Morentz

Morentz Collectible design gallery and restoration workshop specialized in 20th century design (est. 2006).

Designed by Gianfranco Frattini and produced by the master cabinetmaker Pierluigi Ghianda from 1974 onward, the Kyoto ta...
02/08/2026

Designed by Gianfranco Frattini and produced by the master cabinetmaker Pierluigi Ghianda from 1974 onward, the Kyoto table is an exceptionally rare work. The opportunity to present a pair is particularly noteworthy.

Conceived following a formative journey to Japan, where Frattini and Ghianda visited the traditional woodworking ateliers of Kyoto, the table embodies a remarkable dialogue between Japanese craftsmanship and Italian design culture. The experience left a profound impression on both men, inspiring Frattini to develop an innovative construction system that became the defining feature of the design.

Rather than relying on ornament, the Kyoto table celebrates construction itself. Its intricately interlocking lattice top is entirely dependent on precision joinery, transforming the structural logic of the piece into its primary aesthetic language. Every joint is executed with exceptional precision, demonstrating an intimate understanding of the material and an uncompromising commitment to craftsmanship.

The table's most ingenious feature lies in its movable legs. Rather than occupying fixed positions, the legs can be relocated within the lattice structure.

The collaboration between Gianfranco Frattini and Pierluigi Ghianda was founded on a shared respect for wood as both a technical and expressive material. Often celebrated as the "poet of wood," Ghianda possessed an extraordinary command of traditional cabinetmaking techniques, while Frattini consistently sought to integrate technical innovation into elegant, timeless forms. Their partnership resulted in furniture of exceptional quality, in which design and craftsmanship are inseparable.

Today, the Kyoto coffee table is regarded as one of Frattini's most important works and has been acquired into the permanent collection of the Triennale Design Museum in Milan.

Designed by Belgian artist Ado Chale around 1980, this monumental coffee table transforms rare malachite into a striking...
30/07/2026

Designed by Belgian artist Ado Chale around 1980, this monumental coffee table transforms rare malachite into a striking work of functional sculpture.

This striking table by Ado Chale is a powerful testament to the artist’s ability to transform rare and precious materials into sculptural works that blur the boundaries between design, jewelry, and fine art. Executed in extraordinary malachite and deep black resin, the piece embodies Chale’s enduring fascination with natural materials. The circular top is a breathtaking composition of vibrant malachite fragments, meticulously assembled to create a richly textured surface. Known for its intense green hue and distinctive banding, malachite possesses remarkable visual depth, its luminous emerald tones layered with darker, almost black undertones that seem to draw the eye inward. The stone’s organic patterning ensures that no two sections are ever alike, making each example profoundly unique.

It is particularly rare to encounter a design in which malachite is used as a complete and uninterrupted surface. In this example the malachite extends fully across the tabletop without a border, allowing the precious stone to exist in its purest and most monumental expression. This uninterrupted expanse enhances both its visual impact and its rarity. The architectural black base provides a deliberate and striking counterpoint to the expressive top. Composed of solid, rectilinear legs connected by substantial horizontal supports, it anchors the composition with strength and clarity.

Monumental yet refined, this table radiates presence, rarity and exceptional craftsmanship. It stands as an utterly beautiful and highly precious piece, exemplifying the level of artistry and material refinement for which Ado Chale is renowned.

Ado Chale (1928–2024) was a Belgian artist renowned for creating highly collectible works that unite craftsmanship, design and fine art.

The Trio sofa, designed by Franz Hero and Karl Odermatt of Team Form AG for COR in 1973, helped redefine what modern sea...
29/07/2026

The Trio sofa, designed by Franz Hero and Karl Odermatt of Team Form AG for COR in 1973, helped redefine what modern seating could be by putting comfort, flexibility, and conversation at the center of the room. This exceptionally large early configuration, wrapped in rich brown plush, transforms the system’s three elemental components into a dramatic, sculptural composition made for serious lounging.

Designed in 1973 by Swiss designers Franz Hero and Karl Odermatt of Team Form AG for COR, the Trio sofa is regarded as one of the defining modular seating systems of the late twentieth century. Conceived at a time when domestic interiors were becoming increasingly informal, Trio rejected the rigid armrests and upright postures that had dominated earlier upholstered furniture. Instead, it embraced a new culture of relaxation, encouraging lounging, reclining, and social interaction.

The concept is based on only three modular elements: a seat, a reclining backrest, and a corner element. The individual pieces can be combined to create an almost limitless variety of configurations. This flexibility reflected the designers' ambition to create furniture that could adapt effortlessly to changing interiors and lifestyles, making mobility and versatility the central principles of the design.

