Cody DeLong Studio

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Cody DeLong Studio "Original oil paintings — American Southwest canyons & Porto cityscapes. Commissions welcome." Semi-retired artist

12/10/2026

"30 years of paintings, all in one place for the first time. This is the Archives section of my new website, coming soon. These pieces have all found homes, but collectors who commission work often browse them for ideas: a place, a light, a mood they'd love on their own wall.

Want first look when it launches? Join my VIP list at codydelong.com/vipinsider."

Grapes Study, 3 Generations. 70 x 50 cm $1200 shipping included.The inspiration for this painting came from a favorite s...
06/10/2026

Grapes Study, 3 Generations. 70 x 50 cm $1200 shipping included.

The inspiration for this painting came from a favorite spot in the woods where we stop sometimes when mountain biking to eat and have a b**r. The place is called Flavia's and the Father still works there with his daughter and his grandkids running around.

They have grapes, and I saw the young grapes, more ripe ones and some that are turning into raisins, and thought that's fitting, 3 generations!
So of course I had to do a painting.

And a big thanks to my cycling buddies for sharing this special place with me. Some photos of the place below.

Here are some photos of my work at the Kolb Studio in the Grand Canyon, as part of the GCC annual show that I was once a...
01/10/2026

Here are some photos of my work at the Kolb Studio in the Grand Canyon, as part of the GCC annual show that I was once again invited to participate in. Tim, an employee of the GCC bears some resemblance to me, though he is certainly younger and more handsome. Thanks to the Grand Canyon Conservancy for the opportunity, and the photos!

A few peeks at the new site. Still not finished, but close.I'll announce it here when it's live. My email list sees it f...
27/09/2026

A few peeks at the new site. Still not finished, but close.

I'll announce it here when it's live. My email list sees it first — the real thing, before it hits Facebook or Instagram.

Already on the list? Sit tight, your newsletter goes out before any of this.

Not yet? Link in my bio. Worth doing before the site drops, always Free.

Cody on Inspiration:Increasingly I'm making an effort to maximize the time spent working on whichever project I feel the...
19/09/2026

Cody on Inspiration:
Increasingly I'm making an effort to maximize the time spent working on whichever project I feel the most inspiration for.

When I'm excited about an idea for a painting, that's the time to pursue it. if I'm motivated to make video or coaching content because I've got an idea that I am excited about that's the time to do it.

It sounds simple, but consciously optimizing your workflow in the direction in which you feel some genuine inspiration, gives you the best chance of finding flow. It's important to seize the moment, to change your schedule, to pivot, adapt, iterate and go with the flow, invite inspiration.

Invite your creative life force to become fully engaged.
Visualize completing a new painting and feeling a giant swell of pride when you realize you just painted one of the best pieces of your life. Invite that.

Sometimes I just try to paint something well, Other times I mix two ideas or more, preserve the core beauty of the scene that drew me to it, execute that well, then take some of the secondary areas and find a way to abstract them slightly. This increases the focus where you want it and, and invites curiosity surrounding the focal point.

A schedule and routines are great, they help keep systems in place and operational.

The discipline of simply working each day has great value and compounding rewards.
But practicing awareness of mind state, is amazing. When you recognize you are in early stages of genuine inspiration, Pick up on that feeling and grow it, believe in it and take action.

Sketch it out, develop even more desire for creating it. When the canvas is prepared, Block out an afternoon or evening undisturbed, and step into your idea fully.

Trust yourself. By the time your brush first touches the Canvas, your mind should be fully engaged and your heart excited for the journey to come.

Also to the best of your ability, release attachment to outcome. You're playing. This is an experiment. You don't know where it's gonna go, but you're excited to see it no matter how it turns out.
It's a journey of discovery, not unlike traveling it's the unexpected things that make it so interesting.

Creative discovery is one of the better addictions one can have.

Fresh off the easel.Sunset Glow - 20x28in(loosely based on Lee's Ferry, in the Grand Canyon)Available...
15/09/2026

Fresh off the easel.
Sunset Glow - 20x28in
(loosely based on Lee's Ferry, in the Grand Canyon)
Available...

