?
Tension arises in all relationships, but when does control take over?
Through subtleness and invisible forces, how can we solve what's hidden behind facades?
On both sides of the border, we work towards allowing space to listen and move together, all while navigating proximity and resistance.
Can we circle back to speaking the same language?

Sunniva Skeide (from Norway) with a BA from the
University of Stavanger, works with improvisation and uses the body as a tool to ask questions. With a background in music and acting, she weaves this together with dance.

Åsa Ewing (from Sweden) with a degree from the Iwanson School of Contemporary Dance, today works with mixing rhythm, memory and community as an artistic language. She creates works that weave together performance, social
space and cultural resistance.

During the residency at Vitlycke CPA, Liza Penkova (SE)  invites some of the dance-artists involved in her future creati...
15/07/2026

During the residency at Vitlycke CPA, Liza Penkova (SE) invites some of the dance-artists involved in her future creation “Callandia” : Kevin Fay (US/FR/BE), Samuel Haglund (SE), and Mikael Marklund (SE)

During 2026 Penkova initiates the preparation for a future creation “Callandia,” a sci-fi documentary dance performance situated in 3017. A group of dance-artists, transported a thousand years ahead, find themselves in a society without art. Welcomed by an AI messenger, they learn the only way home is to leave behind enough knowledge of their art-field and its history within a walking loop of 18 steps, the only choreography allowed in Callandia.

more info @ penkova.cc/work

International Open Call: Choreo Sync- within the Danceua project. Application deadline: July 31, 2026:
07/07/2026

International Open Call: Choreo Sync- within the Danceua project. Application deadline: July 31, 2026:

Ukrainian Contemporary Dance Platform announces open call for EU Dance Platform in Ukraine Fall 2026, Spring/Fall 2027, ...
02/07/2026

Ukrainian Contemporary Dance Platform announces open call for
EU Dance Platform in Ukraine

Fall 2026, Spring/Fall 2027, Lviv/Ukraine

OPEN CALL for participation in EU Dance Platform in Ukraine, which we are organizing within the frame of the dancEUA project co-financed by Creative Europe.

The Platform will present dance performances by choreographers and dance companies based in Croatia, Romania, Hungary and Sweden to the Ukrainian audience in Lviv.

We plan to organize events with 2-3 performances in the fall 2026, spring 2027, and fall 2027. Each performance is expected to reach an audience of 80–150 spectators and will receive media coverage. Also you will be invited to take part in the artist talk.

The Platform covers:
-travel costs
-accommodation
-subsistence in amount of 35 euro per person per day
-artistic fee

EU Dance Platform in Ukraine is organized as a part of the dancEUA, a Creative Europe project (2024-2027) created by Studio Contemporary Dance Company - SSP (Croatia), Central Europe Dance Theatre - CEDT (Hungary), M Studio (Romania), Vitlycke - CPA (Sweden) and UA Contemporary Dance Platform (Ukraine) to empower Ukrainian contemporary dance through creativity, connection and resilience.

Who is EU Dance Platform in Ukraine for?
this open call is for professional dance companies, choreographers and performers based in the partner countries:
Croatia, Hungary, Romania and Sweden
we are looking for stage-ready contemporary dance performances suitable for presentation in Lviv, with a complete technical rider and touring capacity and touring teams of up to 5 people

Application deadline: August 5, 2026
Selected artists will be notified till August 19, 2026

Main contact for practical questions and information:
Oleksandr Manshylin, [email protected]

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

photo: Naomi PongoliniFollowing an intensive 10-day workshop with Francesco Scavetta, the process concludes with an info...
01/07/2026

photo: Naomi Pongolini

Following an intensive 10-day workshop with Francesco Scavetta, the process concludes with an informal showing. Welcome!

During the workshop, participants from different parts of the world have explored Scavetta’s personal approach to contemporary dance, rooted in release technique and contact improvisation. The method is shaped by his experience as a dancer and choreographer, as well as by his long-standing practice of Tai Chi Chuan.

Poetics of Movement combines profound physical transformation with a refined poetics of movement, placing sensitivity, presence, and relationship at its core. Themes such as memory, transience, absence, and the unfinished are explored—recurring motifs in Scavetta’s earlier works, including Hardly Ever, Lost Accidentally, And Yet, and Home Movie.

