Sanderson Contemporary Art

Sanderson Contemporary Art One of Aotearoa New Zealand's leading contemporary art dealerships based in Tāmaki Makaurau Auckland.

Sanderson are delighted to announce the exhibition 𝙎𝙤𝙛𝙩 𝘽𝙖𝙧𝙧𝙞𝙚𝙧𝙨 by Scott Cai will open September 16th 2026.Scott Cai (b...
01/09/2026

Sanderson are delighted to announce the exhibition 𝙎𝙤𝙛𝙩 𝘽𝙖𝙧𝙧𝙞𝙚𝙧𝙨 by Scott Cai will open September 16th 2026.

Scott Cai (b. 1988, China) is a contemporary photographer based in Tāmaki Makaurau Auckland. Known for his perceptive and quietly evocative work, Cai explores the overlooked details and subtle textures of everyday suburban life. Through his investigations the artist reveals the unexpected beauty that can be found in the most seemingly ordinary scenes.

The exhibition opening will take place on Thursday September 17th 5.30-7pm

An essay by Emil McAvoy will accompany the exhibition

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Sanderson are delighted to announce Loren Marks painting 𝘖𝘧 𝘵𝘩𝘦 𝘚𝘵𝘰𝘳𝘪𝘦𝘴 𝘝𝘐 has been shortlisted for the R & M McGivern P...
30/08/2026

Sanderson are delighted to announce Loren Marks painting 𝘖𝘧 𝘵𝘩𝘦 𝘚𝘵𝘰𝘳𝘪𝘦𝘴 𝘝𝘐 has been shortlisted for the R & M McGivern Prize in Australia.

The R & M McGivern Prize is a major Australian triennial acquisitive art award for painting. Established by the will of local artist and writer Muriel Evelyn McGivern, it is administered by Perpetual Trustee Company as part of the Croydon Arts Trust and managed by Maroondah City Council. Winning works become part of the public Maroondah City Council Art Collection.

Currently completing a Masters of Contemporary Art at the Victorian College of the Arts (VCA) in Naarm/Melbourne, Marks has continued to develop her distinctive painting practice since moving to Australia.

The R & M McGivern Prize is awarded every three years for outstanding and original painting in oil and watercolour. In 2025/26, the Prize will award two prizes of $25,000, with the winning works acquired into the Maroondah City Council Art Collection. The Prize celebrates artistic excellence in painting while contributing to the development of a significant public art collection for the Maroondah region.

The Sanderson team are immensely proud of Loren and the recognition she has received since her arrival in Melbourne. The selection of her work reflects the originality and strength of her evolving practice.

Loren Marks, 𝘖𝘧 𝘵𝘩𝘦 𝘚𝘵𝘰𝘳𝘪𝘦𝘴 𝘝𝘐, 2026
Oil and pumice on linen
120 x 120 cm (Diptych)

Loren Marks

Sanderson are thrilled to be offering a Botanical Watercolour Workshop with Julia Holderness tomorrow - Saturday 29th Au...
28/08/2026

Sanderson are thrilled to be offering a Botanical Watercolour Workshop with Julia Holderness tomorrow - Saturday 29th August, 10am-12pm

There are now only two spots left so please email [email protected] to enquire

This special event will take place within the artist’s solo exhibition 𝘽𝙤𝙩𝙖𝙣𝙞𝙘𝙖𝙡 𝘾𝙤𝙧𝙧𝙚𝙨𝙥𝙤𝙣𝙙𝙚𝙣𝙩𝙨 at the gallery.

Whether you have played with watercolour before or are a first-time painter, Julia will guide you through some introductory watercolour techniques. She will then share some tips on painting a botanical image or garden scene.

Julia will guide you through the two-hour workshop - All materials are provided, along with coffee and croissants. Tickets are $75 per person

Enquire to [email protected]

Julia Holderness

Opening Tonight - Julia Holderness presents her solo exhibition 𝘽𝙤𝙩𝙖𝙣𝙞𝙘𝙖𝙡 𝘾𝙤𝙧𝙧𝙚𝙨𝙥𝙤𝙣𝙙𝙚𝙣𝙩𝙨This exhibition was developed wi...
26/08/2026

Opening Tonight - Julia Holderness presents her solo exhibition 𝘽𝙤𝙩𝙖𝙣𝙞𝙘𝙖𝙡 𝘾𝙤𝙧𝙧𝙚𝙨𝙥𝙤𝙣𝙙𝙚𝙣𝙩𝙨

This exhibition was developed with Rokowhiria Ashburton Art Gallery and exhibited earlier in 2026 as part of her Zonta Ashburton Women’s Art Awards Premier Award 2025.

