Te Pātaka Toi Adam Art Gallery

Te Pātaka Toi Adam Art Gallery Adam Art Gallery Te Pātaka Toi is the purpose-built gallery of Te Herenga Waka-Victoria University

The Adam Art Gallery Te Pātaka Toi is the purpose-built gallery of Victoria University of Wellington. It initiates, produces and presents a highly-regarded programme of exhibitions, events and publications; manages and develops the Victoria University of Wellington Art Collection, and provides a vital platform for critical thinking across media, disciplines, cultures and contexts. Using art and it

s presentation as a tool of analysis, it contributes to the production of new knowledge and creates opportunities for learning, for the benefit of staff, students and the wider community. To learn how we ensure our social media channels are safe places for open discussion follow this link: https://www.wgtn.ac.nz/site-info/social-media-house-rules

In 2009, Fiona Connor's contribution to the group exhibition The Future is Unwritten was to audit Te Pātaka Toi Adam Art...
01/09/2026

In 2009, Fiona Connor's contribution to the group exhibition The Future is Unwritten was to audit Te Pātaka Toi Adam Art Gallery’s energy efficiency. The resulting Letter to an Unwritten Future set out recommendations for reducing the gallery's energy use. At the time, its environmental control system accounted for 86% of the building's energy consumption. During the exhibition, gallery staff moved their offices into the exhibition space, folding the everyday work of running the gallery into the artwork.

In 2015, Connor launched a website documenting responses to the letter and changing attitudes to energy use. She reconnected with the gallery in 2018 to revisit what had changed, and the work was shown again in Solid State. The letter, website and agreement were formally accessioned into Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection in 2018.

In 2025, the gallery's environmental control system was replaced, and the building reopened in November with a system designed to meet the climate standards required for sensitive artworks and taonga, while substantially reducing energy use.

Letter to an Unwritten Future is on display now as part of Not a solitary feeling, at Te Pātaka Toi Adam Art Gallery until 11 October, Tuesday–Sunday, 11am–5pm. Free entry.

Read the full letter at www.alettertotheunwrittenfuture.org (link in bio).

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Images:

1) Fiona Connor, A Letter to the Unwritten Future, July 10, 2009–, letter, website, agreement, A4 text page, variable measurements, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection, purchased 2018. Installation view, Not a solitary feeling, Te Pātaka Toi Adam Art Gallery, 2026. Photo: Ted Whitaker.

2–5) Fiona Connor, A Letter to the Unwritten Future, July 10, 2009–, letter, website, agreement, A4 text page, variable measurements, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection, purchased 2018.

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studio .sophie

Ayesha Green's There is Power in Grief (2024) borrows the shape of Disney's The Little Mermaid to sit with what it means...
28/08/2026

Ayesha Green's There is Power in Grief (2024) borrows the shape of Disney's The Little Mermaid to sit with what it means to hold onto who you are while everything around you keeps shifting. Look closely at the painting, now on display as part of Not a solitary feeling, and you'll spot the very words that gave our group exhibition its name, painted within the work itself.

Green (Ngāi Tahu, Ngāti Kahungunu) now lives and works in Thailand, carrying these questions of grief and belonging with her across the ocean. Come and view this work from Ngā Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection at the gallery until 11 October.

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Images:

1) Ayesha Green, There is Power in Grief, 2024, acrylic on canvas, 1210 × 1680 mm, Ngā Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection, purchased 2024. Installation view, Not a solitary feeling, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2026. Photo: Ted Whitaker.

2) Installation view with works by Yuki Kihara (left) and Ayesha Green (right), Not a solitary feeling, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2026. Photo: Ted Whitaker.

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We are excited to announce that Hanahiva Rose will be joining us at Te Pātaka Toi Adam Art Gallery as our new Kaiwhakarā...
27/08/2026

We are excited to announce that Hanahiva Rose will be joining us at Te Pātaka Toi Adam Art Gallery as our new Kaiwhakarākei Curator! Hanahiva will start on Monday 14 September and we're looking forward to welcoming her into the gallery team.

