DiMercurio ART

DiMercurio ART Hello and welcome to my art journey and page! I am a French-born New Zealand artist deeply inspired by nature. Warmest regards,
Alex

BUY ARTWORK FROM THE STUDIO: https://alexdimercurio.com

Exploring light and colour to capture the beauty & soul of nature ✨

Paintings | Prints | Exhibtions

📩 Please DM me for artwork enquiries.

🖼️ Currently looking for Gallery Representation. My work blends post-impressionism, fauvism, and abstract realism, creating a unique and captivating style. With over 20 years of experience, I have conn

ected with curators and collectors globally as a galleried and professional, self-representing artist. My mission is to celebrate the beauty of the natural world through immersive artworks, fostering a conservationist spirit. I am fascinated by the interplay of movement, light, and shadows in nature, brought to life with vibrant colours. I am known for my treescapes, rich in light, colour, energy, and nostalgia. These pieces explore the interconnectedness of all things, inviting contemplation of nature's fragile beauty and the fleeting passage of time. My style combines textural impasto with fluid brush strokes, revealing layers of colour and form, creating depth and intensity in each piece. Currently, I am focused on abstract cloudscapes, capturing the emotions of dramatic sunsets and sunrises. These works play with refracted light and colour relationships, appearing to levitate off the walls, inviting close inspection and new perspectives from a distance. Thank you for joining me on this artistic journey. I hope my work inspires and delights you as much as it does me. You can find some of my artworks and selected prints for sale on directly from my studio website https://alexdimercurio.com

Feel free to explore, share, and connect!

Finally a moment to pause, reflect, and share this incredible news here.Something pretty amazingly special happened over...
02/03/2026

Finally a moment to pause, reflect, and share this incredible news here.

Something pretty amazingly special happened over the weekend… it still feels a little surreal.

I’m so deeply honoured and grateful.

A heartfelt thank you to the The Wellington Art Show and Art Shows Across Aotearoa for their passion and commitment to supporting artists, nurturing careers, and making art accessible and appreciated by everyone. What they do truly matters. ✨

And to each and every one of you, thank you for your support, encouragement, and belief in my work 💫❤️

Such a magical and memorable opening night! The energy was electric and filled with so much joy and passion for creativi...
02/03/2026

Such a magical and memorable opening night! The energy was electric and filled with so much joy and passion for creativity. 😍💫🔥

OMG… I’ve just had the BEST news 🎉I’m beyond excited (also buzzing and a bit emotional) to share that my painting Shine ...
11/02/2026

OMG… I’ve just had the BEST news 🎉

I’m beyond excited (also buzzing and a bit emotional) to share that my painting Shine Through has been selected as one of only FOUR Wellington finalists for the Art Shows Across Aotearoa GOLD Award 2026 🥇✨

This is a national award, and a big deal, open to artists across Aotearoa, with the final winner decided by public vote, which means you can help choose the winner 🤍

🗳️ VOTING IS NOW OPEN�👉 Vote here (quick & easy - just enter your email):�https://www.artshowsacrossaotearoa.co.nz/public-voting-stuff-art-aotearoa-gold-award
Voting closes Tuesday 24 February at 12pm

This painting took over 65 hours, many days, and countless layers to complete. Alone in my thoughts and process, listening to inspirational podcasts and uplifting beats. To see this work recognised as a finalist in a national award means more to me than I can easily put into words.

If my artwork, or anything I’ve shared over the years has ever made you pause, feel something, or simply brought you joy, I’d be incredibly grateful for your vote. And please feel free to spread the word to get people voting (friends, family… neighbours and pets optional 😄).

Honestly it’s been an incredible week of sunshine and good news. I’m also happy to share that all my works sold at the Academy Galleries Art to Go exhibition, and earlier on my last available painting found a new home. I’m deeply grateful to my new collectors for believing in my work.

Thank you for being part of this creative journey. I truly couldn’t do it without you 💙✨

Exciting news! 💫
I have a selection of smaller works showing at Art To Go, the Academy of Fine Arts’ much-loved annual c...
18/01/2026

Exciting news! 💫

I have a selection of smaller works showing at Art To Go, the Academy of Fine Arts’ much-loved annual cash & carry exhibition, held this year at the Wellington Cathedral.

