Play_station artist run space

Play_station artist run space play_station artist run space. Established October 2016, based at 1/233 Willis Street,Te Aro, Wellin

play_station is an artist run initiative and studio space based at 1/233 Willis Street.

Angels Bought Me Here Aria McInnes 12.09.26 - 02.10.26Opening Friday 11th September at 5:30pmIn Angels Bought Me Here, A...
08/09/2026

Angels Bought Me Here
Aria McInnes
12.09.26 - 02.10.26
Opening Friday 11th September at 5:30pm

In Angels Bought Me Here, Aria McInnes creates a place where the mundane business of buying groceries meets the promise that, perhaps, something better is waiting just around the corner.

A particular consumer optimism abounded in early-2000s New Zealand commercial culture, from reality TV talent shows to the luxurious lifestyle branding of weekly magazines. Today’s supermarket claims to remain a homebase for this optimism, offering a whole “New World” of promise, possibility and positive transformation, delivered through the everyday act of shopping.

Taking this claim to its logical conclusion, McInnes remixes the present-day duopoly through the arrangement of props, sculpture and video, turning the supermarket into a stage of its own. From entry to exit, customers circulate, finding absolution and salvation in the acquisition of essential goods.

How would you like to pay?

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Aria McInnes is an artist and retailer whose installation-based practice examines the staging of sincerity across personal and public spheres, as mediated by consumer culture. Often drawing from the performative logics of reality television, telemarketing, and retail environments, her work explores the tensions between moral intent and commercial participation—particularly within service roles, where one is at once “in service” and “being served.” Through parody and theatrical exaggeration, her work embraces the ridiculousness of these contradictions, offering humour as both a coping mechanism and a critical tool for navigating the moral ambiguities of participating in the very systems it seeks to question.
She holds a BFA (Hons) from Massey University’s College of Creative Arts and an MFA from Auckland University of Technology.

Poster design by Hawi sn tail
Sponsored by Parrotdog
Sponsored by The Puffin
With support from Creative New Zealand

30/08/2026

PSFF IS ONLINE PSFF IS ONLINE PSFF IS ONLINE

Surprise!

For one week only, you can watch all six films from this year’s play_station Film Festival on Vimeo.

Any time, any order, any screen, anywhere. All yours until September 7.

Link is in our bio and on our website.

TODAY IS THE LAST DAY TO SEE PSFF’26 IN THE GALLERY! COME ALONG ANYTIME UNTIL 3.Our final artists to highlight are Ethan...
29/08/2026

TODAY IS THE LAST DAY TO SEE PSFF’26 IN THE GALLERY! COME ALONG ANYTIME UNTIL 3.

Our final artists to highlight are Ethan Morais and Angel C. Fitzgerald.

Ethan Morais (Ethan Morais) is an artist, filmmaker, and protest organiser based in Te Whangnaui-a-Tara, Aotearoa. Morais whakapapas to Te Arawa (Ngāti Whakaue, Ngāti Pikao), Ngāti Kahungunu (Ngāti Hori ki Kohupatiki) and has Malaysian Indian (Malayali) heritage.

Regarding his commissioned film, ‘On anomie and other such decays’, Ethan writes:

“ANOMIE is a social condition derived from a misalignment between the morals of the individual and the morals of the social conditions set upon them.

“The work was informed by the books Su***de (Émile Durkheim), The Burnout Society (Byung-Chul Han), and The Climate Book (ed. Greta Thunberg), as well as Ruby Vidgen’s radio segment ‘What’s The Hang Around?’ on RadioActive FM.

“I hope that everything finds you as it should.”

Thank you to all our artists, sponsors, and attendees over the past week 🔥👞

TODAY IS THE LAST DAY TO SEE PSFF’26 IN THE GALLERY! COME ALONG ANYTIME UNTIL 3.

Our final artists to highlight are Ethan Morais and Angel C. Fitzgerald.

Angel C. Fitzgerald (Ngāpuhi, Pākehā) (Angel C. Fitzgerald) is an artist and filmmaker from Aotearoa, currently living in Naarm. Through their work they seek to articulate personal subject matter, often through poetic and visual storytelling. They’re interested in exploring the emotional and spiritual capacity of cinema and the moving image.