Francesco Scavetta has developed a reputation on the international dance scene for his wildly inventive work, playful humour and subversive intelligence and his company is at the forefront of the Nordic dance scene. In 1999 he established in Oslo, together with Gry Kipperberg, the dance company Wee and, since then, has produced 24 performances and experienced an extensive international activity, touring in 37 countries -in Europe, the Middle East, Asia, North, Central and South America.
Wee’s creations have changed in format and aesthetic, yet they have continuously explored what theatre and performance can mean in contemporary life and what kind of dialogues they can open with the audience. Scavetta’s theatricality has often been associated with the atmosphere of a weird dream or to a playful world of a child: strange, funny, poetic and, at the same time, surprising. The core of the company’s investigation deals with fragility and paradox, epiphany and dream, empathy and surprise, avoiding narrative and physical cliché, while questioning reality and identity with humoristic disbelief. “Wee creates performances that can engage and amaze, can evoke empathy and twist expectations, that can be both poetic and unusual, and that we experience as a challenge first of all for ourselves: that surprises us, as much as it talks to us and about us.”

Missa inte sommarens sista visning! Efter en intensiv 10-dagars workshop med Francesco Scavetta avslutas processen med e...
24/06/2026

Missa inte sommarens sista visning!

Efter en intensiv 10-dagars workshop med Francesco Scavetta avslutas processen med en informell visning. ✨

Välkommen till Poetics of Movement - Francesco Scavetta (SE/IT) informal showing den 3 juli kl 19:00!

Läs mer här: https://vitlycke.org/schedule_events/447

Biljetter kostar 50 kr.

Säkra er plats här: https://billetto.se/e/poetics-of-movement-francesco-scavetta-se-it-biljetter-1959484?utm_source=organiser&utm_medium=share&utm_campaign=copy_link&utm_content=1959484

We are happy to welcome Lovisa Mattisson to Vitlycke-CPA to develop her project Tipping Point from the 6th to the 12th o...
24/06/2026

We are happy to welcome Lovisa Mattisson to Vitlycke-CPA to develop her project Tipping Point from the 6th to the 12th of July, 2026.

Project description

The project Tipping Point has its starting point from the idea of “falling over the edge”: a movement that is in constant negotiation with balance and distribution of weight. Rolling is one main component in the work and serves as a physical metaphor for constant tipping, where weight is constantly shifting from one part of the body to another. Using rolling as a starting point, I want to examine and describe the body’s way of balancing and falling, folding and unfolding movements in layers and repetitive patternings.

Biography

Lovisa Mattisson (SE) is a freelance dancer and dance artist, currently living in Gothenburg, Sweden. In 2024 she graduated from Trinity Laban with a Bachelor in Contemporary Dance. Her works start from the floor and through the body with physical presence in the room, the body and with others in space. She works with movements as the primary source of information creating an integrated world between dance, music and audience.

Photo credit: Adrian Isi Zar

Glimpses from this Saturdays performative walk through Vitlycke area together with Guy Cools, Gregory Stauffer and Micae...
15/06/2026

Glimpses from this Saturdays performative walk through Vitlycke area together with Guy Cools, Gregory Stauffer and Micaela Odriozola!

Don't miss, this week will continue with Guy Cools lecture on Wednesday and performance on Saturday. See below!

📆 Wednesday at 19:00 free lecture -membering Zero Degrees, the dramaturg as witness, dialogue partner and editor - Guy Cools (BE/CA)

📆 Saturday at 18:00 Performing mourning: lament for my father- Guy Cools (BE/CA)
🎫 https://billetto.se/organiser/manage/events/1933737/overview

Read more at www.vitlycke.org

Photo: Fredrik Andersson www.fotografeniranrike.se

Adress

Vitlycke Gård 3
Tanumshede
45793

Aviseringar

Var den första att veta och låt oss skicka ett mail när Vitlycke - Centre for Performing Arts postar nyheter och kampanjer. Din e-postadress kommer inte att användas för något annat ändamål, och du kan när som helst avbryta prenumerationen.

Genvägar

Dela