FUL Film

12/09/2026

I’ve been thinking for a long time about releasing my films on Blu-ray, and I’m now starting to plan a box set featuring several of my films.

There’s something about having the films on disc that feels good. You never know what might happen to films on streaming services, even though I of course have everything backed up on Dropbox. I also like the idea of having physical editions that you can take out and watch ten or twenty years from now.

I’m also planning to record commentary tracks for the films. Among others, I’m thinking of doing tracks for Freedom, Truth, Chaos, Death and Alma Wants New Playmates, with some of the people involved talking about the production, different scenes and memories from making the films. It could also be fun if people have different ideas about what is actually happening in the films.

I’m mainly trying to gauge interest at this point, and I’m planning to record the commentary tracks this winter.

More info to come!

/Daniel

11/09/2026

Who is killing the conspiracy theorists?

Find the answer in Freedom, Truth, Chaos, Death.

Streaming for free on , and

03/09/2026

18/08/2026

Here are a two photos from the short film Ginger Love Demon, which I shot yesterday.

It’s basically a teaser/proof of concept for a feature film I might make someday. There’s no finished script yet, just a rough idea. I originally wanted to experiment with a found-footage approach, but, well… it didn’t quite turn out that way. I cheated a little and filmed a few setups that definitely break the found-footage rules.

Still, I’m taking three things away from the experience:

1. Found footage really works for me as an actor.

I’m not a great actor, but I’m a great bullsh*tter and improviser. When I tried to record my first little monologue, I just couldn’t get it right. So I ended up improvising for 14 minutes straight 😂 And some of the best stuff came from that.

2. You can STILL do something interesting with found footage.

It’s a pretty worn-out genre by now, but I genuinely think there are still things to explore with it.

3. You can actually make something with very little.

I definitely missed my film buddies and having a crew around me, but doing this alone also reminded me how much you can accomplish with very limited resources. It’s obviously a lot cheaper than making something like Freedom, Truth, Chaos, Death, which requires a whole bunch of actors and a much bigger production.

So… who knows?

Maybe we’ll be seeing more of The Ginger Love Demon in the future.

/Daniel

13/08/2026

Our friend Anders HJ gave a talk at NärCon in Linköping about micro-budget filmmaking, and it’s now available on YouTube.

https://youtu.be/oEaMzHJEfv8?is=z_i7TfwAnVqm-t09

The talk is especially aimed at people who want to make their own films, perhaps a feature-length film, but aren’t quite sure how to go about it, what it actually costs, and how to put together a production with limited resources.

Anders directed the wonderful documentary Places That Were Anime to Me, and has also worked on our films Alma Wants New Playmates and Freedom, Truth, Chaos, Death as Assistant Director and Second Unit Director.

Definitely worth checking out if you’re thinking about making your own film!

/Daniel

What defines a micro-budget film an...

30/07/2026

Breaking down the revenue of a micro-budget feature film 🤑

Here's a look at the numbers behind Alma Wants New Playmates.

So far, the film has generated around 25,000 SEK (approximately $2,500 USD) in revenue.

Considering how unconventional and niche the film is, I'm really happy with that result.

What many people don't realize is that revenue and profit are two very different things. Before the money reaches the production company, distribution platforms take their share. Amazon keeps around 50%, and Filmhub takes roughly 20%, which means only about 30% of the total revenue actually comes back to FUL Film. In other words, around 10,000 SEK has made its way back to the production.

The film hasn't broken even yet, but it's still being rented and continues to find new viewers. If that trend continues, there's a realistic chance it will eventually break even.

It's also a good reminder of the economics of micro-budget filmmaking. Most films at this level don't generate significant revenue, and the reality is that making money from a small independent film is extremely difficult.

Audiences have more content available than ever, and a low-budget production has to compete with films and series backed by much larger resources.

Of course, there are also examples of micro-budget films that earn many times their production budget. That's the kind of success every independent filmmaker hopes for, and it's always the goal when making a film.

But even when a film doesn't become that kind of breakout success, a micro-budget feature can still continue to generate revenue over time. Small amounts can add up, and the film itself can create new opportunities and connections for future projects.

For me, the biggest value of making films like this has never been the money alone. It's about developing as a filmmaker, building a body of work, and creating something that can reach an audience beyond the people who helped make it.

Getting a film finished, released, and watched by people around the world is already a success in itself. 🥰

/Daniel

25/07/2026

Studies apparently show that many women fantasize about wild beasts and mysterious creatures…

So naturally, at FUL Film, we asked ourselves:
“What if the beast just wants to be loved?”

We’ve just finished the screenplay for:
DOGMAN: A LOVE STORY

An erotic horror-comedy about forbidden love, jealousy, passion… and a lonely Dogman searching for his soulmate.

Two marriages.
One Dogman.
Zero therapy capable of fixing this situation.

Think Beauty and the Beast meets sleazy fever dream.

This is now the third screenplay we’ve written this year, which feels really nice. These ideas have been bubbling inside me for a long time.

Dogman has been with me since 2022, when we filmed Alma Wants New Playmates. But when you spend a lot of time shooting films, there’s not always time to write, something I’ve finally had the chance to do this year 😀

/Daniel

21/07/2026

Today my Vimeo subscription expired, and for the first time since 2014, I've decided not to renew it.

It feels a little bittersweet. For many years, Vimeo was the place for independent filmmakers. It was where you discovered exciting new voices, found inspiring work, and watched films that would never have appeared on the major platforms.

It was also on Vimeo that I discovered Tony Maiesello's web series SOV: The True Independents, which in turn introduced me to the world of SOV horror, a subgenre I've loved ever since.

But Vimeo no longer feels like the obvious choice for indie filmmakers. There was a time when having a Plus or Pro account was almost standard for hosting trailers, sending screeners, and showcasing your work without ads. Today, subscription prices have increased, while much of the value has shifted to platforms like YouTube and distributors like Filmhub.

In my case, since my films already reach audiences on Tubi, Fawesome, Amazon Prime Video, and other streaming services, Vimeo no longer serves an essential purpose.

I'd rather put that money toward marketing, film festival submission fees, or, better yet, my next film.

Thanks for the memories, Vimeo. It was a good run.

/Daniel

20/07/2026

Great news! Freedom, Truth, Chaos, Death is now also streaming on Fawesome!

You can now watch the film on:
Fawesome
Tubi
Relay
Reveel
Our YouTube channel

To watch on Fawesome, simply search for Freedom, Truth, Chaos, Death Fawesome on Google.

You can also download the Fawesome app to your smart TV and enjoy the film on the big screen.

If you watch it, we'd genuinely love to hear your thoughts. Every view, share, and comment means a lot to us. Thank you for supporting independent filmmaking! 🎥🙏

/Daniel

26/06/2026

Meet the star of my next short film, which I'm shooting at the end of July.

It's a fun little found-footage experiment, just me and this guy, with no grand plan and plenty of improvisation. But with me, every short film has the potential to become something bigger 😀