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15/09/2026

Crash Club this Saturday at 8 PM.

The One Behind Me explores the shifting nature of identity, questioning the possibility of authenticity. By interweaving the pleasure of looking with solitude, the performance asks whether identifying with an image can turn the spectator into a mirror reflection that co-creates the meaning of the performing body, ultimately leaving them with a sense of unknowing.

Performance, choreography
Live sound design: Digital Data .data_, featuring a track by
Styling: Naga .xmisyk
Video:

Produced by Krupa Art Foundation & supported by

Sebastian WinklerThe Submission of the Human SpiderThe Submission of the Human Spider, 2026Screen print and acrylic on c...
26/06/2026

Sebastian Winkler
The Submission of the Human Spider

The Submission of the Human Spider, 2026
Screen print and acrylic on canvas, 140 × 100 cm

On view through June 27.

📷

Sebastian WinklerThe Submission of the Human SpiderSticky Surfaces, 2026Silkscreen, acrylic, and Munken Pure 120 g paper...
18/06/2026

Sebastian Winkler
The Submission of the Human Spider

Sticky Surfaces, 2026
Silkscreen, acrylic, and Munken Pure 120 g paper on canvas
160 × 65 cm

On view through June 27

Sebastian Winkler
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Sebastian WinklerThe Submission of the Human SpiderSticky Surfaces I Venus, 2026Silkscreen print, acrylic, and Munken Pu...
15/06/2026

Sebastian Winkler
The Submission of the Human Spider

Sticky Surfaces I Venus, 2026
Silkscreen print, acrylic, and Munken Pure 120 g paper on canvas, 65 × 160 cm (detail)

On view through June 27

Sebastian Winkler
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Sebastian WinklerThe Submission of the Human SpiderErotic Dance, 2025/2026Polyurethane, wood, paper, pigment and laser p...
13/06/2026

Sebastian Winkler
The Submission of the Human Spider

Erotic Dance, 2025/2026

Polyurethane, wood, paper, pigment and laser print, polymer adhesive
205 × 120 × 60 cm

On view through June 27.

Sebastian Winkler
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Sebastian WinklerThe Submission of the Human SpiderFaceshopping (after Sophie), 2026silkscreen, PVA glue, and gesso on c...
11/06/2026

Sebastian Winkler
The Submission of the Human Spider

Faceshopping (after Sophie), 2026
silkscreen, PVA glue, and gesso on canvas
24 × 18 cm

Hercules and Antaeus / Kiss of the Spider Woman, 2026
silkscreen and acrylic on canvas
160 × 120 cm

Exhibition on view until June 27.

Sebastian Winkler
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Sebastian WinklerSubmission of the Human-SpiderSticky Surfaces | Visual Stimulation, 160 × 65 cm, screen print, acrylic,...
09/06/2026

Sebastian Winkler
Submission of the Human-Spider

Sticky Surfaces | Visual Stimulation, 160 × 65 cm, screen print, acrylic, PVA glue, acrylic gel, canvas, 2026

Sticky Surfaces, 160 × 65 cm, screen print, acrylic, PVA glue, acrylic gel, canvas, 2026

Limbs, 160 × 65 cm, screen print, acrylic, PVA glue, acrylic gel, canvas, 2026

Sticky Surfaces, 160 × 65 cm, screen print, acrylic, PVA glue, acrylic gel, canvas, 2026

Exhibition on view until June 27.



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We are pleased to announce the representation of Mrozia11.Mrozia11 (b. 2001) is a Warsaw-based visual artist working wit...
08/06/2026

We are pleased to announce the representation of Mrozia11.

Mrozia11 (b. 2001) is a Warsaw-based visual artist working with felted wool. Her practice is grounded in the relationship between image and touch, where material reaches the body before it becomes an image for the eye. Felt functions as a primary medium, carrying a memory of tactile experience into the field of the image.

While her works reference painting, their surface operates according to different logics, positioning material simultaneously as image and site of contact. Recurring motifs include landscapes, states of tension, and figures moving through constructed scenes. A recurring female figure appears as a displaced alter ego, moving through environments marked by intimacy, instability, and transformation.

Her work is concerned with internal states rather than spectacle, where storms, fire, and catastrophe appear as condensed images of psychological tension. Felt operates as a material counterpart to these conditions, absorbing and retaining affect.

Her work has been presented, among others, at Bielska Jesień Biennale 2025 – final exhibition, Galeria Bielska BWA (November 2025), we don’t sleep, Pawilon Bliska (April 2025), and Warsaw >kin< Berlin, Galeria Promocyjna, Fringe Festival (September 2023).

04/06/2026

Adres

Londyńska 13
Warsaw
03-921

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