ROOF-A ROOF-A is a cultural venture in Rotterdam, focused on connecting people and culture. Open
Zeven dagen per week op afspraak
Donderdag t/m zaterdag: 12 tot 17 uur

We open doors with and between artists, museums, galleries, companies, and individuals.

22/06/2026

Het atelier van... Kim van Norren — De schilderijen van Kim van Norren beginnen altijd met woorden of muziek. Meestal zijn liedteksten de voedingsbodem voor haar kleurrijke abstracte doeken, maar in haar nieuwe werkt haalt ze ook inspiratie uit poëzie en sportcommentaar. In haar atelier in Kampen pakte ze na een moeilijke periode de draad weer op. Door woorden te schilderen creëerde Van Norren opnieuw ruimte voor zachtheid en verbondenheid. In haar nieuwe tentoonstelling ‘I Will Soften Every Edge’ bij ROOF-A onderzoekt Van Norren hoe liefde, kwetsbaarheid en zelfreflectie ons houvast kunnen bieden in moeilijke tijden. Lees een interview door Martine Bontjes op www.galleryviewer.com/nl/article/3621/het-atelier-van-kim-van-norren.

THANK YOU KESSELSKRAMERCredits to KesselsKramer for translating a sparkling gallery concept into a distinctive visual id...
18/06/2026

THANK YOU KESSELSKRAMER

Credits to KesselsKramer for translating a sparkling gallery concept into a distinctive visual identity. More than five years later, we are still delighted with the branding you created.

Incorporating a sign or symbol was one of our wishes. You interpreted this thoughtfully and meaningfully through the hyphen—a symbol of connection that evolved into a defining element of both the concept and the gallery’s identity.

Having recently revisited the original brief, it is striking how accurately it was interpreted. The essence, ambition, and even the smallest nuances found their way into a visual identity that remains as relevant and resilient today as it was then. During the implementation phase, some decisions naturally had to be made differently. Even so, it has been fascinating to return to the original document and rediscover elements that still resonate and deserve renewed attention.

Thank you once again for your creativity, insight, and craftsmanship. We will undoubtedly miss your contribution to future designs, but we look back with great appreciation on everything we have achieved together.

Join us under ROOF-A

Lobke Broos

KesselsKramer THANKYOU

THANK YOU KESSELSKRAMERCredits to KesselsKramer for translating a sparkling gallery concept into a distinctive visual id...
18/06/2026

THANK YOU KESSELSKRAMER

Credits to KesselsKramer for translating a sparkling gallery concept into a distinctive visual identity. More than five years later, we are still delighted with the branding you created.

Incorporating a sign or symbol was one of my wishes. You interpreted this thoughtfully and meaningfully through the hyphen—a symbol of connection that evolved into a defining element of both the concept and the gallery’s identity.

Having recently revisited the original brief, it is striking how accurately it was interpreted. The essence, ambition, and even the smallest nuances found their way into a visual identity that remains as relevant and resilient today as it was then. During the implementation phase, some decisions naturally had to be made differently. Even so, it has been fascinating to return to the original document and rediscover certain elements that deserve renewed attention.

Thank you once again for your creativity, insight, and craftsmanship. We will undoubtedly miss your contribution to future designs, but I look back with great appreciation on everything we have achieved together.

Join us under ROOF-A.

Lobke Broos

KesselsKramer THANK YOU

JOHAN TAHON | NEW ARTIST COLLABORATION It is with great pleasure and pride that ROOF-A Gallery announces a new collabora...
17/06/2026

JOHAN TAHON | NEW ARTIST COLLABORATION

It is with great pleasure and pride that ROOF-A Gallery announces a new collaboration with the renowned Belgian sculptor Johan Tahon (1965). By representing him, the gallery is adding an artist of international stature to its programme. In Tahon’s oeuvre, ROOF-A Gallery recognises a powerful exploration of universal themes such as spirituality, vulnerability, hope and transformation. This collaboration marks a significant step in the gallery’s ambition to represent artists who, through a distinctive artistic vision, make a meaningful contribution to contemporary art.

Tahon has created an impressive body of work comprising bronze, plaster and ceramic sculptures: wounded giants and unapproachable angels, tormented creatures and demure monks, sensual nudes and amorphous hybrids. Whether monumental or small enough to fit in the palm of a hand, they all seem to float between earth and heaven. His sculptures are not an end in themselves, but a new beginning.

To celebrate this collaboration and new beginning, a curated selection of his work is now on view in the gallery. At the end of August, we will unveil our plans for the 2026 cultural season.

For now, you are more than welcome to visit the gallery, either by appointment or during regular opening hours.

Join us under ROOF-A.

Lobke Broos



1/2 Johan Tahon in kerk/atelier Rozebeke, 2021. Foto: Francis Vanhee
3. Johan Tahon, Nebulae (detail), 2023-2024, Steengoed / Stoneware, 85 x 26 x 33 cm. Foto: Gert Jan van Rooij
4. Johan Tahon, Nebulae, 2023-2024, Steengoed / Stoneware, 85 x 26 x 33 cm. Foto: Gert Jan van Rooij
5. Johan Tahon in kerk/atelier te Rozebeke (2025). Foto: Vincent Lagae

Récolte, Veillée aux racines, 2025, Wax and steel, 116 × 221 × 16 cmAn artwork highlight from REBURN, the solo exhibitio...
13/06/2026

Récolte, Veillée aux racines, 2025, Wax and steel, 116 × 221 × 16 cm

An artwork highlight from REBURN, the solo exhibition by French artist Juliette Minchin.