See it, love it, and have it on your wall the same day 🤍

Open now over Wellington Anniversary Weekend until 8 February.

A great excuse to enjoy wonderful art (and a beautiful piece of Wellington’s historic architecture).
✨🖼️🏛️

📍 Where: Wellington Cathedral, 2 Hill St, Thorndon
🕙 When: 10am–4pm daily until 8 February


‘Horizons That Hold Us Together’, inspired by the connections that span continents, hearts, and the natural world.Origin...
14/01/2026

‘Horizons That Hold Us Together’, inspired by the connections that span continents, hearts, and the natural world.

Original Painting - 102w × 76h cm, framed in Australian Oak

The storm has just exhaled. Clouds loosen their grip and first light slips across the water. A new day unfolding with hope.

The storm has just exhaled. Clouds loosen their grip and first light slips across the water. A new day unfolding with ho...
14/01/2026

The storm has just exhaled. Clouds loosen their grip and first light slips across the water. A new day unfolding with hope.

‘Horizons That Hold Us Together’, inspired by the connections that span continents, hearts, and the natural world.

Original Painting - 102w × 76h cm, framed in Australian Oak

Moments like this don’t get taken for granted ❤️💫
I’m so honoured to be a finalist in the Craig’s Aspiring Art Prize, ex...
09/01/2026

Moments like this don’t get taken for granted ❤️💫

I’m so honoured to be a finalist in the Craig’s Aspiring Art Prize, exhibition showing in Wanaka from 9–12 January.

Opening tonight! Come experience an inspiring mix of established and emerging artists artworks from all over NZ. All artworks are for sale also.

✨ I think there are still some tickets available for tonight’s opening. You can get them online here - https://www.aspiringartprize.co.nz/tickets

✨All artwork is available to collect if you’re looking for something original and special.


Wow! Never underestimate the power of being underestimated. 💫❤️
20/12/2025

Wow! Never underestimate the power of being underestimated. 💫❤️

She saved 60,000 stolen masterpieces by pretending to be too unimportant to notice.
When the N***s marched into Paris in 1940, they didn't just conquer a city—they began erasing a culture. The Jeu de Paume Museum became their headquarters for looting Europe's greatest art. Vermeer, Rembrandt, Monet, Picasso—paintings worth more than most people would earn in a thousand lifetimes—were catalogued, crated, and shipped to Germany on Hitler's orders. The museum's staff fled. All except one woman.
Rose Valland stayed.
To the N**i officers, she was invisible. Just another French museum worker, middle-aged and unremarkable, quietly doing her job. They barked orders at her in German, assuming she couldn't understand. They discussed shipment schedules in front of her, confident she was too insignificant to matter. They were making the most catastrophic miscalculation of the war.
Rose Valland spoke perfect German. She had studied at the École du Louvre and had spent years in Germany before the war. But she never let them know. Instead, she smiled politely, nodded when spoken to, and carefully memorized every single word they said.
At night, after the N***s left, she wrote it all down. Which paintings were loaded onto which trains. Which rail lines they took. Which castles and salt mines were being used as storage. The names of the collectors whose private collections were being stolen. Every serial number. Every destination. Her notebook became a map to Europe's stolen soul.
This wasn't just about art. The N***s were systematically looting Jewish families, erasing evidence of entire cultures. Every Chagall, every Rothko, every family heirloom represented a story they wanted destroyed. Rose understood that saving these works meant saving proof that these people, these families, these communities had existed and mattered.
The risk was absolute. If the N***s discovered what she was doing, she wouldn't face arrest—she'd face ex*****on, probably after torture. The Resistance warned her to stop. She refused. For four years, she maintained her charade, watching as Hermann Göring personally selected masterpieces for his private collection, as trainload after trainload disappeared into occupied territory.
When the Liberation came in 1944, Rose didn't celebrate. She went straight to the Allied forces with her records. The information she'd gathered became the foundation for the greatest art recovery operation in history. She joined the recovery teams herself, traveling across war-torn Europe, confronting generals and bureaucrats, demanding they return what they'd stolen. She was relentless.
Over the next decade, more than 60,000 works of art were recovered and returned—treasures that would have been lost forever without her records. The Mona Lisa. The Ghent Altarpiece. Countless irreplaceable pieces. Not because of military might or diplomatic pressure, but because one woman refused to pretend she didn't see what was happening.
France awarded her the Médaille de la Résistance and made her an Officer of the Legion of Honor. Germany honored her. So did the United States. She accepted these recognitions with the same quiet composure she'd shown throughout the war—graciously, but without fanfare. She never wrote a memoir. She never sought the spotlight. When asked about her actions, she simply said she did what needed to be done.
Rose Valland died in 1980, still largely unknown outside art history circles. There are no blockbuster movies about her, no dramatic miniseries. But walk into almost any major museum in Europe today, and you'll see the art she saved. Millions of people stand before those paintings every year, most never knowing they're looking at proof of one woman's extraordinary courage.
Heroism isn't always loud. Sometimes it's a woman in a room full of monsters, taking notes. Sometimes it's showing up every single day to a job that could kill you, because you refuse to let beauty and memory die. Sometimes the greatest act of resistance is simply paying attention when powerful people think you're not worth noticing.

