29/08/2026
Last day for Transcendence exhibition is coming up! This show de-installs on Monday evening, so come catch it in all it's glory before it's all gone!
Work in Progress, digital painting
My euphoria does not come from gender, as I have none. But more from the joy of getting to create and discover myself more and more each day. Labels I find too rigid for what an ever evolving landscape I find myself, so I don't box myself in, but rather embrace the fact that I am, and always will be, a work in progress.
- Francis Reid (they/it)
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Selkie, acrylic on canvas
Between two worlds, but belonging to both.
I'm a selkie. I love to connect with humans, even though their world isn't made for me. I also love exploring the world where I can be my freest, a natural world now hidden because of what people have made.
To live as a selkie, I've had to grow strong, strong enough to keep myself safe from people wanting to take my skin, but also strong enough to stay gentle and nurture a peaceful life.
It might seem easier to discard part of myself, stay a human, or stay a seal. But I'm neither - also, I'm both. I learn to love every part of myself, I'm a selkie and I explore these worlds as me.
- Astrid Applin (she/her)
Battle Armour for Soft-hearted Boys, mixed fabrics, lace and ribbon
For boys who are gentle, with hearts full of sugar, who sleep with sweet dreams and they're heads in the clouds. The world can be cruel. This Armour saved me, from a life of hiding away from monsters, under pillows and blankets. Every boy lucky enough to be adorned with this armour will have every wish of his come true.
- August Maguire (he/him)
Carmen, Clay sculpt, acrylic felt
Femininity and masculinity do not sit as opposites with one being the absence of another. When first exploring my gender identity, I was under the impression I had to perform as masculine as possible and cut ties with the things that I deemed made me female. 'Carmen' allows me to re-explore and reclaim the feminine and a part of my youth within a q***r lense.
- Gabriel Adams (they/he)
Boundless, polymer clay, acrylic paint
- Riley Cooper (he/him)
Parts of the Whole, gouache on canvas
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