Created in the artist’s studio in Paris, this work underwent a three-month melting process in the former Convent of Sant’Orsola in Florence in 2024. After being burned, it was transported to Château La Coste in southern France for the exhibition Par quatre chemins, curated by POUSH. It is now presented in a steel frame at our gallery.

We are proud to bring together works that have travelled through Paris, Florence, Istanbul, and Château La Coste, creating an inspiring installation across the entire ground floor.

You are warmly invited to wander, explore, and wonder.

Join us under ROOF-A.

Lobke Broos

1-4
Juliette Minchin
Recolte-veillee-aux-racines, 2025
Wax-and-steel 18
116 x 221 x 16 cm
ROOF-A Gallery, installation views by Jonathan de Waart

5-6
Juliette Minchin
Recolte-veillee-aux-racines, 2025
Installation views Château La Coste, 2025

‘I Will Soften Every Edge’, Kim van Norren’s exhibition of new works opens tomorrow, May 30, at ROOF-A Gallery. The exhi...
29/05/2026

‘I Will Soften Every Edge’, Kim van Norren’s exhibition of new works opens tomorrow, May 30, at ROOF-A Gallery.

The exhibition will be opened by Richard Boddeus, Councillor for Culture in Kampen and longtime admirer and supporter of her work.
Kim van Norren creates paintings in which language and image are closely intertwined. Her texts, drawn from pop songs, poems, speeches, and personal notes, are chosen intuitively: words that resonate with her, linger in her mind, or gain significance at a particular moment in time.

Through paint on canvas, she explores how these words can be translated into colour, form, and rhythm, and how a personal experience can simultaneously evoke something universal.

We look forward to welcoming you in the presence of the artist.

Join us under ROOF-A!

Lobke Broos

1.
Kim van Norren
I contradict myself for fun-2026
Tekst: afgeleid van Walt Whitman
80 x 60 cm
Acrylverf en gouache op linnen

2.
Kim van Norren
I contain multitudes-2026
Tekst: Afgeleid van Walt Whitman
60 x 50 cm
Acrylverf en gouache op linnen

3.
Kim van Norren
How long can one endure-2026
Tekst: Ola Belle Reed
40 x 30 cm
Acrylverf/ gouache op linnen

The work 'Heading for a Fall' by Kim van Norren, described by Dominic van den BoogerdLooking at 'We are heading for a fa...
22/05/2026

The work 'Heading for a Fall' by Kim van Norren, described by Dominic van den Boogerd

Looking at 'We are heading for a fall' (2023), the painting’s vivid colours immediately catch the eye: yellow, lilac, green, starkly contrasting with black. ‘We are heading for a fall’, it reads, a reference to a song by the band Vaya Con Dios. There is a certain menace to this seemingly dispassionate announcement. With a little imagination, one could recognise an ominous stormy sky in the turbulent forms and electrifying colours.

A risky future is always more challenging and perhaps even more appealing than a past of fait accompli. There is no reason to fear the approaching doom, the message seems to be; let us face it with confidence.

Opening Soon | Saturday May 30th | 4:00 PM

We look forward welcoming you in the presence of the artist.

Join us under ROOF-A.

Lobke Broos

1.2
Kim van Norren
We are heading for a fall- 2023
Tekst: Vaya con Dios
160 x 160 cm
Acrylverf op linnen
Foto credits: Iztok Klancar

A special moment last Monday at the Rechtbank Amsterdam. Almost a year ago, we stood in the same place where we have tod...
20/05/2026

A special moment last Monday at the Rechtbank Amsterdam. Almost a year ago, we stood in the same place where we have today installed Vera Gulikers’ The Mother (The Bobby in Me).

"In this work, the artist’s sculptural alter ego shares an intimate tête-à-tête with her newborn, while her legs fold above their heads like a protective bow. Beneath this cheerful imagery lies a critical reflection on female stereotypes. The elongated legs, for instance, poke fun at an impossible ideal of slimness, while simultaneously expressing the social pressure on women to contort themselves into all kinds of shapes." - De Volkskrant

A new icon for the court, placed in a prominent setting that feels deeply fitting in many ways. A festive day, which we rounded off with champagne and a traditional Dutch treat. We are incredibly proud and grateful for this wonderful commission in a place that is open to the public.

Join us under ROOF-A.

Lobke Broos

In painting and sculpture, the convincing depiction of folds is a proof of skill, but it often carries another meaning a...
08/05/2026

In painting and sculpture, the convincing depiction of folds is a proof of skill, but it often carries another meaning as well. Folds is a sign of wealth – surplus fabric – and thus of an abundance of time. Or of emotion: in his Pietà, Michelangelo gave Mary – in contrast to the smooth, naked body of her deceased son in her lap – a cloak with endless drapery: a safety net for her grief. The French artist Juliette Minchin creates drapery using wax.”

Joke de Wolf wrote a wonderful piece in De Groene Amsterdammer to mark the first Passages exhibition two years ago. Read more via the link in bio.

Now on view: REBURN, the captivating solo exhibition by Juliette Minchin.

Join us under ROOF-A.

Lobke Broos

Adres

Westplein 9b
Rotterdam
3016BM

Openingstijden

Donderdag 12:00 - 05:00
Vrijdag 12:00 - 05:00
Zaterdag 12:00 - 05:00

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