Based in Te Whanganui-a-Tara, Hanahiva is a curator and writer with a background in curatorial practice and art history. She joins us from Te Papa, where she was Curator Contemporary Art. During her time at Te Papa, Hanahiva worked closely with artists to build the presence of contemporary art practice in the national art collection and highlighted contemporary art histories through exhibitions and commissions. Her recent mahi includes Tērā te Wā / Memory Spaces (2024), with Pauline Rhodes and Selina Ershadi, and Whakapapa, Priorities (2025), with Ruth Buchanan.

Hanahiva has contributed to catalogues and art publications in Aotearoa and internationally, and is currently a PhD candidate in Art History here at Te Herenga Waka—Victoria University of Wellington.

Nau mai, Hanahiva – he mihi maioha, he mihi mahana ki a koe!

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Image: Hanahiva Rose with "Grass Babies, Moon Babies", by Ei Arakawa-Nash (.arakawa.nash), at the Japan Pavilion, 61st International Art Exhibition of La Biennale di Venezia, 2026. "Grass Babies, Moon Babies" is presented by The Japan Foundation and co-curated by Horikawa Lisa and Takahashi Mizuki.

EVENT POSTPONED TO TUESDAY EVENING NEXT WEEK... please see new details below!Reading Dionne Brand6pm, Tuesday 1 Septembe...
25/08/2026

EVENT POSTPONED TO TUESDAY EVENING NEXT WEEK... please see new details below!

Reading Dionne Brand
6pm, Tuesday 1 September 2026
Te Pātaka Toi Adam Art Gallery
Free, all welcome – please RSVP through link in bio, and you will be sent the selected extract for reading in advance.

In response to George Watson’s exhibition The Choice, we will be hosting a reading group session in the exhibition space. Focusing on extracts from Dionne Brand’s book Salvage, Readings from the Wreck (2024), this discussion will be led by Tendai Mutambu, director of Enjoy Contemporary Art Space and Keani Rewha, Te Pia Nahanaha Taonga Intern at the Adam, and the Watson's exhibition's co-curator.

George Watson’s work frequently brings together references to the farm, the villa, and 19th century English literature. This session will expand on Watson’s allusions to colonial literature, and is an opportunity to spend time in discussion of Brand’s distinctive anti-colonial reading of classics, with particular focus on how this may inform our own critical practices as readers in the context of Aotearoa.

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Images: George Watson, The Choice (details), 2026, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington. Photo: Ted Whitaker.

Join us for tours at 11am and 1pm on Friday 21 August as part of  Open Day! Tours will be lead by Abby Cunnane, Manutaki...
20/08/2026

Join us for tours at 11am and 1pm on Friday 21 August as part of Open Day! Tours will be lead by Abby Cunnane, Manutaki Director.

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Image:

Elisapeta Hinemoa Heta, ‘Ua Tafa Mai Ata: Matāli’i ki Wainuiātea, terracotta bricks, sharkstooth gauze, charred macrocarpa; karanga by Rhonda Tibble, soundscape by Salvador Brown, 2026, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington. Photo: Ted Whitaker.

Before dawn one morning in July, staff and volunteers climbed Pukehīnau ridge above the gallery to catch the air.It was ...
17/08/2026

Before dawn one morning in July, staff and volunteers climbed Pukehīnau ridge above the gallery to catch the air.

It was packed into dunnage bags using compressors (the same equipment used to stabilise cargo on container ships) then carried down into the lower Chartwell gallery. Melissa Macleod's "a borrowed chorus" borrows the logistics-world conventions of using air as ballast and as packing material.

The work is the third in a series that began with sea air gathered from Wakanui Beach and New Brighton.

On view now in Not a solitary feeling at Te Pātaka Toi Adam Art Gallery.

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Images:

1) Melissa Macleod, a borrowed chorus (detail), 2026 (iteration #3), dawn air Pukehīnau/ Kelburn hill -41° 17' 18.96" S, 174° 46' 8.40" E, aluminium, cable ties. 1100 × 2200 × 4400 mm each structure, courtesy of the artist. Installation view, Not a solitary feeling, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2026. Photo: Ted Whitaker.

2-6) Melissa Macleod, a borrowed chorus, 2026 (iteration #3), dawn air Pukehīnau/Kelburn hill -41° 17' 18.96" S, 174° 46' 8.40" E, aluminium, cable ties. 1100 × 2200 × 4400 mm each structure, courtesy of the artist. Installation in progress, Not a solitary feeling, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2026. Photo: Ted Whitaker.

