27/06/2025
tropa namin yan galing taina
ALBUM REVIEW: I'll Be Fine, I Guess – He Forgot He Died
READ THE FULL REVIEW IN THE TFL WEBSITE RIGHT HERE: https://theflyinglugaw.com/album-review-he-forgot-he-died-ill-be-fine-i-guess/
_____________________________________________________
Written by Noelle Alarcon
Surrender to the sound.
That’s what He Forgot He Died, also known as Tadako from the New Misery imprint, wants you to do. Proudly bearing the title of slowcore, the artist embraces the qualities confined within the genre. It takes from the definitions and descriptions, but I’ll Be Fine, I Guess is far from inauthentic. Running a little over 40 minutes, his musings find shelter and comfort in the classifications of his music.
Like most songs under the slowcore umbrella, those that make up I’ll Be Fine, I Guess accompany and encourage introspection; the discovery of your innermost self. Tadako utilizes the thicker strings of the guitar to echo the weight of vulnerability. This release is as raw as it gets. In “night,” the fourth track of the album, his fingers sliding up and down the frets accompany his somber singing; slightly grating, yet comfortably a sign of his humanity. In “2:34 am,” the crickets and raindrops whisper along the sound of contemplation that drones on. The album’s greatest strength is its candidness; it’s like a friend confiding in you and opening up so you can confide in them too.
Though most of the work consists of wandering, with wistful emotions speaking for themselves along the strings of the guitar, it has its moments of upbeatness. They do not reflect vibrance in the traditional sense, though. When there are drums, the ride cymbal and the kick drum are most audibly prominent. They sound more like a heartbeat drumming up during uncertainty; like how the artist admits he doesn’t know where to start in “time.” It’s a skill derived from noticing the littlest details that he’s able to communicate shared anxieties through sound itself.
Tadako’s subdued vocals capture the intimacy of his work. His words are simple and read like diary entries; these thoughts don’t rise above the mix, like how vocals usually would. They float through the weighted soundscapes like thoughts at the most quiet hours of dawn; fleeting and indecipherable, honest and filled with regrets. “I’ll Be Fine I Guess” is so undeniably human that it’s heartbreaking, moving, to face the depths of life head on – ”tell mom I’m sorry,” he sings.
I’ll Be Fine I Guess explores what there is to do and who to become. It’s an album that knows what it is supposed to be by an artist who loyally sticks to the sound he wants to pursue. In a fast-paced world, people discourage staying in their own comfort zones. This album is a comfort zone worth revisiting and relistening to when things get heavy, especially for fellow advocates of the slowcore genre. The trademark simplicity it carries makes it a sonic shoulder to cry on; an effective set of tunes ready to serve as company.
Support the art & the artist: https://newmiseryrecords.bandcamp.com/album/nm007-ill-be-fine-i-guess
