Lindberg Lyd Music Production

05/07/2024

Building your own studio, fine tuning the acoustics can easily become obsessive. To control room modes I already have massive SLAM (membrane bass traps) in the front corners and an absorption chamber in the back.

SLAM: https://www.facebook.com/share/p/qNgXbCFNPt7utMPq/?
Chamber: https://www.facebook.com/share/p/e4r2pXSHCtbqKQxK/?

Now, for the back corners, due to the placement of the entrance door and the door to the machine room there is no space for large traditional constructions. So I approached PSI Audio to test their new AVAA C214 Digital Active Bass Traps. I started to experiment with one of those and ended up with four mounted and tuned. The sounding result is surprisingly effective. RT60 below 100Hz is reduced from 0.7s to 0.5s and the frequency response in listening position smoothed out by 6dB. The perception of transient response in the low end is greatly improved due to reduction of masking in the time domain.

2L, PSI Audio, Genelec, PROLYD

23/03/2024

This article published by DPA Microphones defines the basic forms of immersive audio, where Thomas Lund and Eddy Brixen contemplate the significant differences between multi-mono immersion and correlated envelopment.

https://www.dpamicrophones.com/mic-university/introduction-to-immersive-audio

23/03/2024

This article published by DPA Microphone University defines the basic forms of immersive audio, where Thomas Lund and Eddy Brixen contemplate the significant differences between multi-mono immersion and correlated envelopment.

This article defines various forms of immersive audio. There are also a few tips on how to ensure your immersive recordings work.

06/12/2023

I'm considering selling our Lexicon 960 system. Anyone interrested?

17/11/2022

Congratulations to Jane Ira Bloom, Anderson Audio NY, Jim and Ulrike! It was a great pleasure contributing to this wonderful project :-)

Picturing the Invisible: Focus 1 has been nominated by the Recording Academy / GRAMMYs for Best Immersive Audio Album!

Jim Anderson immersive mix engineer; Morten Lindberg & Ulrike Kristina Schwarz, immersive mastering engineers; Jane Ira Bloom & Ulrike Schwarz, immersive producers (Jane Ira Bloom)

Jane Ira Bloom soprano sax
Allison Miller drums, percussion
Mark Helias bass
Miya Masaoka koto

Funding for this project was made possible by the NYC Women's Fund for Media, Music, & Theatre by the City of New York's Mayor's Office of Media & Entertainment in association with the NY Foundation for the Art

28/11/2021

28/11/2021

In addition to serving as the post-production facility for 2L, this listening room is available for reference QC and evaluation of external productions across all genres.

Monitoring is Genelec ONE+W in Dolby Atmos and Auro-3D configuration from Merging Technologies Pyramix, Dolby Renderer and Roon Labs server.

Genelec Case Study: https://www.genelec.com/-/reference/genelec-the-ones-power-morten-lindberg-s-stunning-immersive-studio

Resolution Magazine:http://www.2L.no/artikler/2L_Morten-Lindberg_Resolution-Magazine_12-2020_HiRes.pdf

Sound On Sound Magazine:http://www.2l.no/artikler/SOS-magazine-July-2022_Immersive-Morten-Lindberg.pdf

YouTube video: https://youtu.be/QnjaD10201U

Foto and video by PEDERCARLSSON