The artist will be in attendance. All Welcome ✨

Julia Holderness

Displayed in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at SandersonSam Loe, 𝘔𝘰𝘵𝘩𝘦𝘳𝘤𝘢𝘬𝘦 𝘚𝘵𝘶𝘥𝘺  #1, 2024Charcoal, gouache and acrylic on...
24/08/2026

Displayed in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at Sanderson

Sam Loe, 𝘔𝘰𝘵𝘩𝘦𝘳𝘤𝘢𝘬𝘦 𝘚𝘵𝘶𝘥𝘺 #1, 2024
Charcoal, gouache and acrylic on linen
340mm x 440mm (framed)

Mothercake reflects the translation from my german mother tongue of the word Mutterkuchen, meaning placenta. This biological metaphor and often unacknowledged organ has become central to my artistic practice. Through my work, I explore the overlooked connections between self and other, investigating both physical and philosophical boundaries. My drawings and paintings emerge from a deeply physical process, creating conversations between inner and outer worlds, evoking new organic body forms that exist somewhere between figuration and abstraction.

Sam Loe is a painter whose large-scale, unstretched paintings investigate abstract and biomorphic gestural icons and forms. Her process often begins with body sensing meditation, lying or sitting on blankets and pillows to activate rested and wandering mind states. Loe completed her original studies at Goldsmiths College, London. She integrates conceptual rigour with embodied making, where meaning arises through the physical act of making. Her practice asks not what a painting is, but how it is made and what it does. She recently completed her Master of Fine Arts with First Class Honours from Whitecliffe College of Arts & Design.

Sam Loe
mothermother
SANDERSON




Displayed in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at Sanderson

Molly Timmins, 𝘔𝘰𝘰𝘯𝘭𝘪𝘵 𝘗𝘰𝘯𝘨𝘢 (𝘈 𝘗𝘢𝘪𝘯𝘵𝘦𝘥 𝘓𝘰𝘷𝘦 𝘓𝘦𝘵𝘵𝘦𝘳 𝘧𝘰𝘳 𝘛𝘦 𝘔𝘢𝘳𝘢𝘮𝘢), 2025
Oil on canvas, framed
330 x 380 mm

Molly Timmins (Ngāpuhi, Pākehā, b.1998) is a painter based in Tāmaki Makaurau. Her work explores gardens as both an environmental physical place, and as a painted subject throughout art history. The artist’s practice takes influence from her Ngāpuhi and Pākeha whakapapa, presenting a nuanced conversation between the two. Referencing her own heritage alongside considered painting techniques Timmins navigates the colonial influence over both the garden and painting history, and the way in which women have historicall

Displayed in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at SandersonEkaterina Dimieva, 𝘗𝘩𝘰𝘦𝘯𝘪𝘹, 2025Oil on canvas900 x 1200 mmEkaterina...
24/08/2026

Displayed in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at Sanderson

Ekaterina Dimieva, 𝘗𝘩𝘰𝘦𝘯𝘪𝘹, 2025
Oil on canvas
900 x 1200 mm

Ekaterina’s painting practice explores sensation, transformation and becoming through abstraction. Working intuitively with paint, she creates immersive environments where rhythms, flows and forces converge, collide, dissolve and reform.

Her paintings are shaped by systems of expansion and contraction, containment and release. Through layered gestures, atmospheric fields and evolving structures, they evoke states of flux that are at once bodily, psychological and ecological.

While reflecting the complexity and instability of contemporary experience, each painting generates its own internal climate. Forms emerge, fragment and reconfigure through the materiality of paint, inviting heightened states of attention and presence.

Ekaterina is an abstract painter based in Tāmaki Makaurau Auckland. She completed a Master of Fine Arts at Elam School of Fine Arts in 2020 and has since presented several solo exhibitions, including Wonderbird (2025), The Spell of the Sensuous (2023) and Wild Spring (2022). Her work has featured in numerous group exhibitions, including Mothermother’s Suburbia, Scott Lawrie’s Epilogue and London Paint Club’s Tendencies in Painting. Ekaterina was a finalist in the New Zealand Painting and Printmaking Awards (2024), National Contemporary Art Awards (2022) and Molly Morpeth Canaday Awards (2021). Her work is held in the Arts House Trust collection.

Ekaterina Dimieva
mothermother
SANDERSON


Currently on display in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at SandersonRachel GrimwoodMout, Primordial Mother, Henet, Protector...
23/08/2026

Currently on display in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at Sanderson

Rachel Grimwood
Mout, Primordial Mother, Henet, Protector of the Dead and Nekbhet, Divine Midwife, 2026
Raku clay and glaze
387 x 178 x 186 mm

Rachel Grimwood (Pākehā) explores the relationships between psyche, soma, matter and the more-than-human world. Working in collaboration with
materials and ecologies, she creates relational, often playful works informed by animist, mythic and mystical ways of knowing. Her lifelong art practice has evolved
alongside a 30-year career as a psychologist, where therapeutic work and witnessing of inner worlds, together with ongoing engagement with depth psychology and altered states of consciousness, continue to inform her art. Rachel completed a Postgraduate Diploma at Elam School of Fine Arts and is currently undertaking an MFA.

