26/08/2017
During the Islamic Golden Age, a number of prominent ceramics centers were inherited and founded by artisans all over the empire. Centers as far flung as Iran and Tunisia produced ceramics, putting their own mark on the market, and history. What tied all of these modes was the multitude of patterns and colors gracing each piece, as well as the frequent incorporation of calligraphy within these patterns. These are, after all, a characteristic feature of Islamic art.
Browsing through Islamic pottery, a particular style immediately stands out from the crowd. Large circular dishes devoid of any color or pattern, featuring only abstract writing on the rims catch your eye and hold you entranced. What is this style? It's the black and white ware hallmarked by Nishapur, a center in Khorasan, north eastern Iran.
Developed in the 10th century, Nishapur black and white ware is unique in Islamic ceramics for more than one reason. While the simplicity of the shapes and elegance of the calligraphic script are certainly captivating, what makes these pieces even more fascinating are the inscriptions themselves. Throughout ancient history, Islamic art has featured verses from the Qur'an, from entire chapters to succinct verses reproduced by skilled artisans in a wide variety of techniques. Nishapur black on white ware on the other hand, constitutes the earliest extant Islamic artifacts which feature popular proverbs and adages inscribed on them. Each piece has a different content making them not only gorgeous works of remarkable skill, but also aphoristic in nature.
Shown is an exceptional example of Nishapur black on white ware. The plain form of the bowl provides the perfect backdrop for the delicately traced epigraphy that winds its way around the rim. Observe the clean shapes of the writing; the angular forms combined with the soaring, slender stems which intersperse the writing at rhythmic intervals.
التدبیر قبل العمل یؤمنك من الندم الیمن والسلامه
Planning before work protects you from
regret; good luck and well-being
When reading the inscription, one wonders whether the calligrapher is reminding himself of the virtues of planning. Such a masterful piece would have required hours if not days or weeks of careful thought: laying out the writing to merge it seamlessly with the bowl; arraying the words evenly around the rim; ensuring the shafts radiate towards the center. Imagine the patience and skill of the artisan who painted these words! It is hard enough writing in such a script on a flat page, let alone painting on the curved, concave inner surface of a bowl.