My Wild Flag

My Wild Flag My Wild Flag is an international dance and choreography festival in Stockholm between 4th and 6th of September 2025.

My Wild Flag is an international dance and choreography festival. MWF consists of local and international acts and scenarios that proposes contemporary choreographic and artistic work. Bringing communities together and joining in social choreographies as well as works devoted for the stage. MWF wants to meet current urgencies where bodies, thinking and beings disturb and embrace the ways we percei

ve the world. With support from Stockholm City Council of Culture. My Wild Flag is curated by Karina Sarkissova and Pontus Pettersson.

Tonight! It is time!! Join us!!!Introducing the artists and works presented in 'i've been looking for things that last' ...
06/09/2025

Tonight! It is time!! Join us!!!
Introducing the artists and works presented in 'i've been looking for things that last' curated by Serafine1369.

19-22


Promises

(Improvisational Score)

Through slow and taut movements that negotiate distance, tenderness, appearing, and disappearing—this work is a constant attempt to exit the passage of time to move into being within time.  A promise in its essential structure is always deemed to failure, yet predicated on hope, possibility, and potentiality. The absence and anticipation of a fulfilled promise is a testament to a lack, a desire projected onto the Other, never to be achieved, impossibly fulfilled. 

You long for a body that you have grown attuned to and in the process project onto it bodies lost or grieved. In Promises, nasa4nasa’s motions and choreography embody the making of an awaited promise, a synchronicity that constantly breaks, a repeated insistence to capture time as it fleets.

nasa4nasa is a dance collective based in Cairo. It was co-founded by dancers Noura Seif Hassanein and Salma Abdel Salam in October 2016. nasa4nasa uses static imagery to research notions of form, aesthetic and value. nasa4nasa uses chance, and repetition to examine failure, affect, vanity, boredom. nasa4nasa seeks to foreshadow alternative spaces as occupied stages. nasa4nasa is housed in social media, to actively interact with and sometimes interject with daily virtual mass consumption. nasa4nasa can be taken lightly or seriously, it is meant to do both. nasa4nasa does not seek to find meaning in everything it does. nasa4nasa f***s with dance.

Introducing the artists and works being presented in 'I've been looking for things that last' curated by Serafine1369.Sa...
05/09/2025

Introducing the artists and works being presented in 'I've been looking for things that last' curated by Serafine1369.

Saturday 6/9
19-22


It’s ”Dawn”, but it’s warped, grounded, semi-unplugged and fragmented. Disclaimer,
this is the story of the working creatures of the mythology. Not the gods.

In Norse mythology, Skinfaxi pulls Dagr’s (day’s) chariot across the sky, its radiant
mane lighting up the heavens and earth. Hrímfaxi draws Nótt’s (night’s) chariot,
scattering “froth” from its bite, which falls as dew. Bound in an eternal cycle, they
gallop through shifting shades of light.

This is a reconfigured version of ”Dawn”, made specifically for ”I’ve been looking for
things that last”. ”Dawn” is the first performance in a series reinterpreting Norse
mythology and the Elder Futhark runic alphabet through a q***r Afro-Nordic lens.
Rooted in the rune Dagaz – symbolizing day, dawn, and awakening – the piece
explores the power of day and night, light and dark, often falsely confined to a moral
binary of good and evil. At once a continuation of mythmaking and a political gesture,
the work inserts a Black q***r body into Nordic mythology.

”Dawn” was originally developed together with:

Choreography & Performance: Adam Seid Tahir
Sound Design: Tati Au Miel
Lighting Design: Jonatan Winbo
Costume Design: Isabelle Edi
Manufacturing, hoofs: Hanna Kisch, Nina Johansson
Costume assistant: Hanna-Thea Björö
Dramaturgy: Lydia Östberg Diakité
Technical coordination: Angela X
Producers: Johnson & Bergsmark

Co-produced by: Centrale Fies / Live Works, Dansens Hus, MDT, Sophiensæle, Tou
Scene, Slingan Tre Scener (Atalante, Dansstationen, MDT), Life Long Burning –
Futures lost and found project (2023-2026) supported by the Creative Europe
Programme of the European Union
Supported by Swedish Arts Council, The Swedish Arts Grants Committ

Introducing the artists and works being presented in 'I've been looking for things that last' curated by Serafine1369.Sa...
05/09/2025

Introducing the artists and works being presented in 'I've been looking for things that last' curated by Serafine1369.

Saturday 6/9
19-22


Antonija Livingstone

A.Livingstone hosts and activates choreographic habitats. They shape somatic / social / sculptural scenarios, often in situ, often in collaboration.