Regarding her commissioned film, ‘Migration Movie Part I: Te Whanganui-a-Tara’, Angel writes:

“Migration Movie Part I: Te Whanganui-a-Tara is the first part of a film exploring memory, personal histories, migration, friendship, and the significance of place. The film is composed from the artist’s own archive of video footage, shot over a significant period of time and captured across Te Whanganui-a-Tara, Naarm, Bangkok, Shanghai and Chengdu.”

Thank you to all of our artists, sponsors, and attendees over the past week 🪩🌀

Thank you to all who came to our premiere screening of play_station film fest 2026! Encore screenings will be running to...
28/08/2026

Thank you to all who came to our premiere screening of play_station film fest 2026!

Encore screenings will be running today and tomorrow, with two sessions each day beginning at 11am and 1pm.

Drop in anytime, no questions asked.

Ngā mihi to our featured artists as well as Parrotdog and The Puffin William Austin and New Zealand Portrait Gallery for helping us make it happen!

TONIGHT’S THE NIGHT!If you’re coming along to our premiere, please arrive no earlier than 6:00pm and no later than 6:30p...
27/08/2026

TONIGHT’S THE NIGHT!

If you’re coming along to our premiere, please arrive no earlier than 6:00pm and no later than 6:30pm. 

Food and drinks will be hosted by our neighbours at William Austin Gallery, where you can also pick up a programme sheet and essay by Matthew Whiteman.

Priority seating will be given to those who have registered, but we have a lot of love to give (and a few extra chairs), so if you come around early and sweet enough, we’ll do our best to get you in there.

Please stay home if you are sick.

Tonight’s screening is 90 minutes long, excluding a 15 minute intermission.

Good luck, have fun 🎞️

play_station film festival 2026 premieres tomorrow! Here’s a sneak peak at works by featured artists Anahera Totoro & Rh...
27/08/2026

play_station film festival 2026 premieres tomorrow! Here’s a sneak peak at works by featured artists Anahera Totoro & Rhea Lakhdhir and Max Fleury.

Anahera Totoro (🐚) is a multidisciplinary artist from West Auckland currently living in Pōneke. She graduated from Victoria University of Wellington in 2024 with a Bachelor’s degree in Social Innovation Design and Māori Studies. She currently works as a designer for NLD. She has been DJing since 2022

Rhea Lakhdhir (Rhea Lakhdhir) is a writer, curator and maker from Tāmaki currently living in Te Whanganui-a-Tara. She graduated from Te Herenga Waka Victoria University of Wellington in 2024 with a Bachelor of Arts in Art History and Psychology. She is currently studying towards her Honours in Art History and is a facilitator at play_station artist run space.

Regarding the film, Anahera & Rhea write:

“Road to Rama poses the philosophical question: what does it mean to be a DJ? The film follows the winding journey of Wahine Māori DJ Anaherux (Anahera Totoro) as she strengthens her mind, body and spirit in preparation for her biggest DJ set to date: a New Year’s Eve festival 50 minutes north of Auckland. The psychological and physical challenges she encounters along the way prove a difficult test. 

“She must listen to the music within before she can play the music out loud. 

“Part documentary, mockumentary, moving image, claymation and music video, Road to Rama is a collage in every sense of the word. The film is shot on several cameras borrowed from our friends and serves as a compilation of life lived and celebrated over the past year. Road to Rama reminds us to pull our sightlines away from the destination, and savor the present moment that fills our peripheral–if we choose to see it.” 

If you’re coming along to the premiere, feel free to join us William Austin for kai and drinks from 6pm onwards, but make sure you’ve got a seat by 6:30pm!

Otherwise, we’ll see you at the encore 🪩🕺💃

play_station film festival 2026 premieres tomorrow! Here’s a sneak peak at works by featured artists Anahera Totoro & Rhea Lakhdhir and Max Fleury.

