02/04/2026
There are three days that have shaped Kosovo’s recent history.
June 10, 1999: The day the first elements of NATO-led Kosovo Force entered the region to drive out Serb forces who had been prosecuting a war of ethnic cleansing against 1 million Kosovo Albanians. February 17, 2008: Independence Day, the start of a new chapter for our young republic which had been under UN supervision since 1999. And most recently, March 31, 2026: The day Kosovo’s national team would play the biggest game in its short history as a FIFA and UEFA member. After an arduous process of nation building, Kosovo was announcing itself to the world, standing tall amongst Europe’s football elite.
The goal set by coach Franco F**a ahead of World Cup qualifying had always been to lay the foundations for a successful Euro 2028 qualifying campaign. In a group with Switzerland, Slovenia and Sweden, the task ahead was always going to be hard. But after a 4-0 loss to Switzerland in the opening game, Kosovo went unbeaten, presenting an opportunity to qualify for a historic first World Cup.
Last Tuesday, Prishtina, Kosovo’s capital, had not seen a day like this since Independence Day as thousands filled the streets, confident that this team would fulfill the dreams of generations before it. From across the Balkans, Albanians made the journey in cars draped in flags with the double headed eagle, a reminder of the many who Kosovo was playing for. With just 12,500 tickets, over 200,000 fans were left without access into the stadium, gathering in bars and on balconies to catch a glimpse of the game.
On a night when everything pointed to celebration, Turkey delivered the decisive blow, edging Kosovo 1-0 to silence the dream.
As a fan online said, “S’jemi mësu mu gëzu:” “We are not used to being happy.”
Our people have suffered at the hands of those who tried their best to make sure we wouldn’t exist; this was about much more than the result.
Despite the heartbreak, Kosovo showed itself to the world, not just as a team on the brink, but as a nation that continues to rise, even when the ending isn’t the one it deserved.
Photography by Enis Abdullahu ()