Rangbahaar by Pooja

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Countdown to Janamashtami🙏 2 done, 3 more to go
27/08/2026

Countdown to Janamashtami🙏 2 done, 3 more to go

In case you were wondering where I disappeared to… 🤍I’m right here.Just somewhere between unpacking boxes,finding new co...
13/08/2026

In case you were wondering where I disappeared to… 🤍
I’m right here.
Just somewhere between unpacking boxes,
finding new corners to call mine,
learning a new rhythm,
and quietly figuring out what this next chapter is asking of me.

Life has been a little less post-worthy
and a lot more lived lately.
So, for everyone who’s been asking —
here’s my signature selfie to put you at ease. 😄

No dramatic disappearance. No great mystery.
Just me, settling in, finding my feet,
and slowly making a life feel like home again.

Some chapters are meant to be shared.
Some are meant to be lived first.

I’ll be back to sharing more of the little things about my life soon.
For now… I’m right here. 🌿🤍

Holding the piece that started such an incredible conversation this week! 🎨✨​When I first came across the 18th-century B...
06/08/2026

Holding the piece that started such an incredible conversation this week! 🎨✨

​When I first came across the 18th-century Basohli and Mankot miniature paintings showing a tiger guarding Vasudeva, I knew I had to interpret it in my own line work and style. It’s so easy to focus only on the well-known parts of our sacred lore, but bringing out these lesser-known historical details through art is what drives my work.

​Thank you all for the interesting messages on the video reel! For anyone who missed it, the tiger wasn't just a wild beast—it was Yogamaya’s cosmic shield, reminding us that even nature’s fiercest forces yield to a divine purpose. 🐯💫

​Which part of this story stood out to you the most? Let me know below! 👇

Finding quiet in the middle of all the noise
30/07/2026

Finding quiet in the middle of all the noise

25/07/2026

This is the very first canvas of my brand new Krishna Leela series, depicting the iconic scene of Vasudev carrying baby Krishna across the raging Yamuna River. But if you look closely at the border, you’ll find two recurring elements: lotuses and fish. 🪷🐟
Every detail in traditional art carries a deeper cosmic meaning:

The lotus is deeply important in Lord Krishna's life and philosophy because it represents purity, detachment, and divine beauty

The lotus grows in muddy water yet remains completely clean.
Krishna teaches in the Bhagavad Gita (5.10) that a person should perform their duties in the material world without being touched by selfish desires or sin, just like a lotus leaf stays dry in water.

Krishna's eternal spiritual realm, Goloka, is shaped like a lotus flower, showing that it is far above the dirt and stress of the material world.

Krishna's eyes are often compared to the soft, cool, and beautiful petals of a blooming lotus, showing His deep love and peace.

Devotees focus deeply on Krishna's "lotus feet" (charan). The soles of His feet bear the distinct auspicious mark of a lotus flower, which represents spiritual wealth, the presence of Goddess Lakshmi, and inner joy for His followers.

In sacred texts like the Srimad Bhagavatam, prayers by devotees like Queen Kunti compare every part of His body—His navel, hands, eyes, and feet—to a lotus.

The Fish (Divine Protection): The fish honor Krishna’s son, Pradyumna. When he was just six days old, the demon Sambara threw him into the ocean to kill him. Instead, a giant fish swallowed him whole, acting as a vessel of divine protection. The fish was caught, brought straight into the demon’s palace kitchen, and Pradyumna was discovered unharmed—ultimately growing up to fulfill his destiny and defeat the demon.
This border is a visual reminder that no matter how muddy the waters or how deep the ocean, you are always protected and capable of remaining pure.

Drop a 🪷 if you love the symbolism behind this piece!

21/07/2026

Mumbai Update + New Art Series!

​Finally back in Mumbai, but my house & studio will take a few months to be ready. Given the space constraints, I'm shifting focus to smaller works for now!

​Starting off with a Krishna Leela series—explaining the folk stories and border symbolism along the way.

​(P.S. If you'd like Hindi translations of any story, just drop a DM!)

​Which Krishna Leela scene should I paint next? Comment below!

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