Wow. The story of Berthe Weill is extraordinary. A visionary gallerist who opened doors for artists long before the worl...
02/12/2025

Wow. The story of Berthe Weill is extraordinary. A visionary gallerist who opened doors for artists long before the world recognised their brilliance. The Musée de l’Orangerie’s exhibition is a beautiful tribute. 💫 She even championed (now world famous) female artists when almost no one else dared at the time. Incredible and inspirational ❤️🙌

Everyone knows Picasso, Matisse, Dufy, Modigliani.
Almost no one knows the woman who spotted them before the rest of Paris even cared.

Her name was Berthe Weill, and Musée de l’Orangerie (Tuileries Garden, Paris 1er) has just opened a full exhibition about her.

She opened her tiny gallery in 1901 on rue Victor-Massé.
She backed young artists no one would buy.
She sold Picasso’s early works.
She gave Matisse his first Paris show in 1902.
She hosted the only solo Modigliani exhibition held during his lifetime in 1917 - the police shut it down because of his nudes in the window.

Weill kept pushing new talent for four decades.
She exhibited more than 300 artists.
She fought sexism, money problems, and antisemitism.
Her gallery was forced to close in 1940 under the Occupation.

Then she vanished from art history.

The Orangerie show brings her back into the story with around 100 works and rare archives.
It’s running until 26 January 2026.

If you love the early Paris art scene, this is one of the most interesting shows of the season 🤩

📸

Absolutely thrilled (and so incredibly grateful) to share that one of my paintings has been selected as a finalist for t...
24/11/2025

Absolutely thrilled (and so incredibly grateful) to share that one of my paintings has been selected as a finalist for the Craigs Aspiring Art Prize in Wānaka this 9-12 January. 💫🖼💞

My first time entering, and to have my work chosen as a finalist feels like a meaningful milestone.

I promised myself I’d start saying yes to more opportunities this year. Showing up in new ways and letting my work truly be seen.

I’m deeply grateful for all the support on this journey! Your encouragement means more than you know, and ’m so genuinely excited for what’s ahead. ✨

NB - Swipe to see a closeup snippet of the artwork here. More to be revealed later on…




✨ “Shine Through” ✨Some skies feel like they’re reminding us that light always finds its way through. ✨“Shine Through” 1...
22/10/2025

✨ “Shine Through” ✨

Some skies feel like they’re reminding us that light always finds its way through. ✨

“Shine Through” 102 w x 76 h cm, was painted after a wild coastal storm, inspired by that fleeting glow of sunset as the clouds are dividing and parting. A moment of lightness and renewal, when joy quietly returns and you know tomorrow is going to be a good day!

Swipe to see the textures up close & process shots.

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