Unschooled.Nomadic. Post-studio, polyphonic,the body of work draws attention to ways of welcome, refusal, & trembling on display.

Formerly, a dancer/choreographer with Benoit Lachambre, PAR BLeux Montreal (2000-2006) Meg Stuart / Damaged Goods, Berlin (2002-2018) Lee Su-feh, mentor, Kuala Lumpur / Vancouver (1995-2025 ) Key influences also include their paradoxical origins: labouring among a family of settler geologists in small gold mining camps on the unceded territories of Tr'ondëk Hwëch'in First Nation in Yukon, Canada. Learning Land, guest hood, reclamation, re-connection. They facilitate restorative performance practices and studies at Beaux Arts de Paris, UdK HZT Berlin, exerce Masters in Choreography Montpellier, France. They have been commissioned by and made transmissions for a q***r coalition of contemporary art contexts internationally. 

I’ve been looking for things that last marks a decade of vital artistic exchange with SERAFINE 1369.

Photo credit: Antonija Livingstone

Introducing the artists and works being presented in 'I've been looking for things that last', curated by SERAFINE1369.S...
04/09/2025

Introducing the artists and works being presented in 'I've been looking for things that last', curated by SERAFINE1369.

Saturday 6/9
19-22


The Ways, the Fortune, the Fall
Choreography: Serafine1369
Dancers: Ar Utke Ács, Jade Stenhuijs, gergő d. farkas

Jade Stenhuijs (she/her) is a dancer and choreographer from The Netherlands, with Surinamese roots. She is currently based in Stockholm where she studies an MA Choreography at SKH. Her most recent work is called You See? This Is How You —  in which she narrates and moves through the dreams she had since pregnancy, anchoring them in Benhuset, a former ossuary. As a dancer she has worked with Stina Nyberg, Björn Säfsten, Ellen Söderhult and Norrdans.

gergő d. farkas (they/them) is a gathering of cells with a passion for choreography, dance, romance, and mischief. Being lost in Stockholm,
Budapest, Vienna, or somewhere in between, they dream of belonging to sensual spaces where not only humans are invited to dance. Currently, gergő is engaged in a choreographic research called organ-ing, which investigates the body as a location of world(build)ing through weaving together fantasy, somatic knowledge and the felt sense of the body.

Ar Utke Ács is an artist working with contemporary dance and choreography with focus on the poetics and politics of the body in the seams of performance, dramaturgy, text, installation, social choreographies and the imaginary. In particular, they are busy with counter-hegemonic strategies and organising from q***r and crip perspectives. They are based in Stockholm and Copenhagen, hold a BA in Dance Performance from Stockholm University of the Arts.

Jade Stenhuijs photo: Måns Helldin
gergő d. farkas photo: Dániel Dömölky
Photo Ar Utke Ács: Sal Reis Trouxa
Serafine1369 photo: Kirsten McTernan

Introducing the artists participating in the evening of Center of Unseen Trans Survival (C.U.T.S.)Friday 5/9 19-23Ticket...
03/09/2025

Introducing the artists participating in the evening of Center of Unseen Trans Survival (C.U.T.S.)
Friday 5/9 19-23

Ticket info on our webpage

In a restless and experimental outcome, rip ME is the musical project of Em Silén. Carried by the love of combination, rip ME´s artistic ideals are the result of their larger objective of channeling an endless generosity. Effortlessly and infinitely moving in between styles, genres and modes of expression, rip ME resigns any final definition, resulting in a soundscape that is both unmistakably strange and familiar; all-consuming and intensifying. In the midst of disparate circumstances, rip ME remains nothing but their own. 

rip ME photo credit: Adelè Tornberg
C.U.T.S. graphic design: Jacob Habinc

Introducing the artists participating in the evening of Center of Unseen Trans Survival (C.U.T.S)Friday 5/9 19-23Ticket ...
01/09/2025

Introducing the artists participating in the evening of Center of Unseen Trans Survival (C.U.T.S)
Friday 5/9 19-23

Ticket info on our webpage

Two Ala-Ruona and Jakko Pallasvuo is presenting:
New In Town is a monologue about a dentist who has decided to leave everything behind and move to a new city to become an artist. The dentist chooses to begin his first, half-improvised public art performance directly upon arrival.

The script for the performance was written by Jaakko Pallasvuo and is performed by Teo Ala-Ruona. New in Town had its debut at Kohta Kunsthall in Helsinki, in June 2024.

