31/03/2026
‘Venus in a Box Lamp’-2025 - Now on view x
Among the first 3D objects ever made were fertility sculptures. The drive to reproduce is, at its most elemental, the entire goal of a species. In theory, you’ve fulfilled your purpose the moment you do.
‘Venus in a Box Lamp’ is among precious cargo on “The Voyage” — an item of worship, a piece of ideology made physical. Enshrined in its own box — deified, protected, assured of its survival along the way. Van Lieshout’s devotion to the Venus figure runs deep — from ‘Mother Earth‘ and ‘Mother Earth Constructivist to ‘Womb House’— an ongoing obsession with womanhood’s generative power, the body as divine architecture, primitivism and constructivism held in a single form.
Part of ‘The Voyage — A March to Utopia’, an ongoing body of work, of which 183 sculptures traversed the entire Unlimited hall curated by
In his own words, this project is about…
“A voyage to an unknown place — a better place, a garden of eden. Where we want to find happiness, create a new world, a parallel world, or a better world.” — Joep van Lieshout
Why edit what you bring? Carry your capital. Carry your ideology. Carry everything. The boxes hold it all — ammunition, altars, tools for worship, operating rooms, a dentist’s chair, a liquor cabinet, an iron lung, a Dream Machine.
The line between care and collapse.Innovation and
illusion.Everything and anything.Anyone and everyone. All are welcome on the “Voyage” because the journey is the destination.
On view through April 4h at MASA, Mexico City, in collaboration with Modern Art, London/Paris, this group exhibition includes work by Eva Rothschild, Francesca Mollett, Sarah Rapson, Michael E. Smith, Mark Manders, Richard Aldrich, Frida Orupabo, Michael Simpson, Phillip Lai, Ricky Swallow, Charlotte Vander Borgh, José Dávila, and Brian Thoreen.