Timo Wolthof - exploration and research based art.

21/04/2017

Afgelopen jaren naast mijn werkzaamheden niet aan een grafisch portfolio gewerkt, maar voornamelijk vrij werk gemaakt...

Wil je meer zien hou dan mijn instagram in de gaten!
https://www.instagram.com/timowolthof/?hl=nl

& Kijk voor mijn CV op LinkedIn...

https://www.linkedin.com/in/scenography/

21/04/2017

Per 1-5-2017 zoek naar een nieuwe uitdaging binnen de creatieve branche.

Ik zoek een creatieve/grafische functie( bij voorkeur in de richting art-direction, photo-editor of vergelijkbaar) en zoek in de omgeving van: Breda/Amsterdam/Eindhoven/Den Bosch. Fulltime beschikbaar, maar 32-36 uur heeft mijn voorkeur.

Ik sta te springen voor een uitdaging waarin ik kennis kan opdoen en kan samenwerken met anderen. Ben extreem gemotiveerd en combineer technisch inzicht met creativiteit.

Weet u een geschikte positie of ben ik degene die uw bedrijf zoekt? Neem dan contact met mij op. Mijn CV en motivatiebrief vindt u op mijn LinkedIn.



Delen is lief 😀

Bekijk het professionele profiel van Timo Wolthof op LinkedIn. LinkedIn is het grootste zakelijke netwerk ter wereld en stelt professionals als Timo Wolthof in staat om connecties van aanbevolen kandidaten, branchedeskundigen en zakenpartners te vinden.

14/01/2014

Cool exhibition by national geographic and NS. Still images still have value if you present them in a special way! Love this.

04/09/2013

Looking for interesting projects.

Are you starting a new business or shop or already exist and could use some creativity.

I like designing:
-Interactive store windows
-User and brand experience
-Facebook presence
-Visual style for images/video
-Marketing media such as photos and video.
-Simple website design (content is king)
-Consulting

Call me at +31(0)619897675 to talk, which is free ;)

07/08/2013

Graduation project 2013

Regisseuse: Bep Mergelsberg
Scenograaf: Timo Wolthof

Productiegroep 12+, Tuck Everlasting, Theaterschool Westelijke Mijnstreek, juni 2013.

02/08/2013

Fluolight & GLASS

01/08/2013

"The scenographer visually liberates the text and the story behind it, by creating a world in which the eyes see what the ears do not hear."

"A scenographer is by nature a cultural magpie, delighting in the search for the ephemera of history and sociology. The variety of work that presents itself is part of the fascination of the subject, and satisfies an inherent and insatiable curiosity that wants to know not only the great events of history by the precise details of how people lived, ate, dressed, washed, and earned their livelihood."

"Scenography - the creation of a stage space - does not exist as a self-contained art work. .......(snip)....... Scenography is always incomplete until the performer steps into the playing space and engages the audience. Moreover, scenography is the joint statement of the director and the visual artist of their view of the play, opera or dance that is being presented to the audience as a united piece of work."

"The scenographer has to be an artist who can understand how to work with and incorporate the ideas of the director, understand text as a writer, be sensitive to the needs of a performer exposed to an audience, and create imaginative and appropriate spaces for productions........."

Pamela Howard's What is Scenography? has become a classic text in contemporary theatre design and performance practice. In this second edition, the author expands on her holistic analysis of scenography as comprising space, text, research, art,

01/07/2013

Parkstad Verhuur Rene Engels

26/05/2013

Aftermovie PopupShoot Sessibon
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andthegang.com
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08/05/2013

Study of an abandoned trainstation in Montzen, BE. Now a very popular place among all sorts of photographers. This scene depicts one if the trains still there focussing on the fragility of the scene.

Acrylic on board, framed.
Size: around 100x80cm

I'm selling this artwork ask for price if interested. Digital prints also possible.

08/04/2013

Ivanovs scène 9
EXPOSITION from 6th of June! At vrijthof Maastricht ! Please share! Thanks
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Walking into an elevator , standing claustrophobicly close to the actors. The elevator slowly going down, at the end of the scene when everybody dies(I'm dead they say) they walk out the elevator. After everyone died the spectators walk out themselves also 'dying'.

07/04/2013

IVANOVS SCENE 7
DESIGN-EXPOSITION FROM 6th of June @ VRIJTHOF MAASTRICHT.

up the stairs of 'heaven' and then suddenly a boy and a dog.



:

-VERA the dog
-PETYA PEROV (1 year old boy)
____________________________________________________
VERA: Around the coffin walk I
Looking carefully with my eye.
What could this death signify?

A poor person prays for bread.
Bronze folk pray to the blue sky spread.
A priest will say the mass instead

The co**se lies here freezing.
The taste of ham is pleasing.
Dulcinea is dead— and no appeasing.

Every place there are bloody spots.
What evil intends, evil plots.
Nanny, your action rots.

Life is for decoration.
Death is for trepidation.
And now, Nanny, why this annihilation?

For the most important arteries
And the most courageous bacteria,
What, Nanny, are your criteria?

Fyodor would your sweet ass pet
Always in the morning sweat,
Now you’ll be a co**se, and forget.

(The one-year-old boy, Petya Perov enters, stumbling.)

PETYA PEROV (1): I am the youngest—I wake up earlier than everybody else. I remember now that two years ago I didn’t remember anything. I hear the dog reciting a speech in verse. She is crying ever so quietly.

VERA: How cold it is in the hall.
What, Petya, did you call?

PETYA PEROV (1): Call? How can I call? I can only proclaim, announce, perhaps.

VERA: I howl, I howl, I howl my doggy jive.
Wishing Sonya were still alive.

PETYA PEROV (1): She was unusually indecent. And now it is frightening to look at her.

VERA: Aren’t you surprised that I speak instead of bark?

PETYA PEROV (1): At my age nothing much can surprise me.

VERA: Give me a glass of water. This is too much for me.

PETYA PEROV (1): Take it easy. During my short life I’ll see even worse things.

VERA: This Sonya, wretched Ostrova, was immoral. But I showed her… Explain all this to me.

PETYA PEROV (1): Daddy, Mummy, Uncle, Aunty, Nanny.

VERA: What? What are you saying? Come to your senses.

PETYA PEROV (1): I am one year old now. Don’t forget. Daddy. Mummy. Uncle. Aunty. Fire. Cloud. Apple. Stone. Poopoo. Don’t forget.
(Nanny enters and takes him away, he’s pooping in his pants.)

VERA: (reflecting) He actually is still pretty young.
(Misha Pestrov and Dunya Shustrova enter, holding hands)

MISHA PESTROV (76): Happy day! Today is Christmas! Soon there will be glee!

DUNYA SHUSTROVA (82): Not glee but a bee. And not a bee but a tree. Happy day. Happy day. Is Sonya sleeping?

VERA: No she is put out, that is, extinguished.

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