Text: Jaakko Pallasvuo
Performance: Teo Ala-Ruona
Costume: Ville Pölhö
Dramaturgical dialogue: Martta Jylhä

Teo Ala-Ruona is an interdisciplinary artist based in Helsinki, working within the expanded field of performance. His practice explores the potential of somatic fiction to shift our perceptions of the human body, navigating the intersections of linguistic, semiotic, and biological existence. By using the performing body as a site for speculative narratives, he investigates how alternative stage politics can transform the perceptual frameworks of both performer and audience. Grounded in theory and embodied scores, his work treats the performing body as both a reflective surface and an active agent in negotiating inherited categories.

Jaakko Pallasvuo (b. 1333) is an artist and writer living in Helsinki. Pallasvuo’s works are not about anything. Pieces from this random, restless body of work have been exhibited at the 14th Baltic Triennial, BOZAR Centre for Fine Arts, Frankfurter Kunstverein and Museum of Modern Art in Warsaw, among other places. Pallasvuo publishes microessays on the popular Instagram account , and has written for publications such as The Whitney Review and transmediale journal.

New in town picture credit: Mykolas Valantinas
Teo Ala-Ruona portrait: Miikka Pirinen

Introducing the artists participating in the evening of Center of Unseen Trans Survival (C.U.T.S.)Friday 5/9 19-23Ticket...
01/09/2025

Introducing the artists participating in the evening of Center of Unseen Trans Survival (C.U.T.S.)
Friday 5/9 19-23

Ticket info on our webpage

spellcaster will present:
anybard shadow channel transmission

anybard shadow channel transmission is an audiovisual composition based on generative story engines and walkie talkie transmissions. anybard is roaming on the enigmatic radio platform "the shadow channel”, communicating with the entities of the channel and attempting to crew up with them, thus invoking their hackerbard-clan, spellchestra, on their way to confronting the epic antagonist Terminus… concerned with questions of temporality, memory, community and identity raised by music and stories, spellcaster and their work speculate in the musical, narrative and social potentials of operatic expression, generative story engines and bardic method. hhn has performed the piece throughout 2023/24 at Kallelse - Inkonst, Düsseldorf Kunstakademie, Áras Na nGael - Galway, Unearth CPH, Shedhalle Zürich and Les Urbaines, amongst others. an expanded album-version of the piece is to be released by the danish label 15 love in the fall of 2025. 

spellcaster/anybard/holger hartvig nielsen (they/them) is a Copenhagen based composer/ performer/musician. They have been active in experimental scenes locally and internationally for 10+ years, in influential projects and orchestras such as Synd & Skam, boli group, Mija Milovic and the Broken Auras, CTM and Brynje. Since 2019, hartvig has been active with the spellcaster project and have released the albums “Inventory” and “memo”, wherein hhn embodies the character anybard. in their search for communal ways of music and story making they initiated the spellchestra in 2024: an expansion of the spellcaster project into an ensemble performing operatic roleplay based on the game engine “the mem.mel.-engine”, spawned out of the spellcaster storyworld.

C.U.T.S. graphic design by Jacob Habinc.

Introducing the artists participating in the evening of Center of Unseen Trans Survival (C.U.T.S.)Friday 5/9 19-23 Ticke...
31/08/2025

Introducing the artists participating in the evening of Center of Unseen Trans Survival (C.U.T.S.)
Friday 5/9 19-23

Ticket info on our webpage

Ester M. Bergsmark will present:
A performance reading based on material from Bergsmark’s upcoming film “En ljuvlighet från ingenstans”.

Ester M. Bergsmark is an artist, filmmaker, and artistic researcher based in Stockholm. Her work explores how desire, joy, and liberation can generate inner, outer, and collective transformation. Affirming uncertainty as both pleasurable and transformative.

Working across genres and formats, often in close collaboration with other artists, Bergsmark’s most notable films include Something Must Break (2014, Tiger Award, Rotterdam IFF), She Male Snails (2012), and Maggie vaknar på balkongen (2008), which received the Guldbagge Award for Best Documentary.  In 2010, Bergsmark made Fruitcake (with Sara Kaaman) as part of the experimental feminist p**n suite Dirty Diaries.The short film Instinct (2019), directed with Mad Kate, Marit Östberg and Adrienne Teicher, premiered at the Berlin P**n Film Festival. In 2014 Bergsmark was granted the Mai zetterling award. 

