SABOT

SABOT An inventory of art exhibitions and events taking place in Cluj, Romania.

ALICE TOMASELLI"Bitten canvas" (series)2013—mixed media on canvas, stretcher bitten by the artist46 X 38.5 cm
22/05/2026

ALICE TOMASELLI
"Bitten canvas" (series)
2013—
mixed media on canvas, stretcher bitten by the artist
46 X 38.5 cm

18/05/2026

LUCIE FONTAINE
Good Wives (Piccole Donne Crescono)
2005/2012
JPG (rhizomatic painting)
archival print on canvas mounted on MDF
59 x 40 cm, unique

14/05/2026

RĂZVAN BOTIȘ
Impulse
2013
HD video, color, sound
05:16 min
botis

 We’re pleased to announce that Daniel Moldoveanu is a recipient of this year’s Krull Stiftung grant, along with Hanna S...
10/05/2026



We’re pleased to announce that Daniel Moldoveanu is a recipient of this year’s Krull Stiftung grant, along with Hanna Stiegeler and Niclas Riepshoff.

Conceived as a framework for time rather than output, the grant supports artists in developing new work and extending their practice beyond immediate constraints.

Photo by Birk Alisch, 2025.

05/05/2026



Fără titlu (A prinde soarele într-un pătrat) \ Untitled (Catching the sun in a square)
2020 (serie în lucru \ series in progress)
02:02 min.

 Poetrick No.26202025archival pigment print on Hahnemühle paper42 x 29.7 cm
04/05/2026



Poetrick No.2620
2025
archival pigment print on Hahnemühle paper
42 x 29.7 cm

Engineered Null (alpha channel)2026industrially produced polyester fabric,aluminium, steel, silicone rope, concrete bric...
01/05/2026



Engineered Null (alpha channel)
2026
industrially produced polyester fabric,
aluminium, steel, silicone rope, concrete bricks, industrial wheels
220 × 175 × 175 cm

[ on view through June 6, 2026, as part of "Wild at Heart and Weird on Top", curated by ]

photo credit: .studio

SABOT .fair 2026, showing works by Nicolás Lamas & George Bularca Negru. [ Photos by: .studio ]NICOLÁS LAMAS  Whale2025a...
26/04/2026

SABOT .fair 2026, showing works by Nicolás Lamas & George Bularca Negru.

[ Photos by: .studio ]

NICOLÁS LAMAS


Whale
2025
archival pigment inkjet print on Hahnemühle paper
103 x 150 cm

Becoming instrument
2025
paper, metal, canvas
41 x 33 cm

Parallel worlds
2025
National Geographic magazine
25 x 35 cm

Impact zone (series)
2023
airbag recovered from car crash
38 x 28 cm

Extension
2024
wood, human bone
approx. 15 x 90 cm

GEORGE BULARCA NEGRU sleep

Untitled (heterogen)
2026
monotype frottage on Arches 88 cotton paper
diptych – 41 x 31 (each, framed)

Verso Recto (Indigo) I
2026
monotype frottage over silkscreen on Arches 88 cotton paper
61 x 41 cm (framed)

Verso Recto (Indigo) IV
2026
monotype frottage over silkscreen on Arches 88 cotton paper
61 x 41 cm (framed)

Ochiul Minții 004k3
2026
illuminated porcelain
maximum diagonal 27 cm

  Pepo Salazar Lacruz"POINT RELAIS"Pols, Valencia, ESFeb 28th - May 17th, 2026Curated by: Carles Àngel Saurí, Maria Dome...
14/04/2026




Pepo Salazar Lacruz
"POINT RELAIS"
Pols, Valencia, ES
Feb 28th - May 17th, 2026

Curated by: Carles Àngel Saurí, Maria Domenech, Néstor García, Empar Polanco and Miguel Rubio

Photos: David Zarzoso, courtesy of the artist
and Pols, Valencia

"Point Relais is a reconfiguration operation in which the artist, Pepo Salazar Lacruz, develops a series of sculptural exercises of unresolved and fragmentary forms. From the fragment, a play of insinuations takes effect, inviting the public/reader/viewer to reconstruct the totality of the object. In Point Relais, the fragment acts as a vector that materially inscribes a historical structure through apparently neutral gestures.
The wrappers insist on an interface logic: packaging precedes the object (and exceeds its use). Reduction reaches its most literal degree in the compositions of chip bag corners, where the instructions “open here” or “easy-to-open” persist. These formulas design our gesture and regulate our actions, demand an already learned choreography; a series of repeated movements that naturalise certain postures. Relations are bounded, akin to the mechanisms of abstraction of capital — capable of converting networks of social relations into autonomous signs such as money or brands. Yet in the repetition and decontextualisation operated by the artist, that regulatory function is suspended.
The traffic signs remain, but they no longer return instructions. Even so, they do not stop proposing a rhythm. They theatricalise their presence now that they have ceased to be reflective. They have stopped offering a clear solution and from this negative position, they operate. In doing so, they disengage from universal standardisation. The rhythm is marked by a course of variations and repetitions. Salazar Lacruz articulates this through his creative process; when he approaches comfort and glimpses a recognisable code, he changes the pattern. This erratic trajectory could be told through a road trip — at dusk, the car headlights present the traffic signs to you in the most scenic way. They maintain a tempo, that of appearance, but now they answer nothing." (excerpt from the exhibition text)

Camilia Filipov "La nașterea norilor"Feb 28-April 25, 2026Echoing the plein air sensibility of the Impressionists, yet m...
12/04/2026

Camilia Filipov
"La nașterea norilor"
Feb 28-April 25, 2026

Echoing the plein air sensibility of the Impressionists, yet moving beyond observation toward co-creation, Camilia Filipov constructs a practice in which nature’s contribution equals that of the artist. What unfolds in this exhibition is not landscape as spectacle, but landscape as process – an ongoing becoming that happens, as she discovered in her mountain studio, right before our eyes.

Address

59-61 Henri Barbusse Str
Cluj-Napoca
400616

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