02/09/2026

Speaking of things that bring value and richness to your life = Thinking. Reading. Looking at Fine Art, especially representational paintings. Why? Because these things require active participation of one’s intellect.

Spending time reading something written intelligently, fosters growth. Spending time looking at a great painting fosters curiosity, it sparks ideas about place, people, the creative process, the texture and phases of life.

Noticing over time how a work changes as the light in your home varies throughout the day, is a metaphor for life. We are all changing moment to moment, aware or not. Looking at art, and being alone and peaceful with your thoughts adds a richness to your life you can get no other way.

Giving yourself the ‘luxury’ of fine art if you spend time with it, is one of the greatest gifts you can give your precious self.
Get lost in that painting, let your mind first wander, then wonder = Wonderful experience. You emerge from that with something more. Art is the gift that keeps on giving.

Abstract vs representational painting.
Abstract is great in it’s freedom, freedom of expression and idea of the artist, and freedom of interpretation of the viewer. This makes it fun and very accessible to nearly anyone, regardless of education or understanding of craft.
Representational is a larger challenge for both the artist and the viewer.

For the artist, there are skills that must be studied and practiced to a high level, skills like:
Drawing - A skill no one is born with, and one that rusts quickly for lack of use even after learning the basics, requiring lifelong commitment to practice.
Value control - which helps in creating a believable sense of depth and atmosphere.
Color harmony - colors that can exists under the same light source at the same time and from the same direction, for example.
Paint application - which has a huge effect on the overall feeling and mood, even atmospheric effect on the painting. It often reveals the confident or tentative nature of the artist as well.
Composition - simplifying and rearranging the larger masses for effect according to the artists idea or interpretation of the subject which, actually exists in reality, and therefor can and likely will be judged against such.
Symbolism - With time and maturity of practice each accomplished artist begins to find their own ‘shorthand’ in the paint. Their signature strokes and abbreviations that represent reality.

Representational painting requires the difficult task of creating a three dimensional illusion on a two dimensional surface.

For the viewer, representational requires both the subjective and objective assessment. Subjective response will vary and that’s legit.

Objectively, does the viewer have the understanding to differentiate between poorly drawn and well drawn? Good perspective, proportion, placement of key elements in composition? Unlikely unless they’ve studied art for a time. This is why beginner artists often sell as well as masters at certain venues, because the public is largely not well enough informed to know the difference.

Abstract art suffers none of these restrictions and requires few of these skills on the part of artist or viewer.
It has the added benefit of a flexible narrative, which can be crafted in the moment by a savvy sales person to fit the need or desire of the prospective buyer. I think this explains much of the decline in appreciation of representational painting these days.
Abstract is not immune however.

Buyers remorse is real, and as the narrative wears off, and friends make comments like, my 5 year old did something similar with her spaghetti yesterday, the stratospheric prices of modern art may have piqued. We’re seeing major gallery closures and downsizing around the world. Which brings us to the question about what has real value in art for the collector.
There will always be the ‘art as commodity’ crowd among the super rich, art as a status symbol.

But for most mere mortals, I would argue representational challenges both artist and viewer to reach higher.

I'm not dismissing abstract or modern art. I find some of it thrilling and incredibly creative and inspiring. I'm just pointing out that in general, representational is under-appreciated by the public at large.

01/09/2026
Eight paintings left the studio this week.Six are headed to Kolb Studio at Grand Canyon for the Celebration of the Arts,...
01/09/2026

Eight paintings left the studio this week.
Six are headed to Kolb Studio at Grand Canyon for the Celebration of the Arts, opening September 27. The other two — “Amplified Tranquility” and “Peaceful Flow” — are headed to Mountain Trails Gallery in Sedona.
Got them boxed and shipped while recovering from an intestinal bug. Some weeks you paint. Some weeks you just get the work where it needs to go.

Freehand drawing, from the spine, is an underrated skill.
21/08/2026

Freehand drawing, from the spine, is an underrated skill.

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