Canvas Gallery

Canvas Gallery Canvas Gallery is recognized as one of the leading art galleries in Pakistan. Canvas Gallery is recognised as one of the leading art galleries in Pakistan.
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Founded in 1999 , the gallery is committed to the discovery, support, development and promotion of Pakistani art and artists.... Founded in 1999, the gallery is committed to the discovery, support, development and promotion of Pakistani art and artists. Situated in Karachi, the commercial and industrial capital of the country, Canvas Gallery strives to provide a platform for contemporary art and a

rtists from Pakistan. In its attempt to move beyond the mere act of selling or showcasing art, the gallery concentrates on bringing artists from across the nation together, in exhibitions carefully curated to cultivate their potential. In this course, Canvas Gallery displays works of cutting edge nature and experimental quality - including contemporary miniature painting, installation, sculpture and new-media art. Internationally recognised, Canvas Gallery has curated as well as collaborated in exhibitions in the USA, UK, Middle East and the Far East. With regular fortnightly programming, Canvas is a stimulating and unique visual arts venue with an ever-evolving array of approximately 1,000 original works by more than 100 established and emerging Pakistani artists. For discerning collectors as well as first-time buyers, a visit to Canvas is a worthwhile experience. The gallery offers services that range from general advice to searches for particular pieces - to consultations for individuals, businesses or corporations wishing to begin or enhance their collections. Sameera Raja is the Founder / Curator of Canvas Gallery, Karachi. Having originally obtained her degree in architecture from the National College of Arts in Lahore, Ms Raja, after working in this field, broadened her interests to the world of visual arts. The idea of Canvas Gallery emerged from Ms Raja’s astute observation that there were few opportunities for exhibiting cutting-edge, contemporary art which, at the turn of the last century, Pakistan was direly in need of . In over twenty years since Canvas Gallery opened its doors to the public, Sameera Raja changed the course of Pakistani art and its relationship to the international art world through focus on modern miniature, new media and contemporary works, by creating exposure and awareness of emerging talent. Canvas Gallery is now considered the leading private art gallery of the country. The Canvas Residency Programmes were an initiative launched for exploration of art in public spaces, to provide artists with unique opportunities to collaborate with local communities and create work outside their regular frame of reference/studio spaces. The Residency Programmes are held in collaboration with key corporate partners locally. Ms Raja also regularly collaborates with a number of galleries around the world to exhibit in art fairs, biennales and other ventures, in addition to holding solo exhibitions of prominent Pakistani artists as well as emerging artists. Ms Raja’s contributions to the Pakistani art scene have been numerous. She was formerly the Chairperson of the Executive Committee and a Member of the Board of Governors of the Indus Valley School of Art and Architecture (IVSAA) as well as holding a previous position as the Art Chair for the 1st ADA (Architecture, Design, Art) Awards. She is on the Advisory Panel for IPAF (International Public Art Festival), is the Jury Chair of the I Am Karachi (IAK) Awards and a Jury Member of the Toyota Motors Dream Car Competition. In addition, she delivers talks, participates in cultural events and promotes contemporary Pakistani art at various forums and platforms, art fairs and institutes within the country as well as internationally and is an established leading authority within her field.

10/08/2026

Seher Naveed's solo exhibition , D . H . I , opens on Tuesday , August 11th , 2026 , from 4 pm - 7 pm @ Canvas Gallery .

" D.H.I (Drawing Hostile Infrastructure) emerges from two distinct but related conditions : improvised barricades assembled from everyday objects , and the persistent presence of security vehicles across Karachi . One is temporary, assembled & dismantled as needed ; the other institutional & enduring .
What keeps drawing me back to these forms is the way they resist straightforward description. A barrier supported by a plastic chair is both entirely ordinary & quietly absurd ; a heavily armoured vehicle can appear unexpectedly compact , almost theatrical . "

Seher is a Karachi based artist and art educator , with a BFA from IVS , Karachi and an MA from Central Saint Martins , London .
Seher has exhibited widely , locally & globally . Her work is part of international public collections .

The exhibition remains open daily until Thursday , August 20th , 2026 , from 11 am - 7 pm ( closed Sundays )

*Preview E-Catalogue:*

*Open an online PDF reader:*https://canvasgallery.net/wp-content/uploads/2026/08/D.H.I-Seher-Naveed.pdf

*Google Drive link:* https://drive.google.com/file/d/14C73GYy0PaVCzcPjRZ6IDXvOgblJ2vb6/view?usp=sharing

Seher Naveed's solo exhibition , D . H . I , opens on Tuesday , August 11th , 2026 , from 4 pm - 7 pm @ Canvas Gallery ....
07/08/2026

Seher Naveed's solo exhibition , D . H . I , opens on Tuesday , August 11th , 2026 , from 4 pm - 7 pm @ Canvas Gallery .

" D.H.I (Drawing Hostile Infrastructure) emerges from two distinct but related conditions : improvised barricades assembled from everyday objects , and the persistent presence of security vehicles across Karachi . One is temporary, assembled & dismantled as needed ; the other institutional & enduring .
What keeps drawing me back to these forms is the way they resist straightforward description. A barrier supported by a plastic chair is both entirely ordinary & quietly absurd ; a heavily armoured vehicle can appear unexpectedly compact , almost theatrical . "

Seher is a Karachi based artist and art educator , with a BFA from IVS , Karachi and an MA from Central Saint Martins , London .
Seher has exhibited widely , locally & globally . Her work is part of international public collections .