Offered here is an early vintage edition, retaining its original brown plush upholstery, which lends the geometric composition a rich tactile quality characteristic of the period. Particularly noteworthy is its exceptionally large configuration, a rare example that fully demonstrates the expansive possibilities of the Trio system. More than fifty years after its introduction, Trio remains an icon of modular furniture design.

Designed by Mario Bellini for Cassina in 1977, Il Colonato turns the ancient language of architecture into something glo...
28/07/2026

Designed by Mario Bellini for Cassina in 1977, Il Colonato turns the ancient language of architecture into something gloriously domestic: five monumental cylinders of Persian red travertine rise like a miniature colonnade to support a generous circular top.

Designed by Mario Bellini for Cassina in 1977, Il Colonato is a striking interpretation of classical architectural principles translated into furniture. The table takes its name and inspiration from the colonnades of antiquity, where a rhythmic sequence of columns supports a monumental structure. Bellini reimagined this timeless concept through five substantial cylindrical marble bases that uphold a circular tabletop.

Crafted from distinctive Persian Red travertine, the table showcases warm terracotta and beige tones enriched by striking natural banding and mineral veining.

Mario Bellini (1935) is an internationally renowned Italian architect and designer. Born in Milan, Bellini earned his PhD in architecture at the Polytechnic University of Milan in 1959. After his graduation, Bellini started working as an architect, and as a consultant for the Italian electronics company Olivetti. Besides architecture and electronics, Bellini also dedicated his career to automotive and furniture design. He has designed numerous items for Vitra, Artemide, Kartell, Cassina and more. The iconic 1977 Cab Chair for Cassina is one of Bellini's most prominent designs. The appreciation of his outstanding work has been made clear with eight Compasso d'Oro design awards. Over 20 items of his works are in the permanent collection of the Museum of Modern Art in New York.

This early ‘L09L’ sofa or bench, designed in 1975, captures the Pierre Chapo's distinctive ability to unite rigorous mod...
27/07/2026

This early ‘L09L’ sofa or bench, designed in 1975, captures the Pierre Chapo's distinctive ability to unite rigorous modernism with the warmth of traditional craftsmanship.

Dating from 1975, this piece is an early example designed by Pierre Chapo, known for his commitment to pure and clean design and construction principles. The ‘L09’ sofa or bench is characterized by its taut, understated form, simple lines, and the distinctive box joints at the corners of the frame. The cushions retained its original upholstery, featuring stripes in a variety of natural colors.

Pierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect at the École Nationale Supérieure des Beaux-Arts in Paris. He was only twenty-one when he left France in order to spend the next few years traveling through England and Scandinavia. In December of 1951, back in Paris, he met his future wife, Nicole. Their meeting was the beginning of a lifelong union and in 1957 they set up Société Chapo. Société Chapo was a design workshop and gallery in one where he showed his own creations. However, Nicole also presented her ceramics, and textiles here and they even exhibited other great designers of that period. In 1958, they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Throughout his career, Chapo combined his interest for contemporary design with his love for traditional craftsmanship. In his designs, he was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the ideas of Bauhaus. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elmwood as his preferred material. Unfortunately, Chapo fell ill, and he died in 1987, however, until his last day, he kept on designing and working.

Saturday evening gets a decidedly sculptural upgrade with the ‘Volare’ lounge chair, an arresting example of experimenta...
25/07/2026

Saturday evening gets a decidedly sculptural upgrade with the ‘Volare’ lounge chair, an arresting example of experimental Italian design from 1992.

This remarkable “Volare” lounge chair was designed in 1992 by Donato D’Urbino, Paolo Lomazzi and Thomas Mittermair for Zerodisegno Italy. Constructed from black-finished steel wire mesh, the chair transforms an industrial material into a fluid and highly expressive form. Its continuous, undulating surfaces define the seat, high back, armrests and supports, while the transparent grid gives this generously proportioned chair an unexpectedly light appearance. Viewed from different angles, its overlapping lines create a constantly changing graphic effect.

The Volare was produced for only a short period and is consequently seldom encountered. An arresting example of experimental Italian design from the early 1990s, it combines technical ingenuity, visual transparency and a strong architectural presence.

As Friday evening draws in, these rare 1930s floor lamps by Hans Bergström seem perfectly poised to cast a warm glow ove...
24/07/2026

As Friday evening draws in, these rare 1930s floor lamps by Hans Bergström seem perfectly poised to cast a warm glow over the weekend ahead.

This rare early pair features slender double brass stems and two adjustable shades that can be swung into different positions. The tapered bases are wrapped in warm brown leather, creating a refined contrast with the brass. Decorative leaf-shaped fittings can be loosened to adjust the height of each shade, combining elegant detailing with a highly functional design.

