FUL Film

07/06/2026

June 10th! 🍿👇

https://tubitv.com/movies/100055869/freedom-truth-chaos-death

🎬 Big news!

I'm excited to announce that Freedom, Truth, Chaos, Death has officially received a release date on Tubi: June 10th! 🍿

This film has been a long journey, and I want to thank everyone who has supported it, worked on it, and believed in it along the way.

Tubi is one of the largest streaming platforms in the United States, and it's a place where independent films can actually find an audience. With a bit of luck, it may even generate enough revenue to help compensate the people who put so much time, energy, and passion into making this film happen.

I'll post the link to the film in the comments.

If you're outside the US, you may need a VPN service to access the film, depending on your location.

/Daniel

06/06/2026

🎬 Big news!

I'm excited to announce that Freedom, Truth, Chaos, Death has officially received a release date on Tubi: June 10th! 🍿

This film has been a long journey, and I want to thank everyone who has supported it, worked on it, and believed in it along the way.

Tubi is one of the largest streaming platforms in the United States, and it's a place where independent films can actually find an audience. With a bit of luck, it may even generate enough revenue to help compensate the people who put so much time, energy, and passion into making this film happen.

I'll post the link to the film in the comments.

If you're outside the US, you may need a VPN service to access the film, depending on your location.

/Daniel

01/06/2026

Ahead of Violations from Beyond 2027.

After the summer, we’ll meet for a reading. Not as an audition, but as a way to get into the material together, its rhythm, tone, and direction. From there, we continue into a conversation about the shoot and how the process will work.

Some things are already clear. Intimate scenes will be choreographed in advance, nothing is improvised on set. Boundaries are discussed individually and agreed on beforehand. Sensitive scenes are filmed on a closed set.

The film moves in a similar space as Alma Wants New Playmates, but goes further. That only works with precision and trust. The process draws from how intimacy coordination is done, with structure first, then expression.

Before anything else, we need to be aligned on how these scenes are handled. That comes first.

But for now, it’s soon time for vacation.

We’ll return to this after the summer and make sure we’re all on the same page moving forward.

Have a great summer 🌞

/Daniel

31/05/2026

We've been thinking out loud on Reddit 😀

Link in the comments 👇

08/05/2026

I’ve been checking the stats for my films on Reveel, and the difference is interesting. Alma Wants New Playmates has almost ten times more views than Freedom, Truth, Chaos, Death and Cerebral Palsy Blues combined. That really confirms a theory I’ve had for a long time regarding the market potential of different kinds of films.

I strongly believe there’s a huge audience for films in the style of Alma or Violations from Beyond. Even the YouTube upload of Alma — which reached over 200,000 views before it was taken down — showed just how many people are interested in narrative erotic cinema.

Now we just need to figure out the right business model around it 😀

Have a great weekend!

/Daniel

03/05/2026

Jag har köpt en ny kamera – Panasonic Lumix GH5 – och nu tänker jag lära känna den ordentligt. Från och med juni är jag ledig varje måndag, och då planerar jag att göra små utflykter för att fotografera och filma. Samtidigt passar jag på att reka inspelningsplatser för framtida filmprojekt.

Några tänkta resmål är Tyresta nationalpark, Stegsholms gård (Gålö) och Björkvik.

Jag vill också hitta några övergivna industriområden, platser som skulle kunna föreställa nästan vad som helst, lite dystopiskt, kanske en framtidsmiljö.

Tips? 😀

/Daniel

30/04/2026

The year of not making movies is apparently the year of buying movies 😀

Thanks, Severin, for this stack of gems:
S*x is Crazy
Black Boots, Leather Whip
Mardi Gras Massacre
Night of the Demon
Santa Sangre
Grizzly
Sinfonia Erotica

Time to get inspired… or distracted 😏

/Daniel

27/04/2026

One of my biggest influences as a young writer was Roque Falcon. I was around 18 or 19 when I randomly came across his short story collection Plötsligt on a library shelf. A year or so later, I found his short novel Vålnaden (84 pages), and it hit even harder.

