03/02/2023
Some impressions from the recent encounter with Dito Yuwono & Mira Asriningtyas, retracing the latest edition of 900mdpl / Genealogy of Ghosts and How to Live with Them, Yogyakarta – Indonesia (2022)
&
screening the three related artworks:
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Mark Salvatus: Jalan-Jalan (Walking Around), 2019, 10'15'' (images 1 & 2)
Kaliurang in Jogjakarta is located near the active volcano Merapi, where ghosts of memories and history are part of the landscape. [...] They are hiding in the trees – like the trees and forest and the mountain are the bare witnesses of all the history of colonialism, war, and the neoliberal progress of development. A fictional work with no narrative flow. The ghosts are walking amongst us or are we the ghost?
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Dito Yuwono: Sand Run through Your Hand, Flow with the Water, 2022, 9'00'' (images 7 & 8)
[...] The ongoing research is looking into three different types of sand mining, from the traditional one that uses bare hands to the exploitative one that uses excavators. As an extractive activity rooted in the idea of coloniality, the massive sand mining industry operates in contrast to the local wisdom that was circulated throughout different generations.
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Paoletta Holst: What Bungalows Can Tell, 2019, 11’33” (image 10)
The village of Kaliurang (region of Yogyakarta, Indonesia) was built as a health and holiday retreat for the Dutch colonial middle class in the 1920’s. [...] Today, the majority of the colonial bungalows is still intact. Some of them are used for touristic purposes, others are abandoned and considered haunted. [...] The colonial past still haunts the present as the underlaying racial and segregational design principles of the bungalows continue to have an effect on everyday life.