Between 2011 and 2015, Bergsmark was active in Berlin’s international q***r film scene, contributing as actor, cinematographer, production manager, costume designer, and co-creator. Collaborations include Liz Rosenfeld, Marit Östberg, Mad Kate, with screenings at venues like Gegen, the Athens Biennale and Berghain. Bergsmark has filmed and edited video works for Every Ocean Hughes and directed music videos for Zhala and Tony Karlsson Savci.

Bergsmark has also worked extensively in performance and stage art. In 2023, she did moving images work for Sälkvinnorna by Halla Ólafsdóttir and Amanda Apetrea at MDT, Stockholm. They co-created and filmed the 2020 performance film Cuteness by Lisen Rosell and Nadja Hjorton.

Her performative film screening voice under is an extension of her artistic research project within the PhD program Performative and Media-Based Practices at Stockholm University of the Arts, concluded in 2023 alongside the publication of the book voice under.

C.U.T.S. graphic design by Jacob Habinc

Introducing the artists participating in the evening of Center of Unseen Trans Survival (C.U.T.S.)Friday 5/9 19-23 Ticke...
30/08/2025

Introducing the artists participating in the evening of Center of Unseen Trans Survival (C.U.T.S.)
Friday 5/9 19-23

Ticket info on our webpage

Andria Nyberg Forshage is a writer, independent curator and poet. Her transdisciplinary research concerns q***r- and transfeminist aesthetics, perception, desire, death, and worldmaking. Her writing has been published in many journals, catalogues and anthologies, including as contributing editor of Paletten Art Journal. 

Andria will present:
Chaser Art (2025)
A lecture performance.

Photo by Andria Nyberg Forshae
C.U.T.S. graphic design by Jacob Habinc

Introducing the artists participating the evening of Center of Unseen Trans Survival (C.U.T.S.) Friday 5/9 19-23Ticket i...
30/08/2025

Introducing the artists participating the evening of Center of Unseen Trans Survival (C.U.T.S.)
Friday 5/9 19-23

Ticket info on our webpage

Ruby Nilsson (SE/DK, b. 1993) is an artist, writer and organizer whose work interrogates the philosophies, politics, mythologies, and conspiracies of s*x. Through performance, curation and writing she interrogates the liminal and often contradictory overlaps of major and minor forces in the creation of s*x; of capital, science and state power vis á vis individual and local levels of psychic and bodily need.

Besides her artistic work she contributes writing to bastard and Paletten Art Journal and teaches the summer course ’Text as An Artistic Medium at The Royal Institute of Art in Stockholm.

Ruby is the founder of C.U.T.S. 

Ruby will present:
Magna Paranoia (2025)
Video
Duration 23 min
Language: English
Sound and music: Patsy Lassbo
Video and animation: Jacob Habinc

Magna Paranoia is a case report on the Unexplained Sexual Phenomenon of Discourse (USP-D) known as ’chaserdom’. As the mission unfolds, the line between investigation and conspiracy blurs, and we are invited down a rabbit hole of clues that seem to suggest chaserdom as part of ancient practices of worship. 

Photos by Ruby Nilsson
C.U.T.S. graphic design: Jacob Habinc

First Run Thursday 4th September19.00-21.00-Soap Box contribution by Andrew Hardwidge-Work in progress-sharung by Elin H...
28/08/2025

First Run Thursday 4th September
19.00-21.00

-Soap Box contribution by Andrew Hardwidge

-Work in progress-sharung by Elin Hallqvist and Hannah Krebs

Elin Hallqvist - TARTINI’S DREAM GIRL

Hairy, stinky and misunderstood. Drawing from notions of the devil as a complex, lonely being, this solo work is a warm welcome into hell. An opening. A one-woman-show. A song. A concert. A confession. A wish for more. A promise. A failure. A love story. A longing. A constant attempt. To become the other. Come with me.

Hannah Krebs - versus

It is not my space in this time that I am continuing to walk on this pavement

It is not my gaze, that I am gazing in this very moment

It is not my walk that I used to walk

versus is a character study in continuation of “Feelings are real but not reality” (2023), a research on girlhood. I am very excited to share this fragile fragment with you.

Andrew Hardwidge
is a dance artist, dramaturg and researcher. His works reach for storied tensions, fabulations and cosmopolitics of dancing and performance across different labours, media, and contexts.

His recent research has examined the ontological politics of experiences with healing, and he is currently a researcher on Authorship, Ownership and Control: Dancers’ Roles and Materials, led by Chrysa Parkinson. He holds master’s degrees in The Body in Performance from Laban Conservatoire and in Social and Cultural Anthropology from KU Leuv

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Mårbackagatan 11
Farsta
12343

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