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I. M. Pei Dies at the Age of 102🕯️🕯️🕯️Ieoh Ming Pei, known as I. M. Pei, died today at the age of 102, according to The ...
19/05/2019

I. M. Pei Dies at the Age of 102
🕯️🕯️🕯️
Ieoh Ming Pei, known as I. M. Pei, died today at the age of 102, according to The New York Times.

The Chinese-American architect (born April 26, 1917) was arguably the greatest living member of the modernist generation of architects. When he received his Pritzker Prize in 1983, the jury citation stated that he "has given this century some of its most beautiful interior spaces and exterior forms." His most notable work is the Louvre Pyramid.

Born in Suzhou, China, I.M. Pei grew up in Hong Kong and Shanghai before moving to the United States to study architecture. He received his Bachelor's degree in 1940, when the second Sino-Japanese War forced him to abandon his plans to return to his home country - in the end, a fortuitous event for the young architect, as it allowed him to discover the Graduate School of Design at Harvard, where Pei worked with Walter Gropius and Marcel Breuer.

Pei founded his own practice in 1955, then known as I.M. Pei & Associates (but later changing its name to Pei & Partners in 1966 and finally to Pei Cobb Freed & Partners in 1989). In its six-decade history, the firm's most well-known work is likely his crystalline extension to the Louvre in Paris; other highly influential works include the Bank of China Tower in Hong Kong, the East Building of the National Gallery of Art in Washington DC and the JFK Presidential Library in Boston. In 1990, Pei retired from full-time practice, progressively reducing his workload over the following decades.

Though known as a modernist, and notable for his forms based upon arrangements of simple geometric shapes such as triangles, circles, and squares, Pei has rejected the implications of globalism inherent in the "International Style," instead advocating contextual development and variation in style. He has commented that "the important distinction is between a stylistic approach to the design; and an analytical approach giving the process of due consideration to time, place, and purpose." On a trip to China in 1974, he even urged Chinese architects to look more to their architectural tradition, rather than designing in a Western style.

More news to come.
https://www.archdaily.com/88705/ad-classics-le-grande-louvre-i-m-pei

Real World: Design, Politics, Future Papanek Symposium 201926-27 September 2019Porto Design Biennale, PortugalDesign is ...
19/05/2019

Real World: Design, Politics, Future
Papanek Symposium 2019
26-27 September 2019
Porto Design Biennale, Portugal
Design is in crisis: Or, at the very least, in massive transition, exploring and rediscovering its potential during deeply problematic times. Real World: Design, Politics, Future the Papanek Symposium 2019, investigates design’s inherent tensions in the context of rising global far-right populism and the asphyxiating manipulation of information in a post-truth era. What potential is there for envisaging alternative political futures, and what role might design, and its politics, have in contributing to those futures? Strands of contemporary design practice proffer a critical, and often apocalyptic and dystopic vision of the future, while others happily conform to a financial system that demands a new consumable product for each and every multifarious context. Register here.
https://papanek.org/symposium-2019/

Victor Papanek: The Politics of DesignMuseu del Disseny de Barcelona30 Oct 2019–02 February 2020The Papanek Foundation p...
19/05/2019

Victor Papanek: The Politics of Design
Museu del Disseny de Barcelona
30 Oct 2019–02 February 2020

The Papanek Foundation presents the international travelling exhibition Victor Papanek: The Politics of Design, co-curated by Alison J. Clarke, a cooperation between the Vitra Design Museum and the Barcelona Design Museum, in collaboration with the Victor J. Papanek Foundation, University of Applied Arts Vienna.

The expansive show presents varied and previously unseen materials from the Papanek Foundation archive pertaining to design activist Victor Papanek’s lifelong career, highlighting the crucial theme of design as a political and social tool. Alongside the exploration of Papanek’s links with key thinkers and design figures, ranging from media theorist Marshall McLuhan, maverick futurist Buckminster Fuller to leading feminist graphic designer Sheila Levrant de Bretteville, the exhibition casts light on the legacy of 1960s and 1970s activism through the presentation of contemporary exhibits dealing with politically pertinent issues ranging from state violence, to climate change, bio-synthetics, and the precariousness of citizenship.

Victor Papanek: The Politics of Design features work from cutting edge practitioners including: Forensic Architecture; Faber Futures; Flui Colectivo; Alexandra Daisy Ginsberg; Femke Herregraven; NeuroSpeculative AfroFeminism/Hypen-Labs; Lucy and Jorge Orta; Tomás Saraceno; Maya Jay Varadaraj.

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