When I wrote the script for Searching, Killing, Crying, I realized I had basically lifted a scene straight from it. The scene involves a few cows 😀

Anyway, it’s a brilliant little book. If you ever come across it, I highly recommend reading it — it’s usually easy and cheap to find online.

26/04/2026

Guess who’s back… Henning!

I’ve written a scriptment, not a full screenplay, for a standalone follow up to Alma Wants New Playmates. The working title is Searching, Killing, Crying, and this time Henning, Alma’s husband, played by me, steps into the lead.

For those unfamiliar, a scriptment means every scene is there and the structure is solid, but the dialogue is not locked. That is very intentional.

I am not an actor in the traditional sense, even though I genuinely enjoy being in front of the camera. This film will be in English, and I do my best work when I can improvise, when I am not tied down to fixed lines. My biggest strength is that I am fearless on camera, and that matters when you embrace the beauty of underground filmmaking, pushing boundaries, going further, trying to create something different. But that also means working with actors who are willing to explore that space. Not everyone is willing to go there, but I am, so I cast myself 😉

I once read about Lina Romay, muse, partner, and collaborator of Jess Franco, who described herself as shy in private but exhibitionistic in front of the camera. That stuck with me. I do not see myself as shy, but I do not need the spotlight in everyday life. Turn the camera on though, and I will do whatever it takes, and more, to serve the story and the character.

In other words, if I were a woman, I would probably be Lina Romay 😊

Being a micro budget filmmaker is both freedom and limitation. Freedom because no one tells you what you can or cannot do. Limitation because you are working with almost nothing.

The Killjerk Killer in the Woods is still on pause. It could be made over a year or two summers, but I am not feeling it right now.

Right now, Violations from Beyond is first in line, and the lead roles are cast. But if that project stalls for any reason, Henning is ready.

This story follows his life after the events of Alma Wants New Playmates, something like a collision between Be My Cat: A Film for Anne and Henry: Portrait of a Serial Killer, filtered through my own sense of humor and absurdity.

Let’s see where this goes.

/Daniel

06/04/2026

Want to hear a fun little anecdote from the pre-production of Freedom, Truth, Chaos, Death?

Rikard Westman, who plays Johan, one of the lead roles, was actually one of the hardest characters to cast. I originally wrote the role for an actor I had worked with before, but when he took too long to respond and approve the contract, I decided to move on.

I received over 100 responses to my posts in acting groups. Most of the process happened over Messenger. I watched their showreels, asked them to send self-tapes of scenes from the script, and most importantly, paid attention to how engaged they were about being part of the project. Some stood out more than others. Some mostly wanted to build their CV and could be part of anything, which is always a bit disappointing. When you are on set, you want everyone there to truly want to be there.

Slowly but surely, I cast the bigger roles, and in the end only Johan remained. Four actors were in the running, but some took their time sending the material I asked for.

Then I got a tip about Rikard. He was friendly, committed, and delivered. After six weeks, the entire film was cast.

But then something interesting happened.
While I was still casting smaller roles, someone contacted me after reading the script. He was convinced he was perfect for Johan, the right age, look, and with a strong personal connection to the character. He was also a millionaire and willing to invest in the project.

Interesting situation, right?

Should I replace Rikard with someone ready to fund the film?

You already know the answer. I stayed true to my word and moved forward with Rikard. And I do not regret it. He, like many others in the film, truly delivered and made the character his own.

That said, nothing against the person who contacted me. Under different circumstances or for another project, it could have been very interesting.

At the level I work at, your word is everything. If you say something, you stand by it. Without that trust, no one wants to work with you.

At the same time, the bigger the budget, the harder it is to recoup the investment.

That is something you have to be very clear about, especially with potential investors. The chances of getting money back are often small, particularly on larger budgets.

I believe the future of indie film looks like this, people investing their time and then sharing in the film’s potential success. I see more and more examples of it, and it is both exciting and inspiring.

And speaking of something exciting, a few days ago I got the news that Tubi will be picking up Freedom, Truth, Chaos, Death.

You know where to read more when it goes live. Until then, you can watch it for free with ads on our YouTube channel.

/Daniel