iii

29/05/2026

🔜Obviously Unthinkable: Aqua Nullius
06.06.2026
19:30–22:00
at The Celestial Vault (James Turrell), Kijkduin, The Hague

Is the World Ocean aqua nullius?

With a focus on marine ecosystems and the protection of the North Sea, this double edition of Obviously Unthinkable gathers land art, performances, and presentations by Raviv Ganchrow, Cocky Eek, Kenzo Kusuda, Matteo Marangoni, and James Turrell. The programme takes place inside Turrell’s Celestial Vault in Kijkduin, a delicate threshold between sky and sea front.

and present a work that draws together all the elements unfolding within the Celestial Vault, weaving slow and meticulous movement with shape-finding floating scenography. ’s ‘Weather Conscious’ is a nomadic performance inviting the audience to tune into the environment, drawing on stereo microphones and light sensors to register wind, sunlight, and bird vocalisations — which in turn guide a generative music algorithm loosely inspired by the aeolian harp. Raviv Ganchrow’s ‘Sky-Ocean-Breath circuit’ maps the close-miked breath of sub-Antarctic whales onto the earthwork ellipse of the Celestial Vault. Curated by Evelina Domnitch & Dmitry Gelfand.

To register for this free event explore the link in bio ⏫️

Note: In case of bad weather the event will move to the iii workspace at Willem Dreespark 312.

Presented with support from and

29/05/2026

The ArtScience Interfaculty is no more. We will remain visible.

From September 1st, the ArtScience BA at KABK will become a track within Fine Arts - a decision students discovered through a portal announcement, without direct communication from leadership.

This threatens a unique interdisciplinary community built on collaboration between KC & KABK, experimental practice, guest lecturers, and connections to the wider arts field.

In response, students are organising the ArtScience Festival from 1-9 June: a week of artworks, presentations, workshops, concerts, public interventions and collective gatherings across KABK and KC.

Alongside the festival, students will also organise protests to advocate for transparency, recognition, and support for the ArtScience community. Many are also choosing to boycott presentations in favour of public action and solidarity.

The festival is open to everyone. Students, staff, artists, and community members are invited to participate, contribute ideas, organise events, or simply show support.

21/05/2026

iii
22.05 – 20.06.2026
Amsterdam

iii joins this year’s FIBER festival programme with works & talks from previous resident Anaïs Lossouarn, iii member Mariska de Groot, previous residents Robin Koek, Jean-Emanuel Rosnet, iii programmed artist Aldo Brinkhoff & iii agent Pia Baltazar.

Featuring:
• Mariska de Groot’s optical sound installation ‘Incidence of Light’
• Robin Koek & Jean-Emanuel Rosnet’s 3D soundscape ‘De glace et d’eau’
• Anaïs Lossouarn’s tactile sound installation Ce que la pierre retient du vivant (What the stone holds of the living) previously ‘DE CŒUR EN CHOEURS (Hearts in Chorus | From heart to heart)’ as premiered at Proximity Music 2026
• Aldo Brinkhoff’s kinetic sculpture ‘Thixocymatics’ — the first version of which was presented at iii’s Obviously Unthinkable: Matter Rebellion program.
• Futures of Listening roundtable with Pia Baltazar & Robin Koek

More info, full programming and tickets through link in bio 🔼
jean_manu /

19/05/2026

Open Call — iii Coaching Trajectory
Deadline: 1st of June 2026

Are you an artist working at the intersections of art, technology, performance, and the senses?
iii is opening another round of fully funded coaching trajectories starting September 2026.

We offer 10 hours of one-on-one coaching, with the option to extend by another 10h — a space to deepen your practice, develop a new project, or find support as you navigate your artistic path.
With a focus on “what do you want to learn and why”? The applications will be reviewed on originality and the feasibility of coaching support.

In the overall selection of participants, iii strives to maintain a varied composition in terms of gender, age, career level, place of origin and residence, cultural background, education and artistic focus.

To apply, send us: → A description of your project idea → Your CV → Portfolio (if available) → coaching pathway/coach preference

More info & apply via the link in our bio 🔼

19/05/2026

16/05/2026

🚨Tomorrow!: Raw Dates Session
17.05.2026
iii workspace, The Hague

We return with Raw Dates Sessions—a monthly hybrid event/workshop, open to anyone wanting to join and share the practice of [collective] improvisation. We come together with the aim to build a community of enthusiasts who meet regularly!