Max Fleury (Max Fleury) is an artist from Ōtautahi, based in Te Wha

FINAL DAY Kākano + Wahine = Taiao by Noa Noa Von Bassewitz is open 11-4 today Photography by Belinda Whitta
21/08/2026

FINAL DAY

Kākano + Wahine = Taiao by Noa Noa Von Bassewitz is open 11-4 today

Photography by Belinda Whitta

Text is an essential part of Kākano + Wahine = Taiao by Noa Noa Von Bassewitz. The sculptures themselves embed text pain...
20/08/2026

Text is an essential part of Kākano + Wahine = Taiao by Noa Noa Von Bassewitz. The sculptures themselves embed text painted in ink and in the room sheet that sits with the show you’ll find a poem by Noa Noa.

Wāhine (woman) is the bearer of Te Kākano (the seeds). She is Rock Mother, memory carrier in her mitochondrial DNA. Here she celebrates the third age of woman: last blood, last eggs. Rock Mother’s transformative desire is to return to the ocean—to the beginning, to the end.

Wāhine gifts her spent fertility back to the source of all life. She lets entropy play, welcoming the, softening. Her body begins to break down as she. begins the long journey home, returning to Te Taiao.

Wāhine + Kākano = Te Taiao is a call for the mokopuna of the future to hear the memory of rock mother’s idea-seeds singing out of her bones.

Count the days. Live the lives. Remember we are all one when we breathe.

Today is the second to last day to view the exhibition, the gallery is open 11-5 today and 11-4 tomorrow.

Photography by Belinda Whitta

FINAL WEEKWhile inside Noa Noa’s sculpture Womb(an) of the World, the moving image work The Seed Remembers Rock Mother c...
19/08/2026

FINAL WEEK

While inside Noa Noa’s sculpture Womb(an) of the World, the moving image work The Seed Remembers Rock Mother can be seen dancing on the inside of the fabric. An audio design by Ngahere Wafer accompanies the work and fills the gallery space.

Visitors are invited to spend time inside the work.

It’s the final week of Kākano + Wahine = Taiao by Noa Noa Von Bassewitz, the gallery is open today 11-5, Friday 11-5 and Saturday 11-4.

Images) The Seed Remembers Rock Mother, Moving Image work filmed on location in Port Charles, Coromandel Peninsula, on the summer solstice, 21 December 2025. Directed by Noa Noa von Bassewitz, Audio design by Ngahere Wafer, Te Kākano o te Ngākau as sculptural body double. 2026

Photography by Belinda Whitta

play_station film festival 2026 premieres next week. This week, we highlight the works of featured artists Frankie Match...
19/08/2026

play_station film festival 2026 premieres next week. This week, we highlight the works of featured artists Frankie Matchitt-Millar and Emma Savage.

Frankie Matchitt-Millar wants to explore the tensions where parts of self intersect. With the exploration of these parts (identity, relationships to site, relationships to others), Matchitt-Millar hopes to contribute to the wider contexts of art, politics, and social understandings in Aotearoa. His work’s tūāpapa (foundation) is in autotheory, a departure point from relationality. Matchitt-Millar endeavours to make the idea of autotheory within his work implicit, creating intimacy to understand narrative.

Regarding his film pigeons kissing, Frankie writes:

With intense longing comes the fear and possibility of betrayal.1 

This work is an amalgam of lovers, written on a drunken night walking up a hill. 

Do you think you can love someone in a burning building? I always hated arguing. 

I want to know if pigeons learnt to kiss from us or if we learnt it from them, so please tell me when we’re about to go to sleep. 

1. Bell Hooks, Art on My Mind: Visual Politics. The New Press, 1995. 

💡Join us to watch Frankie and Emma’s films, both screening at play_station artist run space next weekend.

play_station film festival 2026 premieres next week. This week, we highlight the works of featured artists Frankie Matchitt-Millar and Emma Savage.

Emma Savage is an artist based in Tāmaki Makaurau. Her conceptually driven practice explores shame and its intersections with our relationship to technology. Working through video and performance, she uses these mediums to investigate vulnerability, the art world, and the complexities of human connection in a digital age. Central to her art practice is exploring embarrassment and shame—deeply personal yet universally felt emotions. These feelings surface when she exhibits art, making them both the subject and the consequence of her practice.

Regarding her commissioned film Just asking for a friend, Emma writes: 

Just asking for a friend is made up of screenshots of the artist’s chronological Google Search history of every time she asked “how to…” since the inception of her accou

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