7) Tanya Ashken, Sea Creatures, 1971 (foreground) and Melissa Macleod, a borrowed chorus, 2026 (background). Installation view Not a solitary feeling, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2026. Photo: Ted Whitaker.
macleod .sophie

JOIN US FOR A READING SESSION...Reading Dione Brand12.00pm, Wednesday 26 August 2026Te Pātaka Toi Adam Art GalleryFree, ...
14/08/2026

JOIN US FOR A READING SESSION...

Reading Dione Brand
12.00pm, Wednesday 26 August 2026
Te Pātaka Toi Adam Art Gallery
Free, all welcome – please RSVP through link in bio, and you will be sent the selected extract for reading in advance.

In response to George Watson’s exhibition The Choice, we will be hosting a reading group session in the exhibition space. Focusing on extracts from Dionne Brand’s book Salvage, Readings from the Wreck (2024), this discussion will be led by Tendai Mutambu, director of Enjoy Contemporary Art Space and Keani Rewha, Te Pia Nahanaha Taonga Intern at the Adam, and the Watson's exhibition's co-curator.

George Watson’s work frequently brings together references to the farm, the villa, and 19th century English literature. This session will expand on Watson’s allusions to colonial literature, and is an opportunity to spend time in discussion of Brand’s distinctive anti-colonial reading of classics, with particular focus on how this may inform our own critical practices as readers in the context of Aotearoa.



Images: George Watson, The Choice (details), 2026, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington. Photo: Ted Whitaker.

Lunchtime with Yuki Kihara: on Tuesday 18 August at 12pm, the artist will speak about her works in Not a solitary feelin...
12/08/2026

Lunchtime with Yuki Kihara: on Tuesday 18 August at 12pm, the artist will speak about her works in Not a solitary feeling, including Winds of Change, a new installation created for this exhibition, in conversation with curator Sophie Thorn. Free, all welcome, no booking required.

Te Pātaka Toi Adam Art Gallery, Level 1
12pm, 18 August 2026

🔗Link in bio

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Images: Yuki Kihara, Winds of Change, 2026, installation of 100 pandanus fans handmade by Sāmoa Victim Support Group Nofotane, suspended, dimensions variable, courtesy of the artist. Installation view, Not a solitary feeling, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2026. Photo: Ted Whitaker.

Yuki Kihara, Zazu, 2025, pandanus mat, embroidered with the assistance of Moata’a Aualuma Community, Upolu Island, approx. 1600 × 2400 mm. Courtesy of the artist and Gow Langsford Gallery. Installation view, Not a solitary feeling, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2026. Photo: Ted Whitaker.

Yuki Kihara, Mal, 2025, pandanus mat, embroidered with the assistance of Moata’a Aualuma Community, Upolu Island, approx. 1600 × 2400 mm. Courtesy of the artist and Gow Langsford Gallery. Installation view, Not a solitary feeling, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2026. Photo: Ted Whitaker.

.sophie

Carved from tawhai and burnished with gold leaf, Brett Graham’s Rāwhiti (East) looks toward the rising sun. Conceived as...
10/08/2026

Carved from tawhai and burnished with gold leaf, Brett Graham’s Rāwhiti (East) looks toward the rising sun. Conceived as the companion to his black-toned Uru (West), together tracing a Māori cosmology of departure and return, of Hawaiki left behind and new worlds still ahead. Beneath its radiant surface, the work also carries a quieter history: the tensions between Apirana Ngata and Te Puea of Waikato, and the uneven legacies of land confiscation in the wake of the New Zealand Wars.

Image: Brett Graham, Rāwhiti, 2014, carved beechwood, gold leaf, 1500 × 825 × 250 mm, Ngā Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection, purchased 2013. Installation view, Not a solitary feeling, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2026. Photo: Ted Whitaker.

Sophie Thorn Su Ballard Brett Graham

Address

Gate 3, Kelburn Parade, Victoria University Of Wellington
Wellington
6012

Opening Hours

Tuesday 11am - 5pm
Wednesday 11am - 5pm
Thursday 11am - 5pm
Friday 11am - 5pm
Saturday 11am - 5pm
Sunday 11am - 5pm

Telephone

+6444635229

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