Andreea Cataros Art

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Andreea Cataros Art

Professional Artist 🐦🎨🖌 Shop my Paintings ➡️ www.andreeacataros.com

13/08/2026

When you stare at a canvas for hours, your eyes lie to you.
You lose perspective, over-think the details, and start ruining a good piece.

➡️ My rule now?
Step back a few meters, close your eyes for 20 seconds, and look again.
If the main shape and color contrast don't grab you immediately from across the room, no amount of tiny detailed brushstrokes is going to save it.

Simplify first. Detail later (or not at all). 🎨

What is the one simple trick or habit that saved your creative process?
Share it below and let's support each other! 👇

12/08/2026

Too many artists are terrified of leaving a piece looking raw. They feel this obsessive need to smooth down every single square inch of canvas, as if leaving visible brushwork or loose paint is proof of laziness.

I painted this little bird alla prima in one single, 3 hour session.
And at the bottom, I refused to lie.
I left those abstract, energetic blocks of paint exactly as they landed: pure, fresh, and untouched by overworking.
The fear of looking "unfinished" kills more good paintings than a lack of skill ever will.

Traditionalists might call it lazy.
I call it having the bravery to stop before you kill the soul of the piece.

➡️ Are you in the camp that needs every corner polished, or do you appreciate bold, intentional abstraction?
Let's share our thoughts in the comments, would love to read! 👇

11/08/2026

Painting a single bird is a delicate balance. Trying to fit multiple onto one canvas without making the composition feel crowded or staged is a whole different beast.

Here, they’re in that raw, unfinished state. The cobalt paint is still wet, the shadows are unrefined, and it’s tempting to start overthinking every brushstroke.
But the goal isn't to create a perfectly sterile wildlife scene, it's to capture that spontaneous, lively energy of a flock pausing together on a branch.

It's a work in progress, but pushing through the awkward stages is where the magic usually happens.

🎨💙

Do you prefer seeing art in its raw, unfinished stage, or do you only care about the final reveal? Let me know in the comments. 👇

10/08/2026

Six little bursts of color to brighten up the studio.

European Bee-eaters are easily some of the most vibrant birds you can ever paint.

💙💚💛🧡

Bringing six of them together on a single canvas was such a fun exercise in balancing harmony, color, and individual personality.

From the rich turquoise and deep gold to those signature fiery backs, oil painting really is the best way to capture their electric energy.
🎨 vibrant birds, quiet moments.
Which of the six catches your eye first? Let me know in the comments! 👇

08/08/2026

It’s easy to find a formula that works, get comfortable, and paint the exact same thing over and over again because it feels safe. But comfort is where an artist's voice starts to die.
Every single day in the studio needs to be a new problem to solve.
A different posture, a new play of light, a fresh challenge in brushwork.
If you aren't pushing into unfamiliar territory, at least every once in a while, you're just manufacturing products instead of creating art. 🎨✨

Do you prefer when artists stick to a rigid signature style, or do you love seeing them constantly reinvent themselves?
Let me know below. 👇

07/08/2026

Look at the nuthatch: nature's ultimate rule-breaker.
While every other bird plays it safe, clinging upright and following the herd, the nuthatch marches straight down the tree headfirst. It doesn't care about convention.

Yet, most artists spend their whole careers painting like everyone else.
They want safe, polite, predictable little birds that won't disrupt anyone's living room decor. Where is the spine in that?

Painting wildlife shouldn't be about decoration; it's about capturing attitude, rebellion, and raw survival.

If your art doesn't challenge the viewer or stand upside down to the norm, why even pick up the brush? 🌲🔥

Are you tired of safe, boring art that plays by the rules?
Let’s argue in the comments. 👇🫢

06/08/2026

Every bold alla prima painting starts as a chaotic storm of wet paint.

If you look at the left side- just 20 minutes in, it's rough, unpolished, and full of doubt.
It's that uncomfortable phase where trusting the messy middle is the hardest part of painting.
Nothing looks right and every instinct tells you to grab a paper towel and start over.

But you have to push through it.

On the right, just a few hours later, those raw strokes come together into something alive and breathing.
Alla prima doesn't allow for hiding; it forces you to embrace the mess and commit to every single mark you make. 🎨🦅

Do you find it hard to trust your painting during the ugly phase?
Let me know below. 👇

05/08/2026

There is a huge difference between painting to please everyone and painting to capture the raw truth of a subject.

A heron standing in the water isn't neat or polite; it's ancient, wild, and intensely alive.

If we sand down every rough edge and blend away every visible brushstroke just to make a piece "safe" for a living room wall, we strip away the soul of the work.

Art doesn't need to be loud to be bold, but it does need to feel real. It should carry the weight of the moment it was created.

🎨🌿

Do you prefer art that plays it safe, or art with a bit of raw texture and grit? Let me know below. 👇

Address

Constanta

Website

http://www.andreeacataros.com/

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