Mout, Nekhbet, and Henet are ancient Egyptian goddesses whose worship spanned grand state temple rituals and protective funerary magic. In these three works, their heavy block thrones evoke the primordial mound of earth that arose from chaotic waters at the dawn of creation. While Egyptian mythology typically assigns distinct animal guises to each deity, this series unifies them as avian hybrid figures. Reimagined
here as bird-women with the heads of the sacred ibis, they embody the profound intersection of divine maternal protection, wisdom, and the eternal cycle of life.

Rachel Grimwood
mothermother
SANDERSON


Currently on display in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at SandersonLayla Rudneva-Mackay, 𝘞𝘰𝘳𝘳𝘺 𝘎𝘳𝘦𝘦𝘯, 2017 - 2019Oil on can...
23/08/2026

Currently on display in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at Sanderson

Layla Rudneva-Mackay, 𝘞𝘰𝘳𝘳𝘺 𝘎𝘳𝘦𝘦𝘯, 2017 - 2019
Oil on canvas
400 x 400 mm

Layla Rudneva-Mackay is a New Zealand artist whose practice has a sustained inquiry into perception, atmosphere, and the poetics of life and form. Working primarily in painting, and earlier in sculpture, photography and text she explores how colour, surface, and spatial tension shape the embodied experience of looking. Her works often hover between suggestion and abstraction, evoking architectural fragments, still life structures, landscapes and interior spaces without fully resolving into representation. Through this restraint, she invites slow, attentive viewing in which meaning emerges gradually through duration and proximity.

She holds a Master of Fine Arts from Elam School of Fine Arts and has exhibited widely throughout Aotearoa since the late 1990s. Her work has been presented in numerous solo and group exhibitions in both public and private galleries. Her works are held in significant public collections across New Zealand and Australia.

Layla shows courtesy of Melanie Roger Gallery

Currently on display in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at SandersonJacqueline Fahey, 𝘛𝘩𝘢𝘵 𝘪𝘴 𝘓𝘪𝘧𝘦, 2009Oil on canvas1645 x ...
22/08/2026

Currently on display in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at Sanderson

Jacqueline Fahey, 𝘛𝘩𝘢𝘵 𝘪𝘴 𝘓𝘪𝘧𝘦, 2009
Oil on canvas
1645 x 960 mm framed

Now in her nineties, Jacqueline Fahey ONZM is one of few female career artists of her generation and she continues to push the boundaries of societal structures and politics within her work. Combining vivid portrayals of urban and suburban landscapes with figurative components, she makes observations of people and how we live and communicate. With the rich use of colour and intimate detail in her compositions, her work challenges the status quo and encourages new ways of looking.

Married and a mother to three early in her painting career, the stifling gendered society of 1950s and 1960s New Zealand saw Fahey adopt unconventional colour, technique, and subject matter to reflect and actively challenge the status quo of the gender divide. Yet embedded in the artist’s pugnacious approach is a great level of affection for the women and relationships portrayed, evident in the careful detail bestowed on traditionally ‘female’ interests – clothing, interior textiles, bouquets- elevating the decorative female space above the austere settings more familiar to portraiture.

In addition to painting, Fahey is a novelist, having published a novel and two volumes of memoirs. In 1997 she was named an Officer of New Zealand Merit (ONZM) for her services to art, and in 2013 she was granted an Arts Foundation Icon Award, the organisation’s highest honour and restricted to a circle of twenty living artists.

Fahey shows courtesy of Gow Langsford Gallery


mothermother
SANDERSON

Currently on display in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at Sanderson Judy Darragh, 𝘕𝘖 𝘚𝘏𝘐𝘛, 2026Mirror acrylic570 x 470 x 10...
22/08/2026

Currently on display in the exhibition 𝙈𝙊𝙏𝙃𝙀𝙍𝙈𝙊𝙏𝙃𝙀𝙍 at Sanderson

Judy Darragh, 𝘕𝘖 𝘚𝘏𝘐𝘛, 2026
Mirror acrylic
570 x 470 x 100 mm

Judy Darragh ONZM is a prolific artist and activist living in Tāmaki Makaurau. She uses found objects to create sculptural assemblages. Utlising domestic objects, industrial offcuts or safety equipment her work is a golden shrine of irony, bringing high and low, art and craft together in unholy matrimony.

Alongside her sculptural work Judy also supports collectivism and questions process and practice in our creative institutions. In 1992 Darragh was one of eight artists who founded the artist-run space Teststrip in Auckland. She then went on to start Cuckoo, an artist-run project based in Auckland that was described as ‘the artist-run space without a space’ with four other artists in 2000. In 2020 Judy was a founder of Art Makers Aotearoa to champion the arts during the Covid rebuild, and also in the 2020 Queens Birthday Honours, Judy was appointed an Officer of the New Zealand Order of Merit for services to the arts. Judy is also instrumental in advocating for the implementation of artist resale royalty in Aotearoa through Equity for Artists.

Judy Darragh is represented by Two Rooms Gallery in Tāmaki Makaurau.

Address

2 Kent Street, Newmarket
Auckland
1023

Opening Hours

Monday 10am - 6pm
Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 4pm
Sunday 10am - 4pm

Telephone

+6495200501

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