Ulrike Quade Company

Ulrike Quade Company beeldend theater | visual theatre | theatre visuèl The performances are engaged, but also, surprisingly nimble, surreal, ironic, poetic.

The visual theatre of Ulrike Quade Company is a combination of sculpture and dance, mime and performance, language and music.

Hi Roman! Bye Roman!Yes, all good things come to an end (or remain in a digital form indefinitely?)We are wrapping up th...
29/05/2026

Hi Roman! Bye Roman!

Yes, all good things come to an end (or remain in a digital form indefinitely?)

We are wrapping up the Dutch tour of Roman & ELIZA at today and tomorrow.

It has been a wild ride making this show over the past two years, from our work with students to .idlab and performing our pilot for & Society 5.0 festival.

If you haven’t seen the show yet we hope to share it with you one last time. The team will be having a drink at Frascati cafe this evening so come say hi!

I am trapped in a network of memoryHalf soul, half dataResurrection upon resurrection upon resurrection🌌Roman & ELIZA, A...
11/05/2026

I am trapped in a network of memory
Half soul, half data
Resurrection upon resurrection upon resurrection

🌌Roman & ELIZA, A digital tragedy
In theaters until May 30th ⏳

29/04/2026

Roman & ELIZA – touring NL

🎭A digital tragedy about lost love and subscription services

☄️Coming to Purmerend, Nijmegen, Eindhoven, Den Haag, Zwolle, Arnhem, Breda
⏳Finale
🌚Dates and ticket links in bio

Bring out your dead, your wires, your screens.
Let us dance until we forget ourselves.

Rapunzel costume and chair for our life-size puppet designed by .xyz Roman & ELIZA, A (hairy) digital tragedy 👢Team   🚀T...
23/04/2026

Rapunzel costume and chair for our life-size puppet designed by .xyz

Roman & ELIZA, A (hairy) digital tragedy 👢

Team

🚀Tickets link in bio🤸

✨Audience reactions to Roman & ELIZA✨“A lost love on subscription?”“Weird, futuristic, abstract and yet realistic” “Beau...
23/04/2026

✨Audience reactions to Roman & ELIZA✨

“A lost love on subscription?”
“Weird, futuristic, abstract and yet realistic”
“Beautifully translated into theatre!”

📆 Coming to the following theatres in May

May 2nd
May 7th
May 8th
May 16th + ENG subs
May 19th
May 26th
May 28th
May 29th-30th +ENG subs

More info: Link in bio
See you there☄️

._.marcus .xyz

✨Audience reactions to Roman & ELIZA✨“A lost love on subscription?”“Weird, futuristic, abstract and yet realistic” “Beau...
23/04/2026

✨Audience reactions to Roman & ELIZA✨

“A lost love on subscription?”
“Weird, futuristic, abstract and yet realistic”
“Beautifully translated into theatre!”

📆 Coming to the following theatres in May

May 2nd
May 7th
May 8th
May 16th + ENG subs
May 19th
May 26th
May 28th
May 29th-30th +ENG subs

More info: Link in bio

☄️See you there!☄️

.xyz ._.marcus

Symposium concluding the exhibition ‘Decor in Drie Bedrijven/Set Design in Three Acts’  - Saturday April 25th, 4-5pm- Re...
22/04/2026

Symposium concluding the exhibition ‘Decor in Drie Bedrijven/Set Design in Three Acts’

- Saturday April 25th, 4-5pm
- Register in bio

The finissage of the exhibition period culminates in a dialogue between artists Ulrike Quade, Zephyr Brüggen and Arne Hendriks about the significance of scenography and miniatures as instruments for exploring our relationship with the landscape.

“Visitors to the Slingelandt Theatre in the eighteenth and nineteenth centuries witnessed a remarkable spectacle. After all, they saw no actors on this small chamber stage, but rather a continuous series of changing sets. With the aid of various mechanical techniques, candlelight, and human power, visitors witnessed, for example, an eruption of Mount Vesuvius.”

In March 2026, Ulrike Quade was invited to give a masterclass with Arne Hendricks on theatre technology. Drawing from the making of scenographies in robot-theatre projects such as Orito, SPOTxKafka and our new immersive production Roman & ELIZA, Quade explored theatre technology as a space for experimentation and research where urgent societal issues become visible, imaginable and experiential.

Images:
Allard Pierson. Francois Joseph Pfeiffer Jr., Decor for The Slingelandt Theater, 1824
Allard Pierson. Pieter Barbiers II, Decor for The Slingelandt Theater, 1781

Roman 2.0 - Building a digital skin from scratchRenderings of 3D avatar/meta-human puppeteered live via motion capture, ...
06/04/2026

Roman 2.0 - Building a digital skin from scratch

Renderings of 3D avatar/meta-human puppeteered live via motion capture, originally designed as part of the development of Roman & ELIZA for the Horizon Europe project

03/04/2026

Roman is dead, but Charly can still talk to him. Told by the ghost, the lover and the machine, descend into the illusory world of data and deception.

🎭Roman & ELIZA, A digital tragedy

8th April
10th April + ENG subtitles
17th April
22nd April

🗣️Get your tickets now
☄️Dutch tour until May 30

Sound by
Shot by

🤸Audience reactions🤸“The digital aesthetics are striking”“Discomfort is not avoided”“Captivating from beginning to end”🎭...
02/04/2026

🤸Audience reactions🤸

“The digital aesthetics are striking”
“Discomfort is not avoided”
“Captivating from beginning to end”

🎭Roman & ELIZA, A digital tragedy
Told by the ghost, the lover and the machine

2nd April
8th April
10th April + ENG subtitles
17th April
22nd April

🗣️Get your tickets now!
☄️Dutch tour until May 30!

📸 Julian Maiwald

Adres

Burgemeester De Vlugtlaan 125
Amsterdam
1063BJ

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