23/02/2026
Via Dunedin School of Art
2026 Research Seminar Series – Semester 1
Tēna koutou,
We warmly welcome all members of the Visual Studies Network to our 2026 Research Seminar Series.
This semester, we are delighted to present three research seminars that explore perspectives in visual studies, through engagement with 3 women artists and photographers, both from New Zealand and overseas. These sessions provide an opportunity to connect, exchange ideas, and deepen our shared interests in visual culture, theory, and practice.
https://blogs.otago.ac.nz/visualstudies/?fbclid=IwdGRleAQJjiJleHRuA2FlbQIxMQBzcnRjBmFwcF9pZAo2NjI4NTY4Mzc5AAEe9Vrt6txcAeXs8HtDNu68-M7OSij8r1vNr-GB8nvC5Iu6moctq_pHIJGk0lE_aem_BzHY_olzqA22-enoZImzlg
Coming up: Wednesday, March 11, 2026
The first in this year's DSA, Cultures, Histories, Identities in Visual Studies Research Network Seminar series:
Angela Gunn, of Waimate, Ed Hanfling
Angela Gunn (1961–1995) was a photographer and painter who studied at the Ilam School of Fine Arts, Christchurch, and subsequently lived in Waimate, South Canterbury. She had dealer gallery representation in Auckland, Wellington and Christchurch and exhibited paintings that most frequently depicted her garden; she evidently devoted a considerable amount of time to both the paintings and the garden. The paintings are evidence of the artist’s facility for turning closely observed phenomena into lyrical abstract patterns. Gunn was far from being a household name during her life, and since her untimely death her work has not gained further public exposure. This seminar offers an introduction to a small number of paintings encountered, and information gleaned, at the beginning of a research project that, it is hoped, will culminate in an exhibition and catalogue.
Ed Hanfling is an art historian, critic and occasional curator, who writes regularly for Art New Zealand and has contributed articles to international journals, including the Burlington Magazine and Third Text. He is co-author (with Gil Docking and Michael Dunn) of 250 Years of New Zealand Painting (Bateman, 2021) and his book provisionally titled Art is Good: A Critic’s History of Contemporary New Zealand Art is scheduled for publication by Bateman later this year. Ed is Postgraduate Coordinator at the Dunedin School of Art and is co-chair of the Otago Polytechnic Research Ethics Committee. He is the editor of two journals, Scope: Art & Design and Junctures: The Journal for Thematic Dialogue.
Room F209, F Block, Otago Polytechnic | Te Kura Matatini ki Otago
Forth Street, Dunedin
5:00 pm refreshments; start 5:30 – 7:00 pm