Play_station artist run space

Play_station artist run space play_station artist run space. Established October 2016, based at 1/233 Willis Street,Te Aro, Wellin

play_station is an artist run initiative and studio space based at 1/233 Willis Street.

FINAL WEEK of When the street widens by Phoebe LairdSacrificial Elements written by Bena Jackson for When the street wid...
24/06/2026

FINAL WEEK of When the street widens by Phoebe Laird

Sacrificial Elements written by Bena Jackson for When the street widens is available to read in the gallery and online via the link in our bio

The gallery is open Thursday + Friday 11-5 and Saturday 11-4.

If you are far from Te Whanganui-a-Tara the show is available to view on our website.

Phoebe Bena Jackson

Photography by Belinda Whitta

What becomes of that which goes amiss? Phoebe Laird’s When the street widens continues until June 27th. The gallery is o...
18/06/2026

What becomes of that which goes amiss? Phoebe Laird’s When the street widens continues until June 27th. The gallery is open today 11-5 and Saturday 11-4

Phoebe

Image 1) Undertaken, 2026. Fencing, cat’s eyes, concrete, steel rod

Image 2)Curtilage, 2026. Linear barriers, concrete, fencing, scaffolding mesh, chicken wire, car
wires, unknown wire

Photography by Belinda Whitta

The plastic bollards of a separated cycleway usually fly by out a car window, reappearing briefly in the wing mirror. Di...
17/06/2026

The plastic bollards of a separated cycleway usually fly by out a car window, reappearing briefly in the wing mirror. Distantly crunched under a double-decker bus and only felt as a slight bump from the top deck or counted by cyclists as markers of progress on a steep ascent. In Event, Phoebe offers up their surface for close examination, flattening them out into a sort of painting. Phoebe tells me she never washes what she finds. The grime remains as evidence of the working lives of these objects and an opportunity to appreciate their service.

Read Bena Jackson’s ‘Sacrifical elements’, written in response to Phoebe Laird’s When the street widens, in the gallery. Open 11-5 Thursday/Friday and 11-4 Saturday

Phoebe Bena Jackson

Image 1,2) Event, 2026. Flexible bollards, plywood.
I
Photography by Belinda Whitta

Oriel, 2026. Sign stands, metal poles, scaffolding pole, steel rod, plastic. When the street widens by Phoebe Laird is o...
11/06/2026

Oriel, 2026. Sign stands, metal poles, scaffolding pole, steel rod, plastic.

When the street widens by Phoebe Laird is open today 11-5 and Saturday 11-4.

Photography by Belinda Whitta

Thank you to all that made it to the opening of ‘When the street widens’ by Phoebe Laird last night! The gallery is open...
04/06/2026

Thank you to all that made it to the opening of ‘When the street widens’ by Phoebe Laird last night! The gallery is open today 11-5, Friday 11-5 and Saturday 11-4!

When the street widensPhoebe Laird04.06.26 - 27.06.26Opening Wednesday 3rd of June 5:30pm In When the street widens, Lai...
31/05/2026

When the street widens
Phoebe Laird
04.06.26 - 27.06.26
Opening Wednesday 3rd of June 5:30pm

In When the street widens, Laird stays with the trouble of urban change and civil progression in Pōneke, attending to the small acts of collision and distress that betray the city’s contested sites. Each sculpture here is
carefully assembled from a collection of gathered object-witnesses, debris taken from across the CBD and bound together with new purpose. Whether blown
off from bike lanes or carried off from construction sites, these objects have seen things, they wear the effects of a restless urban development. Under Laird’s care, these effects are made visible, and these objects form memorials to the incidental changes that (re)shape the city and, in turn, shape us.

The exhibition takes its title from a small but significant moment in the eighty year history of 233 Willis Street. In 1990, around fifty years after opening but twenty-nine years before play_station moved in, the building’s
owners removed a ground floor bay and showroom from its front facade, effectively reducing its presence on the street level space. Though little information is publicly available, the view commonly espoused is that this
was done in order to accommodate broader civic efforts to widen Willis Street for pedestrian use. Looking to this as a parable for the shifty line between
public space and private property, Laird broaches the question: what will remain in a city through constant, cyclical change? And what becomes of that
which goes amiss?

Phoebe Laird is an artist based in Te Whanganui-a-Tara, whose sculptural practice investigates cycles of growth and transformation, critiquing how material and place hold value. She grew up in Ōtautahi, Christchurch and
recently graduated from Massey University with a Bachelor of Fine Arts with Honours (First Class). Recent exhibitions include Wear Time (Uindo95 Gallery,
2025) and the group shows Looking at the curb (The Engine Room, 2024) and My Landlord Doesn’t Know I Have A Dog (Level 1, 107 Cuba Street, 2025)

Poster design by Harris Wilson
Sponsored by Parrotdog beer
With support from Creative New Zealand

FINAL DAY Slump bowl hole by Orissa Keane is open today 11-4  Photography by .li.n.da
29/05/2026

FINAL DAY

Slump bowl hole by Orissa Keane is open today 11-4



Photography by .li.n.da

Two days left to view Slump bowl hole by Orissa Keane.The floor is a two-channel video accompanied by a two-channel soun...
28/05/2026

Two days left to view Slump bowl hole by Orissa Keane.

The floor is a two-channel video accompanied by a two-channel sound composition. Ambient bird chatter recorded in the garden is the base onto which a composition has been laid. The music is derived from the sound of a Thai instrument called a saw-u (ซออู) which usually hangs on the wall of the dining room in the Bangkok house. Orissa uses her voice and another saw-u in her home in Ōtautahi to respond to the original recordings.

Images) The Floor. Unsynced 2 channel video with 2 channel sound, looped, 2026. Duration 14:24 minutes.

Photography by .li.n.da

FINAL WEEK of Slump bowl hole by Orissa Keane Orissa’s list ‘100 ways to make art about a sunken floor’ accompanies her ...
27/05/2026

FINAL WEEK of Slump bowl hole by Orissa Keane

Orissa’s list ‘100 ways to make art about a sunken floor’ accompanies her installation. Come by the gallery to spend time with the audio and video work.

Image 1) The floor. Unsynced 2 channel video with 2 channel sound, looped, 2026. Duration 14:24 minutes

Photography by .li.n.da

Slump bowl hole by  is open today 11-5, and tomorrow 11-4, come by to spend time with the video and sound workThe floor ...
21/05/2026

Slump bowl hole by is open today 11-5, and tomorrow 11-4, come by to spend time with the video and sound work

The floor is a two-channel video accompanied by a two-channel sound composition. All four channels loop at different times, bringing new pairings of images and sound together over the course of a day. The work features Orissa’s cousin Prana dancing and playing in the room with the slumped floor.

Image 1,2) The floor. Unsynced 2 channel video with 2 channel sound, looped, 2026. Duration 14:24 minutes

Image 3) Grid step. Ceramic tile, photographs, dimensions variable, 2026

Photography by .li.n.da

Address

1/233 Willis Street
Wellington
6011

Opening Hours

Thursday 11am - 5pm
Friday 11am - 5pm
Saturday 11am - 4pm

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