15:30 | Doors open (Free Entrance + Donation)
16:00 | 1st Session
17.15 —break—
17:30 2nd Session
18:30 Vegan Dinner (Sign-Up required)

Raw Dates Sessions is a monthly series of multidisciplinary/interdisciplinary improvisation events. Through a hybrid format of a workshop and a public event, this event is open to everyone, whether you are playing or coming to listen. Each session invites a maximum of 15 improvisers.

We invite you to come listen! c.fu

15/05/2026

Jeanine Verloop presents CHIME: An Extended View

3–6 June 2026 | GAS Conference, Corning Museum of Glass, New York
15–18 October 2026 | Refract, Seattle

The kinetic sculptures of Rotterdam-based visual artist Jeanine Verloop .jeanine , are seen through an entirely new lens in ‘CHIME – An Extended View’. This debut film captures the vibrating three-dimensional glass strings of Verloop’s eponymous installation at 1,000 frames per second. The results reveal movements within the installation that are impossible to perceive with the naked eye. By condensing time in this way, it meditatively reflects on our relationship with it, and the expansion of perceptual horizons through technology.

Having premiered at International Film Festival Rotterdam 2025 — a condensed version of the film will be screened at both festivals.

Artist & Direction: Jeanine Verloop
High-Speed Camera Specialism: Flip Bleekrode
Set Assistance: Daniel Ro
Video Edit: Tanja Busking
Composition: Yaara Yaniv
Co-produced by iii

The installation CHIME was commissioned by iii as part of its annual residency program and presented in collaboration with . The research phase for CHIME was made possible by the and .

13/05/2026

Mariska de Groot and Dieter Vandoren
at Frequenz_ Festival, Kiel, Germany

From the 8th—12th May 2026, the seventh Frequenz_ Festival transformed Kiel into a hub for contemporary international sound and audiovisual work — featuring concerts, installations, and cross-genre formats focused on artistic perspectives that rethink sound, space, and media.

‘FIELD.3’ invited visitors to become part of an ever-changing, organic composition of light and sound, an experience redefining technology, art, and space.

This collaborative installation by Mariska de Groot and Dieter Vandoren presents a fusion of light, sound, and architecture, rooted in research into dynamic architectures made of solid and ephemeral media. Innovative and ancient technologies converge in a complex network of light- and sound-emitting nodes. Sculptural beams of light form a pulsating field, controlled by choreographed light projections. An integrated signal generator modulates light and sound synchronously, creating audible pressure waves and visible light patterns.

Photos by Mariska de Groot

09/05/2026

Yolanda Uriz at Blaues Rauschen Festival
30.05.26
Dortmunder U, Leonie-Reygers-Terrasse, 44137 Dortmund

Artist Talk | 16:00 | Dortmunder U Foyer (free entrance)
Performance | 20:00 | Storylab KIU, Dortmunder U Floor 1 (tickets via link in bio ⏫️ )

will give an artist talk and perform ‘Transitory Presences #2’, exploring multisensory interference: while the spread of sound can still be partially controlled physically, this is virtually impossible with smells, aromas, and fragrances. ‘Transitory Presences’ is a fragile artistic encounter between sound, scent, and fleeting form, opening up a new kind of resonance at

BLAUES RAUSCHEN 2026 – Resonance in the open space between breath and algorithm. Since its beginnings, BLAUES RAUSCHEN has positioned itself as a festival that makes processes visible. It centres on questions arising from the interplay of sound, technology, society, and space.

07/05/2026

🚨 Tomorrow!: Speaking Through Wire, Singing Through Stone
08.05.2026
20:00–22:00 (Doors | 19:30)
at iii workspace, The Hague

How can tools — technological and otherwise — help us forge connections? What happens when flaws and glitches evolve into a sonic language of their own?

In ‘Speaking Through Wire, Singing Through Stone’, three artists invite visitors into a collective exploration of movement and sound. Wires vibrate, stones resonate, bodies travel through the room. Listening becomes physical, spatial, and shared. Across the evening, the artists experiment with ways of sounding space and attuning to the materials around them and to one another.

Mariah Blue’s ‘Neon Songs’ works with DIY electronics inspired by fibre-optic networks and global communication infrastructures, where glitches, improvisation, and intuitive decisions shape the expressive language of the work. Ji Youn Kang’s ‘Machi-nory’ takes shape as a live construction of an unstable sonic machine assembled from circuits, metal plates, and electromagnetic feedback, where sound arises from the shifting relationships between materials, performer, signal, and space. Inga Hirsch presents a new piece that uses a miniature setup to draw the audience into the liminal feeling of spaces and landscapes in motion.

Curated by Sanneke Huisman.

More info via link in bio ⏫️

Presented with support from and