Hans Bergström (1910-1996), a luminary figure of Swedish architecture and design, was born in 1910 in Karlshamn, Sweden. After his completion of secondary school, Hans embarked on an internship at Ystad Metall, a local craft industry. In 1929, he sought further education and enrolled at the esteemed School of Art and Design in Stockholm. Remarkably, even before his graduation from this institution, at the age of 20, he showcased his prowess as a designer for Ystad Metall at the prestigious Stockholm Exhibition in 1930. In the 1920s, Hans encountered his future wife Verna and in 1934, the couple jointly established the company ateljé Lyktan, a venture that combined their collaborative efforts in luminaire design and various artistic pursuits. Bergström undertook various commissions spanning a wide range of architectural environments. It was from this point forward that Bergström spearheaded a revolution in Swedish luminaire manufacturing, fundamentally transforming the perception and application of electric lighting in the coming decades.

For a span of three decades, Bergström held the position of creative director at ateljé Lyktan and served as the sole designer of the company until the early 1960s. A significant portion of his designs were unique pieces, numbered but lacking specific names. When he passed away at the age of 86, he left behind a remarkable legacy.

This exceptional 1980s Swiss lounge set puts forth a sophisticated approach to modular design and luxurious comfort. Des...
23/07/2026

This exceptional 1980s Swiss lounge set puts forth a sophisticated approach to modular design and luxurious comfort. Designed for both flexibility and cohesion, the pieces can be easily rearranged into a unified composition, making this rare set as versatile as it is visually striking.

This exceptional 1980s lounge set comprises four generously proportioned armchairs and two matching ottomans. Each piece is upholstered in exceptionally high-quality, supple taupe leather, sourced from the same tannery associated with de Sede. The softly gathered folds emphasize the richness of the leather, while its warm, nuanced color adds a sophisticated character. Discreet castors underneath allow the pieces to move easily, while connecting brackets make it possible to arrange the armchairs as a unified seating composition. A rare and luxurious set with beautifully aged leather and outstanding comfort.

Measuring an impressive 400cm, this monumental 1970s table makes a powerful statement through scale, material and struct...
21/07/2026

Measuring an impressive 400cm, this monumental 1970s table makes a powerful statement through scale, material and structure.

This exceptionally large table (400cm/157in) features monumental proportions. The design of this table is balanced by a beautifully articulated architectural base, composed of three substantial trestles joined by long stretchers and secured with prominent cylindrical pegs. The warm, honey-coloured pine displays a lively natural grain, knots and gentle variations that give the table considerable character. Its robust construction and restrained geometric detailing reflect the period’s renewed appreciation for honest materials, traditional joinery and sculptural craftsmanship. A table of this exceptional scale and striking appearance is a rare find and seldom comes to market.

There is a celestial quality to Lisa Johansson-Pape's 1950s chandelier, its ten softly glowing bubble-glass shades shimm...
20/07/2026

There is a celestial quality to Lisa Johansson-Pape's 1950s chandelier, its ten softly glowing bubble-glass shades shimmering with textured enchantment.

A striking and elegant large chandelier designed by Lisa Johansson-Pape in the 1950s. Suspended from a matching chain and canopy, the brass frame holds ten cylindrical shades in distinctive bubble-patterned glass. With its sculptural form and exceptional craftsmanship, this rare chandelier is a fine example of mid-century Scandinavian lighting and a captivating focal point in a space.

Lisa Johansson-Pape (1907–1989) was one of Finland’s leading designers and is best known for her pioneering work in lighting design. Trained originally as a furniture designer, she began designing light fixtures in 1942 for the Stockmann-Orno lighting factory, where she later served as artistic director. Johansson-Pape herself reflected on this transition: “It was quite by accident that I became a lighting designer. By education, I am a furniture designer, but I had to make lamps during the war. The light fixtures began to interest me to such an extent that I set aside furniture design. I wish to provide every Finnish household with good light.”

Working with materials such as enamelled metal, brass, acrylic, and glass, Johansson-Pape created lighting designs that combined technical innovation with practical functionality and refined aesthetics. Her lamps were designed not only for homes but also for public spaces including hospitals, churches, and ships, where thoughtful illumination was essential.

Johansson-Pape’s work represented Finland at numerous international exhibitions and received widespread critical acclaim, establishing her as a significant figure on the international design stage.

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Hoogeinde 37
Waalwijk
5142GB

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Maandag 09:00 - 17:00
Dinsdag 09:00 - 17:00
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Donderdag 09:00 - 17:00
Vrijdag 09:00 - 17:00
Zaterdag 10:00 - 18:00

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+31416650140

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