Indebt Studio

26/08/2026

RENOVATION UPDATE #21

18/08/2026

A few moments in time earlier this year.
Captured by Johannes Schwartz.
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18/08/2026

A few more moments earlier this year.
Captured by Johannes Schwartz.
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01/07/2026

We would like to thank you all for attending our garden opening.
It was a great celebration of our first completed chapter, on to the next one!

Special thanks to 🌱

17/06/2026

Thank you all for coming by last Saturday. We had a blast 🌼🌱

01/05/2026

SPOTLIGHT - William Grob

(UK/CH) is a Berlin-based painter. He took part in our exhibition 2012 Never Happened (2023), where a selection of his works from his series Lost Millenials was presented.

Developed during the global outbreak of coronavirus, the series portrays a generation that is collectively present yet fundamentally isolated, navigating conditions shaped by consumer society and emotional dislocation.

Unable to express himself verbally until the age of seven, Grob developed an early reliance on visual language. The use of colour and form as a means of articulating emotional states remains central to his practice. His work often borders between reality and absurdity within everyday scenes, often depicting the loneliness of the human condition, at times underscored by a subtle sense of satire.

Working primarily in oil, his practice moves between figuration and dreamlike abstraction, shaped by an intuitive process where memory, imagination, and atmosphere converge.

Grob graduated with a BA in Photography from Falmouth University in 2014 and has since exhibited internationally, with shows in Berlin, London, Brussels, and Luxembourg, including presentations at , .london and .reding

We spoke with him over email and Instagram to reflect on his recent work and artistic process.

10/04/2026

10/02/2026

Looking back on 2012 NEVER HAPPENED (2023)

The year 2012 was marked by a heavily mediated event: the anticipated apocalypse. The exhibition draws on this cultural moment of collective anticipation, referencing Jean Baudrillard’s ‘The Gulf War Did Not Take Place’ (1991) as well as the Mayan apocalypse said to have taken place on December 21, 2012. Baudrillard’s concept of ‘hyperreality’, the blurring of lines between the real and the simulated, serves as the lens through which we question how we experience events in a media-saturated world.

Through the lens of these millennial artists, the exhibition reflects on this deeply pessimistic vision of the future: how do we navigate a world where reality is so deeply intertwined with its fictional representations?

Works highlighted in this post:
Slide 1 : Exhibition overview
Slide 2: Baratto & Mouravas, Trajan / Iterations, Laser cut MDF, 2017
Slide 3: William Grob, “Where are we, who are you, does it really matter”, Oil on linen, 2021
Slide 4: Exhibition overview
Slide 5: William Grob, The Qualifier of Hope, Oil on linen, 2021
Slide 6: Exhibition overview
Slide 7: Baratto & Mouravas , One Fathom, Two Phantoms, Self shot on 16mm, 2023
Slide 8: Tasio Bidegain, And the Eye Caught On Fire, Graphite on paper, 2021
Slide 9: William Grob, Delaying Time, Oil on linen, 2021
Slide 10: Baratto & Mouravas, L’ancien Regime, Ceramic, 2023

19/01/2026

Looking back on THIS TOO SHALL PASS (2022)

‘This Too Shall Pass’ is a deeply personal project developed by artist , our current in-house gardener at Govert Flinckstraat. The series reflects a journey of self-discovery, pursuit of peace and acceptance, and the quiet dialogue between human and landscape.

Kooyman (1992, NL) visually explores our relationship with nature through themes of temporality and impermanence. For this installation, his photographic series was expanded into a physical environment: moss, stone and over 3000kg of Ardennes Grey form a carefully composed space filled with light and stillness.

The photographs taking the French Alps document the slow, intuitive process of painting monumental boulders with natural pigments. Each session - lasting up to ten hours and spread across different seasons - marked a specific period in Kooyman’s personal life. As the colors fade, so do the moments they represent. The rocks return to their natural state, and so do we.

All photographs are 47 x 58 cm incl. frame, 2021.