The exhibition remains open daily until Thursday , August 20th , 2026 , from 11 am - 7 pm ( closed Sundays )

*Preview E-Catalogue:*

*Open an online PDF reader:*https://canvasgallery.net/wp-content/uploads/2026/08/D.H.I-Seher-Naveed.pdf

*Google Drive link:* https://drive.google.com/file/d/14C73GYy0PaVCzcPjRZ6IDXvOgblJ2vb6/view?usp=sharing

The opening of "Time and Traces" @ Canvas Gallery. Minaa and Muzammil create personal , visual narratives of memory , le...
29/07/2026

The opening of "Time and Traces" @ Canvas Gallery.

Minaa and Muzammil create personal , visual narratives of memory , legacy & lineage ; with Minaa using jewellery & accessories and Muzammil focusing on his father's iconic painting style, imagery and colour palette .

Rafay brings his personal , lived childhood experiences of confinement & darkness at a Madressah , as compared to his emotional response to the freedom through light ; while Raheela concentrates on the fragile relationship of food scarcity , security, sustainability & human survival , through the symbolic representation of fruits .

Of the 4 participating artists , Muzammil, Rafay & Raheela are from Sindh , while Minaa is based in Lahore .

The exhibition remains open daily until Thursday , August 6th 2026 , from 11 am - 7 pm ( Sundays closed )

Between the Personal and the Societal, a text by Peerzada Salman on The Invisible Collapse, the recent group exhibition ...
29/07/2026

Between the Personal and the Societal, a text by Peerzada Salman on The Invisible Collapse, the recent group exhibition featuring Attiya Shaukat, Rabia Farooqui, Maisam Hussain and Syed Hussain at Canvas Gallery.

Published in Dawn, the article considers how the four artists navigate personal challenges and wider societal pressures through distinct materials and visual languages. Their works reflect resilience, marginalisation and the ways adversity can be transformed into thoughtful artistic expression.

28/07/2026

"Time and Traces", opens on Tuesday , July 28th , 2026 , from 4 pm - 7 pm @ Canvas Gallery.

Minaa and Muzammil create personal , visual narratives of memory , legacy & lineage ; with Minaa using jewellery & accessories and Muzammil focusing on his father's iconic painting style, imagery and colour palette .

Rafay brings his personal , lived childhood experiences of confinement & darkness at a Madressah , as compared to his emotional response to the freedom through light ; while Raheela concentrates on the fragile relationship of food scarcity , security, sustainability & human survival , through the symbolic representation of fruits .

Of the 4 participating artists , Muzammil, Rafay & Raheela are from Sindh , while Minaa is based in Lahore .

The exhibition remains open daily until Thursday , August 6th 2026 , from 11 am - 7 pm ( Sundays closed )

Preview E-Catalogue:

Open an online PDF reader:https://canvasgallery.net/wp-content/uploads/2026/07/Time-Traces.pdf

Google Drive link: https://drive.google.com/file/d/1UG7v2ls3V5vEw_-V2MHor60c_AsNMDTf/view?usp=drive_link

" Time and Traces " , opens on Tuesday , July 28th , 2026 , from 4 pm - 7 pm @ Canvas Gallery. Minaa and Muzammil create...
24/07/2026

" Time and Traces " , opens on Tuesday , July 28th , 2026 , from 4 pm - 7 pm @ Canvas Gallery.

Minaa and Muzammil create personal , visual narratives of memory , legacy & lineage ; with Minaa using jewellery & accessories and Muzammil focusing on his father's iconic painting style, imagery and colour palette .

Rafay brings his personal , lived childhood experiences of confinement & darkness at a Madressah , as compared to his emotional response to the freedom through light ; while Raheela concentrates on the fragile relationship of food scarcity , security, sustainability & human survival , through the symbolic representation of fruits .

Of the 4 participating artists , Muzammil, Rafay & Raheela are from Sindh , while Minaa is based in Lahore .

The exhibition remains open daily until Thursday , August 6th 2026 , from 11 am - 7 pm ( Sundays closed )

*Preview E-Catalogue:*

*Open an online PDF reader:*https://canvasgallery.net/wp-content/uploads/2026/07/Time-Traces.pdf

*Google Drive link:* https://drive.google.com/file/d/1UG7v2ls3V5vEw_-V2MHor60c_AsNMDTf/view?usp=drive_link

For Attiya Shaukat, Frida Kahlo is more than an inspiration.The two share the physical hardship of surviving in a body t...
21/07/2026

For Attiya Shaukat, Frida Kahlo is more than an inspiration.

The two share the physical hardship of surviving in a body that resists, and in many ways, she says, she is living the life Frida did. That closeness runs quietly through her work — Frida appears stitched, mirrored, sat beside.

Attiya graduated from NCA in 2004 and has been building this practice ever since, not as a response to a trend, but as an extension of her body, mind and lived experience.

Attiya Shaukat's work is on view now as part of The Invisible Collapse at Canvas Gallery.

Address

D-40/1-A، Kehkashan Block 4 Clifton
Karachi
75600

Opening Hours

Monday 11:00 - 20:00
Tuesday 11:00 - 20:00
Wednesday 11:00 - 20:00
Thursday 11:00 - 20:00
Friday 11:00 - 20:00
Saturday 11:00 - 18:00

Telephone

+922135861523

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